Copyright Protection for Surveillance System Multimedia Stream with Cellular Automata Watermarking

Intelligent Surveillance Systems are attracting extraordinary attention from research and industry. Security and privacy protection are critical issues for public acceptance of security camera networks. Existing approaches, however, only address isolated aspects without considering the integration with established security technologies and the underlying platform. Easy availability of internet, together with relatively inexpensive digital recording and storage peripherals has created an era where duplication, unauthorized use and misdistribution of digital content has become easier. The ease of availability made digital video popular over analog media like film or tape. At the same time it demands a sharp attention regarding the ownership issue. The ownership and integrity can easily be violated using different audio and video editing softwares. To prevent unauthorized use, misappropriation, misrepresentation; authentication of multimedia contents achieved a broad attention in recent days and to achieve secure copyright protection we embedded some information in audio and videos and that audio or video is called copyright protected. Digital watermarking is a technology to embed additional information into the host signal to ensure security and protection of multimedia data. The embedded information can’t be detected by human but some attacks and operations can tamper that information to breach protection. So in order to find a secure technique of copyright protection, we have analyzed different techniques. After having a good understanding of these techniques we have proposed a novel algorithm that generates results with high effectiveness, additionally we can use self-extracted watermark technique to increase the security and automate the process of watermarking. Forensic digital watermarking is a promising tool in the fight against piracy of copyrighted motion imagery content, but to be effective it must be (1) imperceptibly embedded in high-definition motion picture source, (2) reliably retrieved, even from degraded copies as might result from camcorder capture and subsequent very-low-bitrate compression and distribution on the Internet, and (3) secure against unauthorized removal. Audio and video watermarking enables the copyright protection with owner or customer authentication and the detection of media manipulations. The available watermarking technology concentrates on single media like audio or video. But the typical multimedia stream consists of both video and audio data. Our goal is to provide a solution with robust and fragile aspects to guarantee authentication and integrity by using watermarks in combination with content information. We show two solutions for the protection of audio and video data with a combined robust and fragile watermarking approach. The first solution is to insert a time code into the data: We embed a signal as a watermark to detect gaps or changes in the flow of time. The second solution is more complex: We use watermarks to embed information in each media about the content of the other media. In our paper we present the problem of copyright protection and integrity checks for combined video and audio data. Both the solutions depend upon cellular automata, cellular automata are a powerful computation model that provides a simple way to simulate and solve many difficult problems in different fields. The most widely known example of Cellular Automata is the Game-of-Life. Cellular automaton growth is controlled by predefined rule or programs .The rule describes how the cell will interact with its neighborhood. Once the automaton is started it will work on its own according to the rule specified.

Robust Video Watermarking Scheme Based on Intra-Coding Process in MPEG-2 Style

The proposed scheme implemented a semi blind digital watermarking method for video exploiting MPEG-2 standard. The watermark is inserted into selected high frequency coefficients of plain types of discrete cosine transform blocks instead of edge and texture blocks during intra coding process. The selection is essential because the error in such type of blocks is less sensitive to human eyes as compared to other categories of blocks. Therefore, the perceptibility of watermarked video does not degraded sharply. Visual quality is also maintained as motion vectors used for generating the motion compensated images are untouched during the entire watermarking process. Experimental results revealed that the scheme is not only robust to re-compression attack, spatial synchronization attacks like cropping, rotation but also strong to temporal synchronization attacks like frame inserting, deleting, swapping and averaging. The superiority of the anticipated method is obtaining the best sturdiness results contrast to the recently delivered schemes

Robust high-capacity audio watermarking based on FFT amplitude modification

This paper proposes a novel robust audio watermarking algorithm to embed data and extract it in a bit-exact manner based on changing the magnitudes of the FFT spectrum. The key point is selecting a frequency band for embedding based on the comparison between the original and the MP3 compressed/decompressed signal and on a suitable scaling factor. The experimental results show that the method has a very high capacity (about 5 kbps), without significant perceptual distortion (ODG about -0.25) and provides robustness against common audio signal processing such as added noise, filtering and MPEG compression (MP3). Furthermore, the proposed method has a larger capacity (number of embedded bits to number of host bits rate) than recent image data hiding methods

Robust Video Watermarking Based On 3D-DWT Domain.

The digital watermarks have recently been recognized as a solution for protecting the copyright of the digital multimedia

Digital Video Watermarking Robust Against Camcorder Recording Based on DWT-SVD

In order to reduce the block effects in the dark regions and improve the flicker in the bright regions of the existing video watermark algorithms, we propose an improved video watermarking algorithm against camcorder recording based on DWT-SVD. In proposed algorithm, 3th level Discrete Wavelet Transform (DWT) is applied to Y luminance of every single frame, and Singular Value Decomposition (SVD) is used on sub-band of DWT. Watermark sequence is embedded by fine-tuning the singular value of consecutive frames. Experimental results show that the proposed algorithm is robust against many different attacks such as geometric attack, signal processing and camcorder recording. Moreover, the proposed scheme can reduce the blocks effect and improve the flicker by embedding watermark into edge feature of video frame. Although, the method can provide high video quality than the existing schemes, however, it is not robust to strong compression such as MPEG

