LiveCap: Real-time Human Performance Capture from Monocular Video

We present the first real-time human performance capture approach that reconstructs dense, space-time coherent deforming geometry of entire humans in general everyday clothing from just a single RGB video. We propose a novel two-stage analysis-by-synthesis optimization whose formulation and implementation are designed for high performance. In the first stage, a skinned template model is jointly fitted to background subtracted input video, 2D and 3D skeleton joint positions found using a deep neural network, and a set of sparse facial landmark detections. In the second stage, dense non-rigid 3D deformations of skin and even loose apparel are captured based on a novel real-time capable algorithm for non-rigid tracking using dense photometric and silhouette constraints. Our novel energy formulation leverages automatically identified material regions on the template to model the differing non-rigid deformation behavior of skin and apparel. The two resulting non-linear optimization problems per-frame are solved with specially-tailored data-parallel Gauss-Newton solvers. In order to achieve real-time performance of over 25Hz, we design a pipelined parallel architecture using the CPU and two commodity GPUs. Our method is the first real-time monocular approach for full-body performance capture. Our method yields comparable accuracy with off-line performance capture techniques, while being orders of magnitude faster

SMPLicit: Topology-aware Generative Model for Clothed People

In this paper we introduce SMPLicit, a novel generative model to jointly represent body pose, shape and clothing geometry. In contrast to existing learning-based approaches that require training specific models for each type of garment, SMPLicit can represent in a unified manner different garment topologies (e.g. from sleeveless tops to hoodies and to open jackets), while controlling other properties like the garment size or tightness/looseness. We show our model to be applicable to a large variety of garments including T-shirts, hoodies, jackets, shorts, pants, skirts, shoes and even hair. The representation flexibility of SMPLicit builds upon an implicit model conditioned with the SMPL human body parameters and a learnable latent space which is semantically interpretable and aligned with the clothing attributes. The proposed model is fully differentiable, allowing for its use into larger end-to-end trainable systems. In the experimental section, we demonstrate SMPLicit can be readily used for fitting 3D scans and for 3D reconstruction in images of dressed people. In both cases we are able to go beyond state of the art, by retrieving complex garment geometries, handling situations with multiple clothing layers and providing a tool for easy outfit editing. To stimulate further research in this direction, we will make our code and model publicly available at http://www.iri.upc.edu/people/ecorona/smplicit/.Comment: Accepted at CVPR 202

Shape Animation with Combined Captured and Simulated Dynamics

We present a novel volumetric animation generation framework to create new types of animations from raw 3D surface or point cloud sequence of captured real performances. The framework considers as input time incoherent 3D observations of a moving shape, and is thus particularly suitable for the output of performance capture platforms. In our system, a suitable virtual representation of the actor is built from real captures that allows seamless combination and simulation with virtual external forces and objects, in which the original captured actor can be reshaped, disassembled or reassembled from user-specified virtual physics. Instead of using the dominant surface-based geometric representation of the capture, which is less suitable for volumetric effects, our pipeline exploits Centroidal Voronoi tessellation decompositions as unified volumetric representation of the real captured actor, which we show can be used seamlessly as a building block for all processing stages, from capture and tracking to virtual physic simulation. The representation makes no human specific assumption and can be used to capture and re-simulate the actor with props or other moving scenery elements. We demonstrate the potential of this pipeline for virtual reanimation of a real captured event with various unprecedented volumetric visual effects, such as volumetric distortion, erosion, morphing, gravity pull, or collisions

