Exploiting multimedia in creating and analysing multimedia Web archives

The data contained on the web and the social web are inherently multimedia and consist of a mixture of textual, visual and audio modalities. Community memories embodied on the web and social web contain a rich mixture of data from these modalities. In many ways, the web is the greatest resource ever created by human-kind. However, due to the dynamic and distributed nature of the web, its content changes, appears and disappears on a daily basis. Web archiving provides a way of capturing snapshots of (parts of) the web for preservation and future analysis. This paper provides an overview of techniques we have developed within the context of the EU funded ARCOMEM (ARchiving COmmunity MEMories) project to allow multimedia web content to be leveraged during the archival process and for post-archival analysis. Through a set of use cases, we explore several practical applications of multimedia analytics within the realm of web archiving, web archive analysis and multimedia data on the web in general

System of Information Feedback on Archive Using Term Frequency-Inverse Document Frequency and Vector Space Model Methods

The archive is one of the examples of documents that important. Archives are stored systematically with a view to helping and simplifying the storage and retrieval of the archive. In the information retrieval (Information retrieval) the process of retrieving relevant documents and not retrieving documents that are not relevant. To retrieve the relevant documents, a method is needed. Using the Term Frequency-Inverse Document and Vector Space Model methods can find relevant documents according to the level of closeness or similarity, in addition to applying the Nazief-Adriani stemming algorithm can improve information retrieval performance by transforming words in a document or text to the basic word form. then the system indexes the document to simplify and speed up the search process. Relevance is determined by calculating the similarity values between existing documents by querying and represented in certain forms. The documents obtained, then the system sort by the level of relevance to the query

Symbiosis between the TRECVid benchmark and video libraries at the Netherlands Institute for Sound and Vision

Audiovisual archives are investing in large-scale digitisation efforts of their analogue holdings and, in parallel, ingesting an ever-increasing amount of born- digital files in their digital storage facilities. Digitisation opens up new access paradigms and boosted re-use of audiovisual content. Query-log analyses show the shortcomings of manual annotation, therefore archives are complementing these annotations by developing novel search engines that automatically extract information from both audio and the visual tracks. Over the past few years, the TRECVid benchmark has developed a novel relationship with the Netherlands Institute of Sound and Vision (NISV) which goes beyond the NISV just providing data and use cases to TRECVid. Prototype and demonstrator systems developed as part of TRECVid are set to become a key driver in improving the quality of search engines at the NISV and will ultimately help other audiovisual archives to offer more efficient and more fine-grained access to their collections. This paper reports the experiences of NISV in leveraging the activities of the TRECVid benchmark

What the next decade is going to bring

A record of a discussion among a number of the major managers of information systems within the U.S. Government is presented. The topics of discussion focus on assessing the past and present information systems with an emphasis on planning future projects to meet the changing needs of science and technology

Access to Digital Cultural Heritage: Innovative Applications of Automated Metadata Generation

Access to Digital Cultural Heritage: Innovative Applications of Automated Metadata Generation Edited by: Krassimira Ivanova, Milena Dobreva, Peter Stanchev, George Totkov Authors (in order of appearance): Krassimira Ivanova, Peter Stanchev, George Totkov, Kalina Sotirova, Juliana Peneva, Stanislav Ivanov, Rositza Doneva, Emil Hadjikolev, George Vragov, Elena Somova, Evgenia Velikova, Iliya Mitov, Koen Vanhoof, Benoit Depaire, Dimitar Blagoev Reviewer: Prof., Dr. Avram Eskenazi Published by: Plovdiv University Publishing House "Paisii Hilendarski" ISBN: 978-954-423-722-6 2012, Plovdiv, Bulgaria First EditionThe main purpose of this book is to provide an overview of the current trends in the field of digitization of cultural heritage as well as to present recent research done within the framework of the project D002-308 funded by Bulgarian National Science Fund. The main contributions of the work presented are in organizing digital content, metadata generation, and methods for enhancing resource discovery. The parts of the book can be downloaded here

CHORUS Deliverable 4.5: Report of the 3rd CHORUS Conference

The third and last CHORUS conference on Multimedia Search Engines took place from the 26th to the 27th of May 2009 in Brussels, Belgium. About 100 participants from 15 European countries, the US, Japan and Australia learned about the latest developments in the domain. An exhibition of 13 stands presented 16 research projects currently ongoing around the world

Scene extraction in motion pictures

This paper addresses the challenge of bridging the semantic gap between the rich meaning users desire when they query to locate and browse media and the shallowness of media descriptions that can be computed in today\u27s content management systems. To facilitate high-level semantics-based content annotation and interpretation, we tackle the problem of automatic decomposition of motion pictures into meaningful story units, namely scenes. Since a scene is a complicated and subjective concept, we first propose guidelines from fill production to determine when a scene change occurs. We then investigate different rules and conventions followed as part of Fill Grammar that would guide and shape an algorithmic solution for determining a scene. Two different techniques using intershot analysis are proposed as solutions in this paper. In addition, we present different refinement mechanisms, such as film-punctuation detection founded on Film Grammar, to further improve the results. These refinement techniques demonstrate significant improvements in overall performance. Furthermore, we analyze errors in the context of film-production techniques, which offer useful insights into the limitations of our method

Artificial Intelligence and the Preservation of Historic Documents

In recent decades, digitization has been presented as an important strategy both for the preservation of historic documents and for giving increased access for researchers to such materials. In the Norwegian context, this has not only implied the digitization of printed matter but also the digitization of audiovisual material like photography and analog tape recordings. From a technical perspective, there are of cause difficulties in digitizing such a variety of material when considering the diversity of media formats dating back to the nineteenth century. However, from the archival community criticism has been raised not only about the quality of the work but also the concerning the selection process, the organization of the material, and the collection of metadata. The National Library of Norway, especially, has attempted to avoid the problem of selection by attempting to digitize all of visual, sonic and audio-visual culture heritage. But this has created even greater challenges for the organization and registration of metadata. This is an issue that is apparent to the National Library, so it is looking into the possibility of using artificial intelligence – learning algorithms – to organize the material. The key issue is that the preservation of historic material is also dependent on the preservation of context and on metadata enabling us to interpret and understand the material at hand