Learnable PINs: Cross-Modal Embeddings for Person Identity

We propose and investigate an identity sensitive joint embedding of face and voice. Such an embedding enables cross-modal retrieval from voice to face and from face to voice. We make the following four contributions: first, we show that the embedding can be learnt from videos of talking faces, without requiring any identity labels, using a form of cross-modal self-supervision; second, we develop a curriculum learning schedule for hard negative mining targeted to this task, that is essential for learning to proceed successfully; third, we demonstrate and evaluate cross-modal retrieval for identities unseen and unheard during training over a number of scenarios and establish a benchmark for this novel task; finally, we show an application of using the joint embedding for automatically retrieving and labelling characters in TV dramas.Comment: To appear in ECCV 201

CHORUS Deliverable 2.2: Second report - identification of multi-disciplinary key issues for gap analysis toward EU multimedia search engines roadmap

After addressing the state-of-the-art during the first year of Chorus and establishing the existing landscape in multimedia search engines, we have identified and analyzed gaps within European research effort during our second year. In this period we focused on three directions, notably technological issues, user-centred issues and use-cases and socio- economic and legal aspects. These were assessed by two central studies: firstly, a concerted vision of functional breakdown of generic multimedia search engine, and secondly, a representative use-cases descriptions with the related discussion on requirement for technological challenges. Both studies have been carried out in cooperation and consultation with the community at large through EC concertation meetings (multimedia search engines cluster), several meetings with our Think-Tank, presentations in international conferences, and surveys addressed to EU projects coordinators as well as National initiatives coordinators. Based on the obtained feedback we identified two types of gaps, namely core technological gaps that involve research challenges, and “enablers”, which are not necessarily technical research challenges, but have impact on innovation progress. New socio-economic trends are presented as well as emerging legal challenges

Deliverable D1.1 State of the art and requirements analysis for hypervideo

This deliverable presents a state-of-art and requirements analysis report for hypervideo authored as part of the WP1 of the LinkedTV project. Initially, we present some use-case (viewers) scenarios in the LinkedTV project and through the analysis of the distinctive needs and demands of each scenario we point out the technical requirements from a user-side perspective. Subsequently we study methods for the automatic and semi-automatic decomposition of the audiovisual content in order to effectively support the annotation process. Considering that the multimedia content comprises of different types of information, i.e., visual, textual and audio, we report various methods for the analysis of these three different streams. Finally we present various annotation tools which could integrate the developed analysis results so as to effectively support users (video producers) in the semi-automatic linking of hypervideo content, and based on them we report on the initial progress in building the LinkedTV annotation tool. For each one of the different classes of techniques being discussed in the deliverable we present the evaluation results from the application of one such method of the literature to a dataset well-suited to the needs of the LinkedTV project, and we indicate the future technical requirements that should be addressed in order to achieve higher levels of performance (e.g., in terms of accuracy and time-efficiency), as necessary

Knowledge-rich Image Gist Understanding Beyond Literal Meaning

We investigate the problem of understanding the message (gist) conveyed by images and their captions as found, for instance, on websites or news articles. To this end, we propose a methodology to capture the meaning of image-caption pairs on the basis of large amounts of machine-readable knowledge that has previously been shown to be highly effective for text understanding. Our method identifies the connotation of objects beyond their denotation: where most approaches to image understanding focus on the denotation of objects, i.e., their literal meaning, our work addresses the identification of connotations, i.e., iconic meanings of objects, to understand the message of images. We view image understanding as the task of representing an image-caption pair on the basis of a wide-coverage vocabulary of concepts such as the one provided by Wikipedia, and cast gist detection as a concept-ranking problem with image-caption pairs as queries. To enable a thorough investigation of the problem of gist understanding, we produce a gold standard of over 300 image-caption pairs and over 8,000 gist annotations covering a wide variety of topics at different levels of abstraction. We use this dataset to experimentally benchmark the contribution of signals from heterogeneous sources, namely image and text. The best result with a Mean Average Precision (MAP) of 0.69 indicate that by combining both dimensions we are able to better understand the meaning of our image-caption pairs than when using language or vision information alone. We test the robustness of our gist detection approach when receiving automatically generated input, i.e., using automatically generated image tags or generated captions, and prove the feasibility of an end-to-end automated process

Understanding the message of images

We investigate the problem of understanding the message (gist) conveyed by images and their captions as found, for instance, on websites or news articles. To this end, we propose a methodology to capture the meaning of image-caption pairs on the basis of large amounts of machine-readable knowledge that have previously been shown to be highly effective for text understanding. Our method identifies the connotation of objects beyond their denotation: where most approaches to image or image-text understanding focus on the denotation of objects, i.e., their literal meaning, our work addresses the identification of connotations, i.e., iconic meanings of objects, to understand the message of images. We view image understanding as the task of representing an image-caption pair on the basis of a widecoverage vocabulary of concepts such as the one provided by Wikipedia, and cast gist detection as a concept-ranking problem with image-caption pairs as queries

