46 research outputs found

    The Tallgrass Prairie Soundscape; Employing an Ecoacoustic Approach to Understand Grassland Response to Prescribed Burns and the Spatial and Temporal Patterns of Nechrophilous Invertebrate Communities

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    Tallgrass prairies are rapidly vanishing biodiversity hotspots for native and endemic species, yet little is known regarding how spatial and temporal variation of prairie soundscapes relates to seasonal changes, disturbance patterns and biological communities. Ecoacoustics, the study of environmental sounds using passive acoustics as a non-invasive tool for investigating ecological complexity, allows for long-term data to be captured without disrupting biological communities. Two studies were carried out by employing ecoacoustic methodology to study grassland carrion food webs and to capture the phenology of a grassland soundscape following a prescribed burn. Both studies were conducted at the Nature Conservancy’s Tallgrass Prairie Preserve (3650’N, 9625’W) and used six acoustic indices to quantify the ratio of technophony to biophony, acoustic complexity, diversity, evenness, entropy, and biological acoustic diversity from over 70,000 sound recordings. Acoustic index values were used to determine the relationship between Nicrophorus burying beetle species composition and the prairie soundscape (Chapter 1) and to determine if prescribed burning changes the composition of the soundscape over time (Chapter 2). In Chapter 1, I found that associations between Nicrophorus burying beetles and the soundscape were unique to particular species, acoustic indices and times of day. For example, N. americanus trap rates showed a positive correlation to areas of increased acoustic complexity specifically at dawn. In addition to positive associations with the soundscape, we found that N. marginatus was consistently negatively correlated to higher levels of biophony, while N. tomentosus was consistently positively correlated to places with higher levels of biophony. Although reproduction of all species examined is dependent upon securing small carrion for reproduction, I found that known habitat and activity segregation of five Nicrophorus beetle species may be reflective of the soundscape. Finally, I show that favorable habitat for a critically endangered necrophilous insect, the American burying beetle (Nicrophorus americanus) can be identified by the acoustic signature extracted from a short temporal window of its grassland ecosystem soundscape. Using the same suite of acoustic indices from Chapter 1, in Chapter 2 I examined acoustic recordings at a much larger time scale to determine distinctive acoustic events driven by biophony and geophony across a 23-week period. In addition to examining acoustic changes over time, I examined differences between 11 burned and unburned pastures. Results from this study indicate that prescribed burning does alter the soundscape, especially early in the post-burn period, but the effects are ameliorated by a significant increase in biophony as the growing and breeding season progressed into the warmer summer months. Both studies demonstrate that passive acoustic recording is a reliable method to assess relationships to acoustic communities over space and time

    Ecoacoustics and multispecies semiosis: naming, semantics, semiotic characteristics, and competencies

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    Biosemiotics to date has focused on the exchange of signals between organisms, in line with bioacoustics; consideration of the wider acoustic environment as a semiotic medium is under-developed. The nascent discipline of ecoacoustics, that investigates the role of environmental sound in ecological processes and dynamics, fills this gap. In this paper we introduce key ecoacoustic terminology and concepts in order to highlight the value of ecoacoustics as a discipline in which to conceptualise and study intra- and interspecies semiosis. We stress the inherently subjective nature of all sensory scapes (vivo-, land-, vibro- and soundscapes) and propose that they should always bear an organismic attribution. Key terms to describe the sources (geophony, biophony, anthropophony, technophony) and scales (sonotopes, soundtopes, sonotones) of soundscapes are described. We introduce epithets for soundscapes to point to the degree to which the global environment is implicated in semiosis (latent, sensed and interpreted soundscapes); terms for describing key ecological structures and processes (acoustic community, acoustic habitat, ecoacoustic events) and examples of ecoacoustic events (choruses and noise) are described. The acoustic eco-field is recognized as the semiotic model that enables soniferous species to intercept core resources like food, safety and roosting places. We note that whilst ecoacoustics to date has focused on the critical task of the development of metrics for application in conservation and biodiversity assessment, these can be enriched by advancing conceptual and theoretical foundations. Finally, the mutual value of integrating ecoacoustic and biosemiotics perspectives is considered

    Ecology & computer audition: applications of audio technology to monitor organisms and environment

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    Among the 17 Sustainable Development Goals (SDGs) proposed within the 2030 Agenda and adopted by all the United Nations member states, the 13th SDG is a call for action to combat climate change. Moreover, SDGs 14 and 15 claim the protection and conservation of life below water and life on land, respectively. In this work, we provide a literature-founded overview of application areas, in which computer audition – a powerful but in this context so far hardly considered technology, combining audio signal processing and machine intelligence – is employed to monitor our ecosystem with the potential to identify ecologically critical processes or states. We distinguish between applications related to organisms, such as species richness analysis and plant health monitoring, and applications related to the environment, such as melting ice monitoring or wildfire detection. This work positions computer audition in relation to alternative approaches by discussing methodological strengths and limitations, as well as ethical aspects. We conclude with an urgent call to action to the research community for a greater involvement of audio intelligence methodology in future ecosystem monitoring approaches

    Navigating the Noise: Implications of Increasing Ship Noise for an Arctic Ocean Soundscape

