Using Song Social Tags and Topic Models to Describe and Compare Playlists

Playlists are a natural delivery method for music recommendation and discovery systems. Recommender systems offering playlists must strive to make them relevant and enjoyable. In this paper we survey many current means of generating and evaluating playlists. We present a means of comparing playlists in a reduced dimensional space through the use of aggregated tag clouds and topic models. To evaluate the fitness of this measure, we perform prototypical retrieval tasks on playlists taken from radio station logs gathered from Radio Paradise and Yes.com, using tags from Last.fm with the result showing better than random performance when using the query playlist's station as ground truth, while failing to do so when using time of day as ground truth. We then discuss possible applications for this measurement technique as well as ways it might be improved

A hybrid approach for item collection recommendations : an application to automatic playlist continuation

Current recommender systems aim mainly to generate accurate item recommendations, without properly evaluating the multiple dimensions of the recommendation problem. However, in many domains, like in music, where items are rarely consumed in isolation, users would rather need a set of items, designed to work well together, while having some cognitive properties as a whole, related to their perception of quality and satisfaction. In this thesis, a hybrid case-based recommendation approach for item collections is proposed. In particular, an application to automatic playlist continuation, addressing similar cognitive concepts, rather than similar users, is presented. Playlists, that are sets of music items designed to be consumed as a sequence, with a specific purpose and within a specific context, are treated as cases. The proposed recommender system is based on a meta-level hybridization. First, Latent Dirichlet Allocation is applied to the set of past playlists, described as distributions over music styles, to identify their underlying concepts. Then, for a started playlist, its semantic characteristics, like its latent concept and the styles of the included items, are inferred, and Case-Based Reasoning is applied to the set of past playlists addressing the same concept, to construct and recommend a relevant playlist continuation. A graph-based item model is used to overcome the semantic gap between songs’ signal-based descriptions and users’ high-level preferences, efficiently capture the playlists’ structures and the similarity of the music items in those. As the proposed method bases its reasoning on previous playlists, it does not require the construction of complex user profiles to generate accurate recommendations. Furthermore, apart from relevance, support to parameters beyond accuracy, like increased coherence or support to diverse items is provided to deliver a more complete user experience. Experiments on real music datasets have revealed improved results, compared to other state of the art techniques, while achieving a “good trade-off” between recommendations’ relevance, diversity and coherence. Finally, although actually focusing on playlist continuations, the designed approach could be easily adapted to serve other recommendation domains with similar characteristics.Los sistemas de recomendación actuales tienen como objetivo principal generar recomendaciones precisas de artículos, sin evaluar propiamente las múltiples dimensiones del problema de recomendación. Sin embargo, en dominios como la música, donde los artículos rara vez se consumen en forma aislada, los usuarios más bien necesitarían recibir recomendaciones de conjuntos de elementos, diseñados para que se complementaran bien juntos, mientras se cubran algunas propiedades cognitivas, relacionadas con su percepción de calidad y satisfacción. En esta tesis, se propone un sistema híbrido de recomendación meta-nivel, que genera recomendaciones de colecciones de artículos. En particular, el sistema se centra en la generación automática de continuaciones de listas de música, tratando conceptos cognitivos similares, en lugar de usuarios similares. Las listas de reproducción son conjuntos de elementos musicales diseñados para ser consumidos en secuencia, con un propósito específico y dentro de un contexto específico. El sistema propuesto primero aplica el método de Latent Dirichlet Allocation a las listas de reproducción, que se describen como distribuciones sobre estilos musicales, para identificar sus conceptos. Cuando se ha iniciado una nueva lista, se deducen sus características semánticas, como su concepto y los estilos de los elementos incluidos en ella. A continuación, el sistema aplica razonamiento basado en casos, utilizando las listas del mismo concepto, para construir y recomendar una continuación relevante. Se utiliza un grafo que modeliza las relaciones de los elementos, para superar el ?salto semántico? existente entre las descripciones de las canciones, normalmente basadas en características sonoras, y las preferencias de los usuarios, expresadas en características de alto nivel. También se utiliza para calcular la similitud de los elementos musicales y para capturar la estructura de las listas de dichos elementos. Como el método propuesto basa su razonamiento en las listas de reproducción y no en usuarios que las construyeron, no se requiere la construcción de perfiles de usuarios complejos para poder generar recomendaciones precisas. Aparte de la relevancia de las recomendaciones, el sistema tiene en cuenta parámetros más allá de la precisión, como mayor coherencia o soporte a la diversidad de los elementos para enriquecer la experiencia del usuario. Los experimentos realizados en bases de datos reales, han revelado mejores resultados, en comparación con las técnicas utilizadas normalmente. Al mismo tiempo, el algoritmo propuesto logra un "buen equilibrio" entre la relevancia, la diversidad y la coherencia de las recomendaciones generadas. Finalmente, aunque la metodología presentada se centra en la recomendación de continuaciones de listas de reproducción musical, el sistema se puede adaptar fácilmente a otros dominios con características similares.Postprint (published version

