Object Language/On Defining Sculpture

Object Language In the current era we in the Western, developed world, have almost universal free and uninhibited access to almost every piece of information in existence. Increasingly, regardless of the source, material presented to us as fact has become increasingly suspect. Together, these two things mean this endless stream of data is useless. The question is how to combat this decline, how to reverse the process of a meaningless, constant data-dump. The answer lies in the language used to communicate information. Language is the means by which we communicate complex ideas and knowledge from person to person. Language is something ubiquitous in our society, we see it, we hear it, it is so constant we do not even consider it as a part of the concepts it is used to convey. Altering language is one of the subtlest ways that information can still be obfuscated. Sculpture has the capability to reframe its own context. This is the great privilege evidenced numerous times by such works as Duchamp’s Fountain and enumerated by prominent art historians. Transforming something into sculpture implies that the purpose of the work is, at least in part, to reframe the subject matter of the piece. Translating language into sculpture is an effort to reframe this system. The process takes that which is recognizable and readily consumable and obfuscates it, putting barriers between us, the reader, and the idea expressed. That which is freely given is valueless, easily discarded, and ignored. By transforming the content into sculpture the idea is elevated, made enigmatic, even esoteric. The ideas in the context of this show are not freely given. They have been rendered inaccessible and there must be effort expended to understand the message. These ideas must be earned. This makes them more valuable and much harder to ignore or discard. Information is the most powerful tool we have, its possession saves us from the mistakes of the past, it is what guides us through our present, and it is what ensures our future. When information becomes valueless it is altogether too easy for it to be taken away; we lose the most important tool we have in self determination. The supplemental images are of the art exhibition entitled Object Language, produced by the artist, that this thesis is a companion to

Super Logic Programs

The Autoepistemic Logic of Knowledge and Belief (AELB) is a powerful nonmonotic formalism introduced by Teodor Przymusinski in 1994. In this paper, we specialize it to a class of theories called `super logic programs'. We argue that these programs form a natural generalization of standard logic programs. In particular, they allow disjunctions and default negation of arbibrary positive objective formulas. Our main results are two new and powerful characterizations of the static semant ics of these programs, one syntactic, and one model-theoretic. The syntactic fixed point characterization is much simpler than the fixed point construction of the static semantics for arbitrary AELB theories. The model-theoretic characterization via Kripke models allows one to construct finite representations of the inherently infinite static expansions. Both characterizations can be used as the basis of algorithms for query answering under the static semantics. We describe a query-answering interpreter for super programs which we developed based on the model-theoretic characterization and which is available on the web.Comment: 47 pages, revised version of the paper submitted 10/200

Reanalysis in Hungarian Comparative Subclauses

My paper presents a diachronic study of the Left Periphery of Hungarian comparative subclauses, primarily focussing on the development of the complementisers and the operator. Adopting a cartographic approach, I will show that there were two main interrelated processes at work in the development of these subclauses, changing the initial configuration of hogy ‘that’ as a complementiser to a new one having mint ‘than’ as a C head, possibly followed by an overt operator. These two processes involve the reanalysis of mint from an operator to a complementiser by way of the relative cycle, and the appearance of new overt comparative operators due to a change in the deletion of the operator (Comparative Deletion)

'Mrs. Pace' and the ambiguous language of victimization

'Justice' is a historical phenomenon: legal institutions and cultural attitudes (along with their various languages) vary across geography and time. At the same time, enduring elements of human psychology and recurring patterns in social structures provide continuities which allow the past to speak to contemporary issues. To understand the 'experience of justice', the historical tension between continuity and change and the many factors influencing the perceived boundaries of acceptable behaviour must be addressed. One approach involves examining specific experiences of victimisation, which is particularly important in the case of those who have traditionally been socially, legally and politically disadvantaged, such as women. However, while it is primarily an admission of powerlessness, 'victimhood' - the active claiming of victim status - can also be a source of social power. Only 'victims', after all, are in the position to claim some form of justice, whether retributive or restorative. However, one of the main problems with gaining a historical perspective on female victims of domestic violence is that their voices have relatively rarely survived in the public record. A valuable exception is the case of Beatrice Annie Pace. The wife of a Gloucestershire quarryman and sheep farmer, she was tried and acquitted for murdering her husband with arsenic in 1928. Extensive pre-trial hearings had revealed the horrifying extent of the dead man's physical and psychological brutality throughout eighteen-years of marriage. The dramatic twists and unexpected developments in the case were eagerly picked up by the voracious newspaper media, making the trial a sensation. 'Mrs. Pace', as she was known, achieved celebrity status; no longer simply an individual, she also became a popular and sympathetic media persona. This chapter explores the issue of justice by looking at the languages surrounding the Pace case. While legal issues raised in the trial (such as the accused's treatment by the police and coroner's jury) even led to questions being asked in Parliament, Pace was not only talked about but also received the rare opportunity to present her own version of events to the public which had so eagerly supported her. Following her acquittal, she sold her story to a tabloid, and the married 'martyrdom' which she revealed in a serialised memoir riveted newspaper readers across Britain. In this context, she had a great deal to say about her experience of abuse, the nature of married life and her treatment by the British legal system. The result is an invaluable resource for examining not only how one woman came to grips with her experience but also to compare her own views with those of other observers of the case. For some, Pace's suffering was evidence of serious shortcomings in British society and law. Pace's own commentary is both more personal and, ultimately, more ambiguous about the meaning of her victimisation and ultimate vindication. Thus, this case allows a unique, historically aware consideration of the complicated nature of the ways in which one woman created justice and resisted injustice through one of the only vehicles available to her: language

