Adoption and Impact of OER in the Global South

Education in the Global South faces several key interrelated challenges, for which Open Educational Resources (OER) are seen to be part of the solution. These challenges include: unequal access to education; variable quality of educational resources, teaching, and student performance; and increasing cost and concern about the sustainability of education. The Research on Open Educational Resources for Development (ROER4D) project seeks to build on and contribute to the body of research on how OER can help to improve access, enhance quality and reduce the cost of education in the Global South. This volume examines aspects of educator and student adoption of OER and engagement in Open Educational Practices (OEP) in secondary and tertiary education as well as teacher professional development in 21 countries in South America, Sub-Saharan Africa and South and Southeast Asia. The ROER4D studies and syntheses presented here aim to help inform Open Education advocacy, policy, practice and research in developing countries

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On Reenactment: Concepts, Methodologies, Tools.

This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective

25 Years of Ed Tech

In this lively and approachable volume based on his popular blog series, Martin Weller demonstrates a rich history of innovation and effective implementation of ed tech across higher education. From Bulletin Board Systems to blockchain, Weller follows the trajectory of education by focusing each chapter on a technology, theory, or concept that has influenced each year since 1994. Calling for both caution and enthusiasm, Weller advocates for a critical and research-based approach to new technologies, particularly in light of disinformation, the impact of social media on politics, and data surveillance trends. A concise and necessary retrospective, this book will be valuable to educators, ed tech practitioners, and higher education administrators, as well as students

Visually Provoking: Dissertations in Art Education

Visually Provoking - a dynamic collection of visually oriented research about current doctoral studies from international art educators in Australia, Canada, China, Egypt, Finland, Greece, Iceland, Portugal, Spain, and the United States of America. Together we are thinking about, with and through the visual, focusing attention on practices that are reshaping our understandings of intellectual exchange in an effort to open deliberations, considerations, imaginations, and potentialities for different ways of doing research. This collection may be considered in tandem with our related book, International Perspectives on Visual Arts PhDs in Education: Provoking the Field (Intellect), which explores theoretical, methodological and practice-based accounts of doctoral studies. - Annita Sinner, Editorial NoteacceptedVersionPeer reviewe

2018 - The Twenty-third Annual Symposium of Student Scholars

The full program book from the Twenty-third Annual Symposium of Student Scholars, held on April 19, 2018. Includes abstracts from the presentations and posters.https://digitalcommons.kennesaw.edu/sssprograms/1020/thumbnail.jp

Research Methodologies and Ethical Challenges in Digital Migration Studies

This Open Access book investigates the methodological and ethical dilemmas involved when working with digital technologies and large-scale datasets in relation to ethnographic studies of digital migration practices and trajectories. Digital technologies reshape not only every phase of the migration process itself (by providing new ways to access, to share and preserve relevant information) but also the activities of other actors, from solidarity networks to border control agencies. In doing so, digital technologies create a whole new set of ethical and methodological challenges for migration studies: from data access to data interpretation, privacy protection, and research ethics more generally. Of specific concern are the aspects of digital migration researchers accessing digital platforms used by migrants, who are subject to precarious and insecure life circumstances, lack recognised papers and are in danger of being rejected and deported. Thus, the authors call for new modes of caring for (big) data when researching migrants’ digital practices in the configuration of migration and borders. Besides taking proper care of research participants’ privacy, autonomy, and security, this also spans carefully establishing analytically sustainable environments for the respective data sets. In doing so, the book argues that it is essential to carefully reflect on researchers’ own positioning as being part of the challenge they seek to address

Seeking Impact and Visibility: Scholarly Communication in Southern Africa

The Scholarly Communication in Africa Programme (SCAP) was a three-year research and implementation initiative that took place between March 2010 and August 2013. Hosted by the University of Cape Town, the programme engaged the Universities of Botswana, Namibia and Mauritius in a process aimed at better understanding the dynamics around scholarly communication in the Southern African higher education environment and advancing the open access agenda for the purpose of increasing the visibility of African research. This work was made possible by a grant from the Canadian International Development Research Center (IDRC). This report synthesizes research and findings from the four institutional case studies conducted at the Universities of Botswana, Cape Town, Mauritius and Namibia. It provides an overview the scholarly communication activity systems at work in these four Southern African universities

The Privilege to Select : Global Research System, European Academic Library Collections, and Decolonisation

A large part of the literature published in the ‘Global South’ is barely covered by bibliographic databases. Institutional policies increasingly require researchers globally to publish in ‘international’ journals, draining local infrastructures. The standard-setting power of ‘Global South’ scholars is minimised further. My main aim is to render visible the ways in which European academic libraries contribute to this situation. It is explained as a consequence of specific features of current world society, referred to as coloniality, social injustice, and quantified communication. The thesis analyses peripherality conceptually and scientometrically: based on a sample, how is Southeast African basic social sciences and humanities (SSH) research integrated in global scholarly communication, and how do local dissemination infrastructures develop under these conditions? Finally, how are professional values, specifically neutrality, and workflows of European academic libraries, interrelated with these developments? The methodological approach of the thesis is multi-faceted, including conceptual analyses, scientometrics, and a short survey of collection managers and an analysis of the corresponding libraries' collection policies. The off-mainstream decolonial scientometric approach required the construction of a database from multiple sources. Southeast Africa was selected as a field for some of the empirical studies included, because out of all rarely studied local communities to which a peripheral status is commonly attributed, the large majority of Southeast African authors use English as their primary academic language. This excludes linguistic reasons for the peripheral attribution.The theoretical and conceptual point of departure is to analyse scholarly communication as a self-referential social system with global reach (Luhmann). In this thesis, an unorthodox understanding of social systems theory is developed, providing it with cultural humility, inspired by decolonial thinking. The value of the approach lies in its in-built capacity for social change: peripheries are constructed communicatively, and culturally humble communication avoids adding to the accumulation of peripheral references attributed to the ‘Global South’, for instance by suspending the incarceration of area studies which tends to subsume any research from and about Africa as African studies, remote from the core of SSH. While centrality serves the necessary purpose of reducing the overwhelming complexity of global research, communicative centres can just as well be constructed as topical, and do not require a spatial attachment to be functional. Another advantage of this approach is its awareness of different levels of observation, differentiating, for instance, between whether the academic librarian's neutrality is imagined as playing out in interaction with the user (passive neutrality), as representing the diversity of the research system (active neutrality), or as balancing social bias running through society at large, and hence furthering social justice (culturally humble neutrality)