HIGH QUALITY HUMAN 3D BODY MODELING, TRACKING AND APPLICATION

Geometric reconstruction of dynamic objects is a fundamental task of computer vision and graphics, and modeling human body of high fidelity is considered to be a core of this problem. Traditional human shape and motion capture techniques require an array of surrounding cameras or subjects wear reflective markers, resulting in a limitation of working space and portability. In this dissertation, a complete process is designed from geometric modeling detailed 3D human full body and capturing shape dynamics over time using a flexible setup to guiding clothes/person re-targeting with such data-driven models. As the mechanical movement of human body can be considered as an articulate motion, which is easy to guide the skin animation but has difficulties in the reverse process to find parameters from images without manual intervention, we present a novel parametric model, GMM-BlendSCAPE, jointly taking both linear skinning model and the prior art of BlendSCAPE (Blend Shape Completion and Animation for PEople) into consideration and develop a Gaussian Mixture Model (GMM) to infer both body shape and pose from incomplete observations. We show the increased accuracy of joints and skin surface estimation using our model compared to the skeleton based motion tracking. To model the detailed body, we start with capturing high-quality partial 3D scans by using a single-view commercial depth camera. Based on GMM-BlendSCAPE, we can then reconstruct multiple complete static models of large pose difference via our novel non-rigid registration algorithm. With vertex correspondences established, these models can be further converted into a personalized drivable template and used for robust pose tracking in a similar GMM framework. Moreover, we design a general purpose real-time non-rigid deformation algorithm to accelerate this registration. Last but not least, we demonstrate a novel virtual clothes try-on application based on our personalized model utilizing both image and depth cues to synthesize and re-target clothes for single-view videos of different people

Generalizable Neural Voxels for Fast Human Radiance Fields

Rendering moving human bodies at free viewpoints only from a monocular video is quite a challenging problem. The information is too sparse to model complicated human body structures and motions from both view and pose dimensions. Neural radiance fields (NeRF) have shown great power in novel view synthesis and have been applied to human body rendering. However, most current NeRF-based methods bear huge costs for both training and rendering, which impedes the wide applications in real-life scenarios. In this paper, we propose a rendering framework that can learn moving human body structures extremely quickly from a monocular video. The framework is built by integrating both neural fields and neural voxels. Especially, a set of generalizable neural voxels are constructed. With pretrained on various human bodies, these general voxels represent a basic skeleton and can provide strong geometric priors. For the fine-tuning process, individual voxels are constructed for learning differential textures, complementary to general voxels. Thus learning a novel body can be further accelerated, taking only a few minutes. Our method shows significantly higher training efficiency compared with previous methods, while maintaining similar rendering quality. The project page is at https://taoranyi.com/gneuvox .Comment: Project page: http://taoranyi.com/gneuvo