Algorithmes de recommandation musicale

Ce mémoire est composé de trois articles qui s’unissent sous le thème de la recommandation musicale à grande échelle. Nous présentons d’abord une méthode pour effectuer des recommandations musicales en récoltant des étiquettes (tags) décrivant les items et en utilisant cette aura textuelle pour déterminer leur similarité. En plus d’effectuer des recommandations qui sont transparentes et personnalisables, notre méthode, basée sur le contenu, n’est pas victime des problèmes dont souffrent les systèmes de filtrage collaboratif, comme le problème du démarrage à froid (cold start problem). Nous présentons ensuite un algorithme d’apprentissage automatique qui applique des étiquettes à des chansons à partir d’attributs extraits de leur fichier audio. L’ensemble de données que nous utilisons est construit à partir d’une très grande quantité de données sociales provenant du site Last.fm. Nous présentons finalement un algorithme de génération automatique de liste d’écoute personnalisable qui apprend un espace de similarité musical à partir d’attributs audio extraits de chansons jouées dans des listes d’écoute de stations de radio commerciale. En plus d’utiliser cet espace de similarité, notre système prend aussi en compte un nuage d’étiquettes que l’utilisateur est en mesure de manipuler, ce qui lui permet de décrire de manière abstraite la sorte de musique qu’il désire écouter.This thesis is composed of three papers which unite under the general theme of large-scale music recommendation. The first paper presents a recommendation technique that works by collecting text descriptions of items and using this textual aura to compute the similarity between them using techniques drawn from information retrieval. We show how this representation can be used to explain the similarities between items using terms from the textual aura and further how it can be used to steer the recommender. Because our system is content-based, it is not victim of the usual problems associated with collaborative filtering recommenders like the cold start problem. The second paper presents a machine learning model which automatically applies tags to music. The model uses features extracted from the audio files and was trained on a very large data set constructed with social data from the online community Last.fm. The third paper presents an approach to generating steerable playlists. We first demonstrate a method for learning song transition probabilities from audio features extracted from songs played in professional radio station playlists. We then show that by using this learnt similarity function as a prior, we are able to generate steerable playlists by choosing the next song to play not simply based on that prior, but on a tag cloud that the user is able to manipulate to express the high-level characteristics of the music he wishes to listen to

Apport de la Qualité de l’Expérience dans l’optimisation de services multimédia : application à la diffusion de la vidéo et à la VoIP

The emerging and fast growth of multimedia services have created new challenges for network service providers in order to guarantee the best user's Quality of Experience (QoE) in diverse networks with distinctive access technologies. Usually, various methods and techniques are used to predict the user satisfaction level by studying the combined impact of numerous factors. In this thesis, we consider two important multimedia services to evaluate the user perception, which are: video streaming service, and VoIP. This study investigates user's QoE that follows three directions: (1) methodologies for subjective QoE assessment of video services, (2) regulating user's QoE using video a rate adaptive algorithm, and (3) QoE-based power efficient resource allocation methods for Long Term Evaluation-Advanced (LTE-A) for VoIP. Initially, we describe two subjective methods to collect the dataset for assessing the user's QoE. The subjectively collected dataset is used to investigate the influence of different parameters (e.g. QoS, video types, user profile, etc.) on user satisfaction while using the video services. Later, we propose a client-based HTTP rate adaptive video streaming algorithm over TCP protocol to regulate the user's QoE. The proposed method considers three Quality of Service (QoS) parameters that govern the user perception, which are: Bandwidth, Buffer, and dropped Frame rate (BBF). The BBF method dynamically selects the suitable video quality according to network conditions and user's device properties. Lastly, we propose a QoE driven downlink scheduling method, i.e. QoE Power Escient Method (QEPEM) for LTE-A. It esciently allocates the radio resources, and optimizes the use of User Equipment (UE) power utilizing the Discontinuous Reception (DRX) method in LTE-AL'émergence et la croissance rapide des services multimédia dans les réseaux IP ont créé de nouveaux défis pour les fournisseurs de services réseau, qui, au-delà de la Qualité de Service (QoS) issue des paramètres techniques de leur réseau, doivent aussi garantir la meilleure qualité de perception utilisateur (Quality of Experience, QoE) dans des réseaux variés avec différentes technologies d'accès. Habituellement, différentes méthodes et techniques sont utilisées pour prédire le niveau de satisfaction de l'utilisateur, en analysant l'effet combiné de multiples facteurs. Dans cette thèse, nous nous intéressons à la commande du réseau en intégrant à la fois des aspects qualitatifs (perception du niveau de satisfaction de l'usager) et quantitatifs (mesure de paramètres réseau) dans l'objectif de développer des mécanismes capables, à la fois, de s'adapter à la variabilité des mesures collectées et d'améliorer la qualité de perception. Pour ce faire, nous avons étudié le cas de deux services multimédia populaires, qui sont : le streaming vidéo, et la voix sur IP (VoIP). Nous investiguons la QoE utilisateur de ces services selon trois aspects : (1) les méthodologies d'évaluation subjective de la QoE, dans le cadre d'un service vidéo, (2) les techniques d'adaptation de flux vidéo pour garantir un certain niveau de QoE, et (3) les méthodes d'allocation de ressource, tenant compte de la QoE tout en économisant l'énergie, dans le cadre d'un service de VoIP (LTE-A). Nous présentons d'abord deux méthodes pour récolter des jeux de données relatifs à la QoE. Nous utilisons ensuite ces jeux de données (issus des campagnes d'évaluation subjective que nous avons menées) pour comprendre l'influence de différents paramètres (réseau, terminal, profil utilisateur) sur la perception d'un utilisateur d'un service vidéo. Nous proposons ensuite un algorithme de streaming vidéo adaptatif, implémenté dans un client HTTP, et dont le but est d'assurer un certain niveau de QoE et le comparons à l'état de l'art. Notre algorithme tient compte de trois paramètres de QoS (bande passante, taille de mémoires tampons de réception et taux de pertes de paquets) et sélectionne dynamiquement la qualité vidéo appropriée en fonction des conditions du réseau et des propriétés du terminal de l'utilisateur. Enfin, nous proposons QEPEM (QoE Power Efficient Method), un algorithme d'ordonnancement basé sur la QoE, dans le cadre d'un réseau sans fil LTE, en nous intéressant à une allocation dynamique des ressources radio en tenant compte de la consommation énergétiqu

