Comparing objective visual quality impairment detection in 2D and 3D video sequences

The skill level of teleoperator plays a key role in the telerobotic operation. However, plenty of experiments are required to evaluate the skill level in a conventional assessment. In this paper, a novel brain-based method of skill assessment is introduced, and the relationship between the teleoperator's brain states and skill level is first investigated based on a kernel canonical correlation analysis (KCCA) method. The skill of teleoperator (SoT) is defined by a statistic method using the cumulative probability function (CDF). Five indicators are extracted from the electroencephalo-graph (EEG) of the teleoperator to represent the brain states during the telerobotic operation. By using the KCCA algorithm in modeling the relationship between the SoT and the brain states, the correlation has been proved. During the telerobotic operation, the skill level of teleoperator can be well predicted through the brain states. © 2013 IEEE.Link_to_subscribed_fulltex

Subjective quality assessment of error concealment strategies for 3DTV in the presence of asymmetric transmission errors

International audienceThe transmission of 3DTV sequences over packet based networks may result in degradations of the video quality due to packet loss. In the conventional 2D case, several different strategies are known for extrapolating the missing information and thus concealing the error. In 3D however, the residual error after concealment of one view might leads to binocular rivalry with the correctly received second view. In this paper, three simple alternatives are presented: frame freezing, a reduced playback speed, and displaying only a single view for both eyes, thus effectively switching to 2D presentation. In a subjective experiment the performance in terms of quality of experience of the three methods is evaluated for different packet loss scenarios. Error-free encoded videos at different bit rates have been included as anchor conditions. The subjective experiment method contains special precautions for measuring the Quality of Experience (QoE) for 3D content and also contains an indicator for visual discomfort. The results indicate that switching to 2D is currently the best choice but difficulties with visual discomfort should be expected even for this method

Efficient HDTV and 3DTV services over DVB-T2 using Multiple PLPs with Layered Media

[EN] The high bit rates of high-definition or 3D services require a huge share of the valuable terrestrial spectrum, especially when targeting wide coverage areas. This article describes how to provide future services with the state-of-the-art digital terrestrial TV technology DVB-T2 in a flexible and cost-efficient way. The combination of layered media such as the scalable and 3D extension of the H.264/AVC or emerging H.265/HEVC format with the physical layer pipes feature of DVB-T2 enables flexible broadcast of services with differentiated protection of the quality layers. This opens up new ways of service provisioning such as graceful degradation for mobile or fixed reception. This article shows how existing DVB-T2 and MPEG-2 transport stream mechanisms need to be configured for offering such services over DVB-T2. A detailed description of the setup of such services and the involved components is given.Hellge, C.; Wiegand, T.; Guinea Torre, E.; Gomez-Barquero, D.; Schierl, T. (2013). Efficient HDTV and 3DTV services over DVB-T2 using Multiple PLPs with Layered Media. IEEE Communications Magazine. 51(10):76-82. doi:10.1109/MCOM.2013.6619569S7682511

Providing 3D video services: the challenge from 2D to 3DTV quality of experience

Recently, three-dimensional (3D) video has decisively burst onto the entertainment industry scene, and has arrived in households even before the standardization process has been completed. 3D television (3DTV) adoption and deployment can be seen as a major leap in television history, similar to previous transitions from black and white (B&W) to color, from analog to digital television (TV), and from standard definition to high definition. In this paper, we analyze current 3D video technology trends in order to define a taxonomy of the availability and possible introduction of 3D-based services. We also propose an audiovisual network services architecture which provides a smooth transition from two-dimensional (2D) to 3DTV in an Internet Protocol (IP)-based scenario. Based on subjective assessment tests, we also analyze those factors which will influence the quality of experience in those 3D video services, focusing on effects of both coding and transmission errors. In addition, examples of the application of the architecture and results of assessment tests are provided

Multimedia delivery in the future internet

The term “Networked Media” implies that all kinds of media including text, image, 3D graphics, audio and video are produced, distributed, shared, managed and consumed on-line through various networks, like the Internet, Fiber, WiFi, WiMAX, GPRS, 3G and so on, in a convergent manner [1]. This white paper is the contribution of the Media Delivery Platform (MDP) cluster and aims to cover the Networked challenges of the Networked Media in the transition to the Future of the Internet. Internet has evolved and changed the way we work and live. End users of the Internet have been confronted with a bewildering range of media, services and applications and of technological innovations concerning media formats, wireless networks, terminal types and capabilities. And there is little evidence that the pace of this innovation is slowing. Today, over one billion of users access the Internet on regular basis, more than 100 million users have downloaded at least one (multi)media file and over 47 millions of them do so regularly, searching in more than 160 Exabytes1 of content. In the near future these numbers are expected to exponentially rise. It is expected that the Internet content will be increased by at least a factor of 6, rising to more than 990 Exabytes before 2012, fuelled mainly by the users themselves. Moreover, it is envisaged that in a near- to mid-term future, the Internet will provide the means to share and distribute (new) multimedia content and services with superior quality and striking flexibility, in a trusted and personalized way, improving citizens’ quality of life, working conditions, edutainment and safety. In this evolving environment, new transport protocols, new multimedia encoding schemes, cross-layer inthe network adaptation, machine-to-machine communication (including RFIDs), rich 3D content as well as community networks and the use of peer-to-peer (P2P) overlays are expected to generate new models of interaction and cooperation, and be able to support enhanced perceived quality-of-experience (PQoE) and innovative applications “on the move”, like virtual collaboration environments, personalised services/ media, virtual sport groups, on-line gaming, edutainment. In this context, the interaction with content combined with interactive/multimedia search capabilities across distributed repositories, opportunistic P2P networks and the dynamic adaptation to the characteristics of diverse mobile terminals are expected to contribute towards such a vision. Based on work that has taken place in a number of EC co-funded projects, in Framework Program 6 (FP6) and Framework Program 7 (FP7), a group of experts and technology visionaries have voluntarily contributed in this white paper aiming to describe the status, the state-of-the art, the challenges and the way ahead in the area of Content Aware media delivery platforms

A novel view-level target bit rate distribution estimation technique for real-time multi-view video plus depth

This paper presents a novel view-level target bit rate distribution estimation technique for real-time Multi-view video plus depth using a statistical model that is based on the prediction mode distribution. Experiments using various standard test sequences show the efficacy of the technique, as the model manages to estimate online the view-level target bit rate distribution with an absolute mean estimation error of 2% and a standard deviation of 0.9%. Moreover, this technique provides adaptation of the view-level bit rate distribution providing scene change handling capability.peer-reviewe