21,612 research outputs found
Interaction Design: Foundations, Experiments
Interaction Design: Foundations, Experiments is the result of a series of projects, experiments and curricula aimed at investigating the foundations of interaction design in particular and design research in general.
The first part of the book - Foundations - deals with foundational theoretical issues in interaction design. An analysis of two categorical mistakes -the empirical and interactive fallacies- forms a background to a discussion of interaction design as act design and of computational technology as material in design.
The second part of the book - Experiments - describes a range of design methods, programs and examples that have been used to probe foundational issues through systematic questioning of what is given. Based on experimental design work such as Slow Technology, Abstract Information Displays, Design for Sound Hiders, Zero Expression Fashion, and IT+Textiles, this section also explores how design experiments can play a central role when developing new design theory
6 Seconds of Sound and Vision: Creativity in Micro-Videos
The notion of creativity, as opposed to related concepts such as beauty or
interestingness, has not been studied from the perspective of automatic
analysis of multimedia content. Meanwhile, short online videos shared on social
media platforms, or micro-videos, have arisen as a new medium for creative
expression. In this paper we study creative micro-videos in an effort to
understand the features that make a video creative, and to address the problem
of automatic detection of creative content. Defining creative videos as those
that are novel and have aesthetic value, we conduct a crowdsourcing experiment
to create a dataset of over 3,800 micro-videos labelled as creative and
non-creative. We propose a set of computational features that we map to the
components of our definition of creativity, and conduct an analysis to
determine which of these features correlate most with creative video. Finally,
we evaluate a supervised approach to automatically detect creative video, with
promising results, showing that it is necessary to model both aesthetic value
and novelty to achieve optimal classification accuracy.Comment: 8 pages, 1 figures, conference IEEE CVPR 201
What your Facebook Profile Picture Reveals about your Personality
People spend considerable effort managing the impressions they give others.
Social psychologists have shown that people manage these impressions
differently depending upon their personality. Facebook and other social media
provide a new forum for this fundamental process; hence, understanding people's
behaviour on social media could provide interesting insights on their
personality. In this paper we investigate automatic personality recognition
from Facebook profile pictures. We analyze the effectiveness of four families
of visual features and we discuss some human interpretable patterns that
explain the personality traits of the individuals. For example, extroverts and
agreeable individuals tend to have warm colored pictures and to exhibit many
faces in their portraits, mirroring their inclination to socialize; while
neurotic ones have a prevalence of pictures of indoor places. Then, we propose
a classification approach to automatically recognize personality traits from
these visual features. Finally, we compare the performance of our
classification approach to the one obtained by human raters and we show that
computer-based classifications are significantly more accurate than averaged
human-based classifications for Extraversion and Neuroticism
Multi-agent evolutionary systems for the generation of complex virtual worlds
Modern films, games and virtual reality applications are dependent on
convincing computer graphics. Highly complex models are a requirement for the
successful delivery of many scenes and environments. While workflows such as
rendering, compositing and animation have been streamlined to accommodate
increasing demands, modelling complex models is still a laborious task. This
paper introduces the computational benefits of an Interactive Genetic Algorithm
(IGA) to computer graphics modelling while compensating the effects of user
fatigue, a common issue with Interactive Evolutionary Computation. An
intelligent agent is used in conjunction with an IGA that offers the potential
to reduce the effects of user fatigue by learning from the choices made by the
human designer and directing the search accordingly. This workflow accelerates
the layout and distribution of basic elements to form complex models. It
captures the designer's intent through interaction, and encourages playful
discovery
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