Real-time human performance capture and synthesis

Most of the images one finds in the media, such as on the Internet or in textbooks and magazines, contain humans as the main point of attention. Thus, there is an inherent necessity for industry, society, and private persons to be able to thoroughly analyze and synthesize the human-related content in these images. One aspect of this analysis and subject of this thesis is to infer the 3D pose and surface deformation, using only visual information, which is also known as human performance capture. Human performance capture enables the tracking of virtual characters from real-world observations, and this is key for visual effects, games, VR, and AR, to name just a few application areas. However, traditional capture methods usually rely on expensive multi-view (marker-based) systems that are prohibitively expensive for the vast majority of people, or they use depth sensors, which are still not as common as single color cameras. Recently, some approaches have attempted to solve the task by assuming only a single RGB image is given. Nonetheless, they can either not track the dense deforming geometry of the human, such as the clothing layers, or they are far from real time, which is indispensable for many applications. To overcome these shortcomings, this thesis proposes two monocular human performance capture methods, which for the first time allow the real-time capture of the dense deforming geometry as well as an unseen 3D accuracy for pose and surface deformations. At the technical core, this work introduces novel GPU-based and data-parallel optimization strategies in conjunction with other algorithmic design choices that are all geared towards real-time performance at high accuracy. Moreover, this thesis presents a new weakly supervised multiview training strategy combined with a fully differentiable character representation that shows superior 3D accuracy. However, there is more to human-related Computer Vision than only the analysis of people in images. It is equally important to synthesize new images of humans in unseen poses and also from camera viewpoints that have not been observed in the real world. Such tools are essential for the movie industry because they, for example, allow the synthesis of photo-realistic virtual worlds with real-looking humans or of contents that are too dangerous for actors to perform on set. But also video conferencing and telepresence applications can benefit from photo-real 3D characters, as they can enhance the immersive experience of these applications. Here, the traditional Computer Graphics pipeline for rendering photo-realistic images involves many tedious and time-consuming steps that require expert knowledge and are far from real time. Traditional rendering involves character rigging and skinning, the modeling of the surface appearance properties, and physically based ray tracing. Recent learning-based methods attempt to simplify the traditional rendering pipeline and instead learn the rendering function from data resulting in methods that are easier accessible to non-experts. However, most of them model the synthesis task entirely in image space such that 3D consistency cannot be achieved, and/or they fail to model motion- and view-dependent appearance effects. To this end, this thesis presents a method and ongoing work on character synthesis, which allow the synthesis of controllable photoreal characters that achieve motion- and view-dependent appearance effects as well as 3D consistency and which run in real time. This is technically achieved by a novel coarse-to-fine geometric character representation for efficient synthesis, which can be solely supervised on multi-view imagery. Furthermore, this work shows how such a geometric representation can be combined with an implicit surface representation to boost synthesis and geometric quality.In den meisten Bildern in den heutigen Medien, wie dem Internet, Büchern und Magazinen, ist der Mensch das zentrale Objekt der Bildkomposition. Daher besteht eine inhärente Notwendigkeit für die Industrie, die Gesellschaft und auch für Privatpersonen, die auf den Mensch fokussierten Eigenschaften in den Bildern detailliert analysieren und auch synthetisieren zu können. Ein Teilaspekt der Anaylse von menschlichen Bilddaten und damit Bestandteil der Thesis ist das Rekonstruieren der 3D-Skelett-Pose und der Oberflächendeformation des Menschen anhand von visuellen Informationen, was fachsprachlich auch als Human Performance Capture bezeichnet wird. Solche Rekonstruktionsverfahren ermöglichen das Tracking von virtuellen Charakteren anhand von Beobachtungen in der echten Welt, was unabdingbar ist für Applikationen im Bereich der visuellen Effekte, Virtual und Augmented Reality, um nur einige Applikationsfelder zu nennen. Nichtsdestotrotz basieren traditionelle Tracking-Methoden auf teuren (markerbasierten) Multi-Kamera Systemen, welche für die Mehrheit der Bevölkerung nicht erschwinglich sind oder auf Tiefenkameras, die noch immer nicht so gebräuchlich sind wie herkömmliche Farbkameras. In den letzten Jahren gab es daher erste Methoden, die versuchen, das Tracking-Problem nur mit Hilfe einer Farbkamera zu lösen. Allerdings können diese entweder die Kleidung der Person im Bild nicht tracken oder die Methoden benötigen zu viel Rechenzeit, als dass sie in realen Applikationen genutzt werden könnten. Um diese Probleme zu lösen, stellt die Thesis zwei monokulare Human Performance Capture Methoden vor, die zum ersten Mal eine Echtzeit-Rechenleistung erreichen sowie im Vergleich zu vorherigen Arbeiten die Genauigkeit von Pose und Oberfläche in 3D weiter verbessern. Der Kern der Methoden beinhaltet eine neuartige GPU-basierte und datenparallelisierte Optimierungsstrategie, die im Zusammenspiel mit anderen algorithmischen Designentscheidungen akkurate Ergebnisse erzeugt und dabei eine Echtzeit-Laufzeit ermöglicht. Daneben wird eine neue, differenzierbare und schwach beaufsichtigte, Multi-Kamera basierte Trainingsstrategie in Kombination mit einem komplett differenzierbaren Charaktermodell vorgestellt, welches ungesehene 3D Präzision erreicht. Allerdings spielt nicht nur die Analyse von Menschen in Bildern in Computer Vision eine wichtige Rolle, sondern auch die Möglichkeit, neue Bilder von Personen in unterschiedlichen Posen und Kamera- Blickwinkeln synthetisch zu rendern, ohne dass solche Daten zuvor in der Realität aufgenommen wurden. Diese Methoden sind unabdingbar für die Filmindustrie, da sie es zum Beispiel ermöglichen, fotorealistische virtuelle Welten mit real aussehenden Menschen zu erzeugen, sowie die Möglichkeit bieten, Szenen, die für den Schauspieler zu gefährlich sind, virtuell zu produzieren, ohne dass eine reale Person diese Aktionen tatsächlich ausführen muss. Aber auch Videokonferenzen und Telepresence-Applikationen können von fotorealistischen 3D-Charakteren profitieren, da diese die immersive Erfahrung von solchen Applikationen verstärken. Traditionelle Verfahren zum Rendern von fotorealistischen Bildern involvieren viele mühsame und zeitintensive Schritte, welche Expertenwissen vorraussetzen und zudem auch Rechenzeiten erreichen, die jenseits von Echtzeit sind. Diese Schritte beinhalten das Rigging und Skinning von virtuellen Charakteren, das Modellieren von Reflektions- und Materialeigenschaften sowie physikalisch basiertes Ray Tracing. Vor Kurzem haben Deep Learning-basierte Methoden versucht, die Rendering-Funktion von Daten zu lernen, was in Verfahren resultierte, die eine Nutzung durch Nicht-Experten ermöglicht. Allerdings basieren die meisten Methoden auf Synthese-Verfahren im 2D-Bildbereich und können daher keine 3D-Konsistenz garantieren. Darüber hinaus gelingt es den meisten Methoden auch nicht, bewegungs- und blickwinkelabhängige Effekte zu erzeugen. Daher präsentiert diese Thesis eine neue Methode und eine laufende Forschungsarbeit zum Thema Charakter-Synthese, die es erlauben, fotorealistische und kontrollierbare 3D-Charakteren synthetisch zu rendern, die nicht nur 3D-konsistent sind, sondern auch bewegungs- und blickwinkelabhängige Effekte modellieren und Echtzeit-Rechenzeiten ermöglichen. Dazu wird eine neuartige Grobzu- Fein-Charakterrepräsentation für effiziente Bild-Synthese von Menschen vorgestellt, welche nur anhand von Multi-Kamera-Daten trainiert werden kann. Daneben wird gezeigt, wie diese explizite Geometrie- Repräsentation mit einer impliziten Oberflächendarstellung kombiniert werden kann, was eine bessere Synthese von geomtrischen Deformationen sowie Bildern ermöglicht.ERC Consolidator Grant 4DRepL

