Cumulated Bibliography of Biographies of Ocean Scientists

This bibliography attempts to list all substantial autobiographies, biographies, festschrifts and obituaries of prominent oceanographers, marine biologists, fisheries scientists, and other scientists who worked in the marine environment published in journals and books after 1922, the publication date of Herdman’s Founders of Oceanography. The bibliography does not include newspaper obituaries, government documents, or citations to brief entries in general biographical sources.Last revised December 3, 200

Musicians Necrology, 1991-2018

Nathan Eakin (1932-2000) first began the Gaylord Music Library Necrology file as a card file in the mid-1980s. In 1991, the project moved to a word processing file and in 1995, became available as a web page. The column formerly published in the Music Library Association’s journal, Notes, called the Necrology Index, was extracted from this Necrology file. Library Assistant Paul Hahn continued to update the necrology on the Gaylord Music Library’s website through 2018

Historical and political preoccupations in "La nouvelle revue française" under the editorship of Jean Paulhan, 1925 to 1940

Within the range of literary reviews in Twentieth-Century France, none has a more highly-esteemed reputation than la Nouvelle Revue Francaise, originally founded in 1909 by Andre Gide and his friends. Resuming in 1919 in a world profoundly shaken by the upheaval and consequences of the First World War, the NRF, at first under Jacques Riviere and then, from 1925 (for the rest of the Inter-War period), under the editorial control of Jean Paulhan, re-established itself at the forefront of literary and critical creativity. Informed by much of the unpublished correspondence of Paulhan, this thesis shows that the NRF was not exclusively literary. An examination of Paulhan's role, and of his editorial policy (Chapter One) precedes the identification of a number of themes. Already sensitive to topical questions, the NRF debated the role and responsibilities of the intellectuals (Chapter Two), whose attitudes tended to become more politicized as they grew more aware of the deficiencies of the Third Republic (Chapter Three). Their preoccupations reflected major themes, in particular Franco-German relations (Chapter Four), Franco-Soviet relations (Chapter Five), and the Jewish question (Chapter Six). Of course the writers involved with the NRF continued to consider political and international issues in the light of their own preferences and prejudices.; yet their reactions and interpretations show that they were ever-more conscious of the crucial, historical importance of the period. Indeed its nature was such that History forced the NRF, eventually, into adopting a partisan position which was Antifascist, anti-Munich, and which even prefigured the Resistance (Chapter Seven)

Le FORUM, Vol. 34 No. 4

https://digitalcommons.library.umaine.edu/francoamericain_forum/1028/thumbnail.jp

From outsiders to insiders? Strategies and practices of American film distributors in post-war Italy

This article examines the impact of structural changes in the postwar film industry on the activities and effectiveness of the foreign distribution subsidiaries of American firms. As these subsidiaries saw their regular supply of films from their in-house Hollywood studios decline, they sought out alternative sources of product content, often from local markets. Unable to rely on the traditional “ownership” advantages bestowed on them by their parent firms, these subsidiaries increasingly needed to integrate into local networks and forge closer relationships with local producers and exhibitors. Our focus is on Italy, one of the most important film markets for US companies in the 1960s. We collect data on the box office revenues and screen time allocated to every film released into the first-run cinema market and compare the effectiveness of American versus Italian distributors in maximizing the exposure of their most popular films. We explore the attempts by US firms to form partnerships with Italian distributors and producers. Finally, we examine available archival records to reveal the detailed activities of US distribution offices in Italy and their attempts to integrate into local business networks. We conclude that while US subsidiaries did not fully succeed in becoming “insiders” within the Italian film industry in this period, they did actively work toward such an objective

MS 115 Guide to John P. McGovern, MD Papers, 1901-2002

The papers of John P. McGovern document his medical career, the creation of the McGovern Allergy Clinic, his editorial and writing leadership, and his founding assistance and support for the American Osler Society. Dr. McGovern was energetic in leading many medical associations, promoting humanism in medicine

The Reception of Women Pianists in London, 1950-60

This study investigates the reception of women pianists in London in the decade 1950-60, based on reviews published in three music journals, Music and Musicians, Musical Opinion, The Musical Times, and one national daily newspaper, The Times. In the eighteenth and nineteenth centuries, women pianists, both amateur and professional, suffered from the notion that women were innately unable to engage with a superior art form such as music: thus argue scholars including Katharine Ellis, Richard Leppert, Ruth Solie and Judith Tick. Yet, such attitudes did not prevent a strong tradition of women pianists from being formed. In Britain, in the latter part of the nineteenth century, Arabella Goddard was at the forefront of the London musical scene; she was succeeded by Fanny Davies and Adelina de Lara and, later, Dame Myra Hess and Harriet Cohen, whose career successes came in the 1920s. While the situation of women pianists in Britain between the mid-nineteenth century and the late 1920s has been assessed by scholars such as Therese Ellsworth and Dorothy de Val, an in-depth study dealing with the reception of women pianists in post-WWII Britain has yet to appear. This study does not attempt to assess the technical or musical accuracy of the reviews considered; instead, it asks, what were the musical perspectives of the reviewers and, specifically, what were their views on women pianists? First, it presents six important critics, Frank Howes, Clinton Gray-Fisk, Sir Jack Westrup, Andrew Porter, Joan Chissell and Diana McVeagh, all of whom contributed to the four sources cited above. Then it assesses the extent of the prejudice embedded in the reviews examined (written by many more than the six above), which invoke such varied issues as masculinist repertoire and female anatomy. Following this, it examines the careers of six leading women concert pianists of the time: Dame Myra Hess, Harriet Cohen, Eileen Joyce, Gina Bachauer, Margaret Kitchin and Dame Moura Lympany. Their successes reveal the extent to which women musicians of the highest status were considered exempt from the prejudices to which others were subjected. It is hoped that such a study will illuminate aspects of musical life unique to London in the 1950s, partially fill the void in the historiography of women pianists in Britain after Davies, and also alert those women who perform, as well as all who listen and assess women performers, to the complex and often covert issues ‘beyond the notes’

Encephalitis Lethargica, viral illness and the binary structures of the modern British health system c.1900-1975

In the early twentieth century, the modern British health system became structured in line with two sets of binary distinctions: between mental and physical, acute and chronic illness. According to some historians, this system was gradually transformed over the next decades through a series of changes in provision and policy, which integrated mental and general medicine and adopted a more progressive, humane approach to chronic illness. Challenging this narrative of integration and progress, this thesis shows and explains why over the twentieth century the modern British health system continued to conceptualise illness as either mental or physical, acute or chronic. During this period, members of the British medical and psychiatric profession positioned disease categories on either end of these binaries axes in order to connect them to specific provisions, resources and policies, to allocate medical care or financial support, and thus meet the needs of an increasingly comprehensive, yet often ill-equipped health system. In order to explore this contention, focus is on a specific group of illnesses which emerged and persisted for long periods of time after an acute viral event, often came into conflict with and thus from historical perspective expose these binary structures. Whilst this thesis explores how these illnesses were ultimately brought within categories aligned with the concepts of mental/physical and acute/chronic, it also highlights one important exception to this rule: Encephalitis Lethargica. Unable to align with these binaries, to be related to a series of practical decisions, and therefore fitted into the contemporary health system, this category therefore disappeared entirely. Given that these binaries endure and inform inequalities in our health system today, this thesis also hopes to provide an account of the past which helps us to better understand and critique circumstances in the present

Le FORUM, Vol. 34 No. 2

https://digitalcommons.library.umaine.edu/francoamericain_forum/1026/thumbnail.jp