Deep Space Network information system architecture study

The purpose of this article is to describe an architecture for the Deep Space Network (DSN) information system in the years 2000-2010 and to provide guidelines for its evolution during the 1990s. The study scope is defined to be from the front-end areas at the antennas to the end users (spacecraft teams, principal investigators, archival storage systems, and non-NASA partners). The architectural vision provides guidance for major DSN implementation efforts during the next decade. A strong motivation for the study is an expected dramatic improvement in information-systems technologies, such as the following: computer processing, automation technology (including knowledge-based systems), networking and data transport, software and hardware engineering, and human-interface technology. The proposed Ground Information System has the following major features: unified architecture from the front-end area to the end user; open-systems standards to achieve interoperability; DSN production of level 0 data; delivery of level 0 data from the Deep Space Communications Complex, if desired; dedicated telemetry processors for each receiver; security against unauthorized access and errors; and highly automated monitor and control

Generating Permutations with Restricted Containers

We investigate a generalization of stacks that we call $\mathcal{C}$-machines. We show how this viewpoint rapidly leads to functional equations for the classes of permutations that $\mathcal{C}$-machines generate, and how these systems of functional equations can frequently be solved by either the kernel method or, much more easily, by guessing and checking. General results about the rationality, algebraicity, and the existence of Wilfian formulas for some classes generated by $\mathcal{C}$-machines are given. We also draw attention to some relatively small permutation classes which, although we can generate thousands of terms of their enumerations, seem to not have D-finite generating functions

Critique of Creativity: Precarity, Subjectivity and Resistance in the ‘Creative Industries’

234 p. : il., Tablas.Libro ElectrónicoLa creatividad siempre está en movimiento: surge, se establece en el ente colectivo, palidece y desaparece a veces en el olvido; renace, vuelve con innovaciones, se reformula y resurge iniciando de nuevo el ciclo. Los viejos mitos de la creación y los creadores, los trabajos consagrados y los organismos privilegiados de los demiurgos están de nuevo en marcha, produciendo nuevos cambios. Los ensayos recogidos en este libro analizan ese resurgimiento complejo del mito de la creación y proponen una crítica contemporánea de la creatividad.Creativity is astir: reborn, re-conjured, re-branded, resurgent. The old myths of creation and creators – the hallowed labors and privileged agencies of demiurges and prime movers, of Biblical world-makers and self-fashioning artist-geniuses – are back underway, producing effects, circulating appeals. Much as the Catholic Church dresses the old creationism in the new gowns of ‘intelligent design’, the Creative Industries sound the clarion call to the Cultural Entrepreneurs. In the hype of the ‘creative class’ and the high flights of the digital bohemians, the renaissance of ‘the creatives’ is visibly enacted. The essays collected in this book analyze this complex resurgence of creation myths and formulate a contemporary critique of creativity.Contents vii Contributors ix Acknowledgements xv Introduction: On the Strange Case of ‘Creativity’ and its Troubled Resurrection 1 PART ONE: CREATIVITY 7 1 Immanent Effects: Notes on Cre-activity 9 2 The Geopolitics of Pimping 23 3 The Misfortunes of the ‘Artistic Critique’ and of Cultural Employment 41 4 ‘Creativity and Innovation’ in the Nineteenth Century: Harrison C. White and the Impressionist Revolution Reconsidered 57 PART TWO: PRECARIZATION 77 5 Virtuosos of Freedom: On the Implosion of Political Virtuosity and Productive Labour 79 6 Experiences Without Me, or, the Uncanny Grin of Precarity 91 7 Wit and Innovation 101 PART THREE: CREATIVITY INDUSTRIES 107 8 GovernCreativity, or, Creative Industries Austrian Style 109 9 The Los Angelesation of London: Three Short Waves of Young People’s Micro-Economies of Culture and Creativity in the UK 119 10 Unpredictable Outcomes / Unpredictable Outcasts: On Recent Debates over Creativity and the Creative Industries 133 11 Chanting the Creative Mantra: The Accelerating Economization of EU Cultural Policy 147 PART FOUR: CULTURE INDUSTRY 165 12 Culture Industry and the Administration of Terror 167 13 Add Value to Contents: The Valorization of Culture Today 183 14 Creative Industries as Mass Deception 191 Bibliography 20