High capacity data embedding schemes for digital media

High capacity image data hiding methods and robust high capacity digital audio watermarking algorithms are studied in this thesis. The main results of this work are the development of novel algorithms with state-of-the-art performance, high capacity and transparency for image data hiding and robustness, high capacity and low distortion for audio watermarking.En esta tesis se estudian y proponen diversos métodos de data hiding de imágenes y watermarking de audio de alta capacidad. Los principales resultados de este trabajo consisten en la publicación de varios algoritmos novedosos con rendimiento a la altura de los mejores métodos del estado del arte, alta capacidad y transparencia, en el caso de data hiding de imágenes, y robustez, alta capacidad y baja distorsión para el watermarking de audio.En aquesta tesi s'estudien i es proposen diversos mètodes de data hiding d'imatges i watermarking d'àudio d'alta capacitat. Els resultats principals d'aquest treball consisteixen en la publicació de diversos algorismes nous amb rendiment a l'alçada dels millors mètodes de l'estat de l'art, alta capacitat i transparència, en el cas de data hiding d'imatges, i robustesa, alta capacitat i baixa distorsió per al watermarking d'àudio.Societat de la informació i el coneixemen

Data Hiding in Digital Video

With the rapid development of digital multimedia technologies, an old method which is called steganography has been sought to be a solution for data hiding applications such as digital watermarking and covert communication. Steganography is the art of secret communication using a cover signal, e.g., video, audio, image etc., whereas the counter-technique, detecting the existence of such as a channel through a statistically trained classifier, is called steganalysis. The state-of-the art data hiding algorithms utilize features; such as Discrete Cosine Transform (DCT) coefficients, pixel values, motion vectors etc., of the cover signal to convey the message to the receiver side. The goal of embedding algorithm is to maximize the number of bits sent to the decoder side (embedding capacity) with maximum robustness against attacks while keeping the perceptual and statistical distortions (security) low. Data Hiding schemes are characterized by these three conflicting requirements: security against steganalysis, robustness against channel associated and/or intentional distortions, and the capacity in terms of the embedded payload. Depending upon the application it is the designer\u27s task to find an optimum solution amongst them. The goal of this thesis is to develop a novel data hiding scheme to establish a covert channel satisfying statistical and perceptual invisibility with moderate rate capacity and robustness to combat steganalysis based detection. The idea behind the proposed method is the alteration of Video Object (VO) trajectory coordinates to convey the message to the receiver side by perturbing the centroid coordinates of the VO. Firstly, the VO is selected by the user and tracked through the frames by using a simple region based search strategy and morphological operations. After the trajectory coordinates are obtained, the perturbation of the coordinates implemented through the usage of a non-linear embedding function, such as a polar quantizer where both the magnitude and phase of the motion is used. However, the perturbations made to the motion magnitude and phase were kept small to preserve the semantic meaning of the object motion trajectory. The proposed method is well suited to the video sequences in which VOs have smooth motion trajectories. Examples of these types could be found in sports videos in which the ball is the focus of attention and exhibits various motion types, e.g., rolling on the ground, flying in the air, being possessed by a player, etc. Different sports video sequences have been tested by using the proposed method. Through the experimental results, it is shown that the proposed method achieved the goal of both statistical and perceptual invisibility with moderate rate embedding capacity under AWGN channel with varying noise variances. This achievement is important as the first step for both active and passive steganalysis is the detection of the existence of covert channel. This work has multiple contributions in the field of data hiding. Firstly, it is the first example of a data hiding method in which the trajectory of a VO is used. Secondly, this work has contributed towards improving steganographic security by providing new features: the coordinate location and semantic meaning of the object

On the data hiding theory and multimedia content security applications

This dissertation is a comprehensive study of digital steganography for multimedia content protection. With the increasing development of Internet technology, protection and enforcement of multimedia property rights has become a great concern to multimedia authors and distributors. Watermarking technologies provide a possible solution for this problem. The dissertation first briefly introduces the current watermarking schemes, including their applications in video,, image and audio. Most available embedding schemes are based on direct Spread Sequence (SS) modulation. A small value pseudo random signature sequence is embedded into the host signal and the information is extracted via correlation. The correlation detection problem is discussed at the beginning. It is concluded that the correlator is not optimum in oblivious detection. The Maximum Likelihood detector is derived and some feasible suboptimal detectors are also analyzed. Through the calculation of extraction Bit Error Rate (BER), it is revealed that the SS scheme is not very efficient due to its poor host noise suppression. The watermark domain selection problem is addressed subsequently. Some implications on hiding capacity and reliability are also studied. The last topic in SS modulation scheme is the sequence selection. The relationship between sequence bandwidth and synchronization requirement is detailed in the work. It is demonstrated that the white sequence commonly used in watermarking may not really boost watermark security. To address the host noise suppression problem, the hidden communication is modeled as a general hypothesis testing problem and a set partitioning scheme is proposed. Simulation studies and mathematical analysis confirm that it outperforms the SS schemes in host noise suppression. The proposed scheme demonstrates improvement over the existing embedding schemes. Data hiding in audio signals are explored next. The audio data hiding is believed a more challenging task due to the human sensitivity to audio artifacts and advanced feature of current compression techniques. The human psychoacoustic model and human music understanding are also covered in the work. Then as a typical audio perceptual compression scheme, the popular MP3 compression is visited in some length. Several schemes, amplitude modulation, phase modulation and noise substitution are presented together with some experimental results. As a case study, a music bitstream encryption scheme is proposed. In all these applications, human psychoacoustic model plays a very important role. A more advanced audio analysis model is introduced to reveal implications on music understanding. In the last part, conclusions and future research are presented