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    There is no quiet way to churn water. Noise pollution caused by ships is increasing in the Arctic Ocean as sea ice melts, creating more open channels for vessels. This study provides a glimpse into the sources and balance of sounds in a portion of the Arctic Ocean soundscape surrounding the Norwegian archipelago of Svalbard. Characterization of the soundscape provides essential data as the region quickly transforms. This study also considers human perceptions of underwater ocean noise and its impacts in the region, and it reviews current ocean policy, suggesting mitigation strategies and ways forward. Before the rapid development of industry, prominent sounds in this underwater soundscape came from geological and biological sources. As vessel traffic increases, primary sound sources may be shifting from wind to ship noise. Sea ice extent has decreased in all months and in almost all regions of the Arctic, impacting Arctic marine mammals (AMMs) as their rapidly contracting habitat fills with unfamiliar anthropogenic noise. Noise in the ocean’s underwater soundscape degrades acoustic habitat. This study helps fill a gap in knowledge that has limited our understanding of how much underwater noise the eleven AMMs are exposed to and its effects, especially in consideration of the unique hearing and communication capabilities of each species. AMMs spend much of their lives in deep darkness and have evolved to depend on sound as their principal sense. They rely on sensory cues to learn and thrive in their environments. Hydrophones were deployed at 44 locations between 13 °E and 19 °E and 69 °N and 79 °N in April 2023. Wind, waves, and ice (geophony) dominated the soundscape’s acoustic signature in remote locations, while human-caused sounds (anthrophony) were significant near Arctic shipping routes, fishing areas, and in fjords. Marine mammal vocalizations were detected near the ice edge, at fjord mouths, and in fjords. Collecting and interpreting data that help explain the changing composition of the soundscape may offer insights to guide regulation of anthropogenic noise in the ocean’s underwater soundscape, contributing to management and conservation efforts. This dissertation is available in open access at AURA (https://aura.antioch.edu/) andOhioLINK ETD Center (https://etd.ohiolink.edu/etd)

    Unsupervised classification to improve the quality of a bird song recording dataset

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    Open audio databases such as Xeno-Canto are widely used to build datasets to explore bird song repertoire or to train models for automatic bird sound classification by deep learning algorithms. However, such databases suffer from the fact that bird sounds are weakly labelled: a species name is attributed to each audio recording without timestamps that provide the temporal localization of the bird song of interest. Manual annotations can solve this issue, but they are time consuming, expert-dependent, and cannot run on large datasets. Another solution consists in using a labelling function that automatically segments audio recordings before assigning a label to each segmented audio sample. Although labelling functions were introduced to expedite strong label assignment, their classification performance remains mostly unknown. To address this issue and reduce label noise (wrong label assignment) in large bird song datasets, we introduce a data-centric novel labelling function composed of three successive steps: 1) time-frequency sound unit segmentation, 2) feature computation for each sound unit, and 3) classification of each sound unit as bird song or noise with either an unsupervised DBSCAN algorithm or the supervised BirdNET neural network. The labelling function was optimized, validated, and tested on the songs of 44 West-Palearctic common bird species. We first showed that the segmentation of bird songs alone aggregated from 10% to 83% of label noise depending on the species. We also demonstrated that our labelling function was able to significantly reduce the initial label noise present in the dataset by up to a factor of three. Finally, we discuss different opportunities to design suitable labelling functions to build high-quality animal vocalizations with minimum expert annotation effort

    The avian dawn chorus across Great Britain: using new technology to study breeding bird song

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    The avian dawn chorus is a period of high song output performed daily around sunrise during the breeding season. Singing at dawn is of such significance to birds that they remain motivated to do so amid the noise of numerous others. Yet, we still do not fully understand why the dawn chorus exists. Technological advances in recording equipment, data storage and sound analysis tools now enable collection and scrutiny of large acoustic datasets, encouraging research on sound-producing organisms and promoting ‘the soundscape’ as an indicator of ecosystem health. Using an unrivalled dataset of dawn chorus recordings collected during this thesis, I explore the chorus throughout Great Britain with the prospect of furthering our understanding and appreciation of this daily event. I first evaluate the performance of four automated signal recognition tools (‘recognisers’) when identifying the singing events of target species during the dawn chorus, and devise a new ensemble approach that improves detection of singing events significantly over each of the recognisers in isolation. I then examine daily variation in the timing and peak of the chorus across the country in response to minimum overnight temperature. I conclude that cooler temperatures result in later chorus onset and peak the following dawn, but that the magnitude of this effect is greater at higher latitude sites with cooler and less variable overnight temperature regimes. Next, I present evidence of competition for acoustic space during the dawn chorus between migratory and resident species possessing similar song traits, and infer that this may lead either to fine-scale temporal partitioning of song, such that each competitor maintains optimal output, or to one competitor yielding. Finally, I investigate day-to-day attenuation of song during the leaf-out period from budburst through to full-leaf in woodland trees, and establish the potential for climate-driven advances in leaf-out phenology to attenuate song if seasonal singing activity in birds has not advanced to the same degree. I find that gradual attenuation of sound through the leaf-out process is dependent on the height of the receiver, and surmise that current advances in leaf-out phenology are unlikely to have undue effect on song propagation. This project illustrates the advantage of applying new technology to ecological studies of complex acoustic environments, and highlights areas in need of improvement, which is essential if we are to comprehend and preserve our natural soundscapes

    Good practice guidelines for long-term ecoacoustic monitoring in the UK: with a particular focus on terrestrial biodiversity at the human-audible frequency range

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    Passive acoustic monitoring has great potential as a cost-effective method for long-term biodiversity monitoring. However, to maximise its efficacy, standardisation of survey protocols is necessary to ensure data are comparable and permit reliable inferences. The aim of these guidelines is to outline a basic long-term acoustic monitoring protocol that can be adapted to suit a range of projects according to specific objectives and size
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