3,725 research outputs found
Sound Source Separation
This is the author's accepted pre-print of the article, first published as G. Evangelista, S. Marchand, M. D. Plumbley and E. Vincent. Sound source separation. In U. Zölzer (ed.), DAFX: Digital Audio Effects, 2nd edition, Chapter 14, pp. 551-588. John Wiley & Sons, March 2011. ISBN 9781119991298. DOI: 10.1002/9781119991298.ch14file: Proof:e\EvangelistaMarchandPlumbleyV11-sound.pdf:PDF owner: markp timestamp: 2011.04.26file: Proof:e\EvangelistaMarchandPlumbleyV11-sound.pdf:PDF owner: markp timestamp: 2011.04.2
A computational framework for sound segregation in music signals
Tese de doutoramento. Engenharia Electrotécnica e de Computadores. Faculdade de Engenharia. Universidade do Porto. 200
A Parametric Sound Object Model for Sound Texture Synthesis
This thesis deals with the analysis and synthesis of sound textures based on parametric sound objects. An overview is provided about the acoustic and perceptual principles of textural acoustic scenes, and technical challenges for analysis and synthesis are considered. Four essential processing steps for sound texture analysis are identifi ed, and existing sound texture systems are reviewed, using the four-step model as a guideline. A theoretical framework for analysis and synthesis is proposed. A parametric sound object synthesis (PSOS) model is introduced, which is able to describe individual recorded sounds through a fi xed set of parameters. The model, which applies to harmonic and noisy sounds, is an extension of spectral modeling and uses spline curves to approximate spectral envelopes, as well as the evolution of parameters over time. In contrast to standard spectral modeling techniques, this representation uses the concept of objects instead of concatenated frames, and it provides a direct mapping between sounds of diff erent length. Methods for automatic and manual conversion are shown. An evaluation is presented in which the ability of the model to encode a wide range of di fferent sounds has been examined. Although there are aspects of sounds that the model cannot accurately capture, such as polyphony and certain types of fast modulation, the results indicate that high quality synthesis can be achieved for many different acoustic phenomena, including instruments and animal vocalizations. In contrast to many other forms of sound encoding, the parametric model facilitates various techniques of machine learning and intelligent processing, including sound clustering and principal component analysis. Strengths and weaknesses of the proposed method are reviewed, and possibilities for future development are discussed
Deep clustering: Discriminative embeddings for segmentation and separation
We address the problem of acoustic source separation in a deep learning
framework we call "deep clustering." Rather than directly estimating signals or
masking functions, we train a deep network to produce spectrogram embeddings
that are discriminative for partition labels given in training data. Previous
deep network approaches provide great advantages in terms of learning power and
speed, but previously it has been unclear how to use them to separate signals
in a class-independent way. In contrast, spectral clustering approaches are
flexible with respect to the classes and number of items to be segmented, but
it has been unclear how to leverage the learning power and speed of deep
networks. To obtain the best of both worlds, we use an objective function that
to train embeddings that yield a low-rank approximation to an ideal pairwise
affinity matrix, in a class-independent way. This avoids the high cost of
spectral factorization and instead produces compact clusters that are amenable
to simple clustering methods. The segmentations are therefore implicitly
encoded in the embeddings, and can be "decoded" by clustering. Preliminary
experiments show that the proposed method can separate speech: when trained on
spectrogram features containing mixtures of two speakers, and tested on
mixtures of a held-out set of speakers, it can infer masking functions that
improve signal quality by around 6dB. We show that the model can generalize to
three-speaker mixtures despite training only on two-speaker mixtures. The
framework can be used without class labels, and therefore has the potential to
be trained on a diverse set of sound types, and to generalize to novel sources.
We hope that future work will lead to segmentation of arbitrary sounds, with
extensions to microphone array methods as well as image segmentation and other
domains.Comment: Originally submitted on June 5, 201
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