Ubiquitous Technology for Lifelong Learners

Nowadays, most people change their career throughout their lives, many times independently on what they learned during their formal education period. Therefore, the necessity to continually keep our skills sharp and up-to-date becomes increasingly important in a rapidly changing job market. The European Commission stressed the importance of lifelong learning as a key challenge for the knowledge society to adapt to the pace in which digital technology is transforming every aspect of people’s lives. Later on, the Commission published a reference framework comprising eight competences to flexibly adapt to a rapidly changing and highly interconnected world. In this thesis, we aim at supporting learners to understand the way they can better learn in-context using technology, therefore we focus on two specific competences, namely, learning to learn and digital competence

Políticas de Copyright de Publicações Científicas em Repositórios Institucionais: O Caso do INESC TEC

A progressiva transformação das práticas científicas, impulsionada pelo desenvolvimento das novas Tecnologias de Informação e Comunicação (TIC), têm possibilitado aumentar o acesso à informação, caminhando gradualmente para uma abertura do ciclo de pesquisa. Isto permitirá resolver a longo prazo uma adversidade que se tem colocado aos investigadores, que passa pela existência de barreiras que limitam as condições de acesso, sejam estas geográficas ou financeiras. Apesar da produção científica ser dominada, maioritariamente, por grandes editoras comerciais, estando sujeita às regras por estas impostas, o Movimento do Acesso Aberto cuja primeira declaração pública, a Declaração de Budapeste (BOAI), é de 2002, vem propor alterações significativas que beneficiam os autores e os leitores. Este Movimento vem a ganhar importância em Portugal desde 2003, com a constituição do primeiro repositório institucional a nível nacional. Os repositórios institucionais surgiram como uma ferramenta de divulgação da produção científica de uma instituição, com o intuito de permitir abrir aos resultados da investigação, quer antes da publicação e do próprio processo de arbitragem (preprint), quer depois (postprint), e, consequentemente, aumentar a visibilidade do trabalho desenvolvido por um investigador e a respetiva instituição. O estudo apresentado, que passou por uma análise das políticas de copyright das publicações científicas mais relevantes do INESC TEC, permitiu não só perceber que as editoras adotam cada vez mais políticas que possibilitam o auto-arquivo das publicações em repositórios institucionais, como também que existe todo um trabalho de sensibilização a percorrer, não só para os investigadores, como para a instituição e toda a sociedade. A produção de um conjunto de recomendações, que passam pela implementação de uma política institucional que incentive o auto-arquivo das publicações desenvolvidas no âmbito institucional no repositório, serve como mote para uma maior valorização da produção científica do INESC TEC.The progressive transformation of scientific practices, driven by the development of new Information and Communication Technologies (ICT), which made it possible to increase access to information, gradually moving towards an opening of the research cycle. This opening makes it possible to resolve, in the long term, the adversity that has been placed on researchers, which involves the existence of barriers that limit access conditions, whether geographical or financial. Although large commercial publishers predominantly dominate scientific production and subject it to the rules imposed by them, the Open Access movement whose first public declaration, the Budapest Declaration (BOAI), was in 2002, proposes significant changes that benefit the authors and the readers. This Movement has gained importance in Portugal since 2003, with the constitution of the first institutional repository at the national level. Institutional repositories have emerged as a tool for disseminating the scientific production of an institution to open the results of the research, both before publication and the preprint process and postprint, increase the visibility of work done by an investigator and his or her institution. The present study, which underwent an analysis of the copyright policies of INESC TEC most relevant scientific publications, allowed not only to realize that publishers are increasingly adopting policies that make it possible to self-archive publications in institutional repositories, all the work of raising awareness, not only for researchers but also for the institution and the whole society. The production of a set of recommendations, which go through the implementation of an institutional policy that encourages the self-archiving of the publications developed in the institutional scope in the repository, serves as a motto for a greater appreciation of the scientific production of INESC TEC