3D Human Pose and Shape Estimation Based on Parametric Model and Deep Learning

3D human body reconstruction from monocular images has wide applications in our life, such as movie, animation, Virtual/Augmented Reality, medical research and so on. Due to the high freedom of human body in real scene and the ambiguity of inferring 3D objects from 2D images, it is a challenging task to accurately recover 3D human body models from images. In this thesis, we explore the methods for estimating 3D human body models from images based on parametric model and deep learning.In the first part, the coarse 3D human body models are estimated automatically from multi-view images based on a parametric human body model called SMPL model. Two routes are exploited for estimating the pose and shape parameters of the SMPL model to obtain the 3D models: (1) Optimization based methods; and (2) Deep learning based methods. For the optimization based methods, we propose the novel energy functions based on some prior information including the 2D joint points and silhouettes. Through minimizing the energy functions, the SMPL model is fitted to the prior information, and then, the coarse 3D human body is obtained. In addition to the traditional optimization based methods, a deep learning based method is also proposed in the following work to regress the pose and shape parameters of the SMPL model. A novel architecture is proposed to put the optimization into a training loop of convolutional neural network (CNN) to form a self-supervision structure based on the multi-view images. The proposed methods are evaluated on both synthetic and real datasets to demonstrate that they can obtain better estimation of the pose and shape of 3D human body than previous approaches.In the second part, the problem is shifted to the detailed 3D human body reconstruction from multi-view images. Instead of using the SMPL model, implicit function is utilized to represent 3D models because implicit representation can generate continuous surface and has better flexibility for arbitrary topology. Firstly, a multi-scale features based method is proposed to learn the implicit representation for 3D models through multi-stage hourglass networks from multi-view images. Furthermore, a coarse-to-fine method is proposed to refine the 3D models from multi-view images through learning the voxel super-resolution. In this method, the coarse 3D models are estimated firstly by the learned implicit function based on multi-scale features from multi-view images. Afterwards, by voxelizing the coarse 3D models to low resolution voxel grids, voxel super-resolution is learned through a multi-stage 3D CNN for feature extraction from low resolution voxel grids and fully connected neural network for predicting the implicit function. Voxel super-resolution is able to remove the false reconstruction and preserve the surface details. The proposed methods are evaluated on both real and synthetic datasets in which our method can estimate 3D model with higher accuracy and better surface quality than some previous methods