Evaluation Methodologies for Visual Information Retrieval and Annotation

Die automatisierte Evaluation von Informations-Retrieval-Systemen erlaubt Performanz und Qualität der Informationsgewinnung zu bewerten. Bereits in den 60er Jahren wurden erste Methodologien für die system-basierte Evaluation aufgestellt und in den Cranfield Experimenten überprüft. Heutzutage gehören Evaluation, Test und Qualitätsbewertung zu einem aktiven Forschungsfeld mit erfolgreichen Evaluationskampagnen und etablierten Methoden. Evaluationsmethoden fanden zunächst in der Bewertung von Textanalyse-Systemen Anwendung. Mit dem rasanten Voranschreiten der Digitalisierung wurden diese Methoden sukzessive auf die Evaluation von Multimediaanalyse-Systeme übertragen. Dies geschah häufig, ohne die Evaluationsmethoden in Frage zu stellen oder sie an die veränderten Gegebenheiten der Multimediaanalyse anzupassen. Diese Arbeit beschäftigt sich mit der system-basierten Evaluation von Indizierungssystemen für Bildkollektionen. Sie adressiert drei Problemstellungen der Evaluation von Annotationen: Nutzeranforderungen für das Suchen und Verschlagworten von Bildern, Evaluationsmaße für die Qualitätsbewertung von Indizierungssystemen und Anforderungen an die Erstellung visueller Testkollektionen. Am Beispiel der Evaluation automatisierter Photo-Annotationsverfahren werden relevante Konzepte mit Bezug zu Nutzeranforderungen diskutiert, Möglichkeiten zur Erstellung einer zuverlässigen Ground Truth bei geringem Kosten- und Zeitaufwand vorgestellt und Evaluationsmaße zur Qualitätsbewertung eingeführt, analysiert und experimentell verglichen. Traditionelle Maße zur Ermittlung der Performanz werden in vier Dimensionen klassifiziert. Evaluationsmaße vergeben üblicherweise binäre Kosten für korrekte und falsche Annotationen. Diese Annahme steht im Widerspruch zu der Natur von Bildkonzepten. Das gemeinsame Auftreten von Bildkonzepten bestimmt ihren semantischen Zusammenhang und von daher sollten diese auch im Zusammenhang auf ihre Richtigkeit hin überprüft werden. In dieser Arbeit wird aufgezeigt, wie semantische Ähnlichkeiten visueller Konzepte automatisiert abgeschätzt und in den Evaluationsprozess eingebracht werden können. Die Ergebnisse der Arbeit inkludieren ein Nutzermodell für die konzeptbasierte Suche von Bildern, eine vollständig bewertete Testkollektion und neue Evaluationsmaße für die anforderungsgerechte Qualitätsbeurteilung von Bildanalysesystemen.Performance assessment plays a major role in the research on Information Retrieval (IR) systems. Starting with the Cranfield experiments in the early 60ies, methodologies for the system-based performance assessment emerged and established themselves, resulting in an active research field with a number of successful benchmarking activities. With the rise of the digital age, procedures of text retrieval evaluation were often transferred to multimedia retrieval evaluation without questioning their direct applicability. This thesis investigates the problem of system-based performance assessment of annotation approaches in generic image collections. It addresses three important parts of annotation evaluation, namely user requirements for the retrieval of annotated visual media, performance measures for multi-label evaluation, and visual test collections. Using the example of multi-label image annotation evaluation, I discuss which concepts to employ for indexing, how to obtain a reliable ground truth to moderate costs, and which evaluation measures are appropriate. This is accompanied by a thorough analysis of related work on system-based performance assessment in Visual Information Retrieval (VIR). Traditional performance measures are classified into four dimensions and investigated according to their appropriateness for visual annotation evaluation. One of the main ideas in this thesis adheres to the common assumption on the binary nature of the score prediction dimension in annotation evaluation. However, the predicted concepts and the set of true indexed concepts interrelate with each other. This work will show how to utilise these semantic relationships for a fine-grained evaluation scenario. Outcomes of this thesis result in a user model for concept-based image retrieval, a fully assessed image annotation test collection, and a number of novel performance measures for image annotation evaluation

Semantic multimedia modelling & interpretation for search & retrieval

With the axiomatic revolutionary in the multimedia equip devices, culminated in the proverbial proliferation of the image and video data. Owing to this omnipresence and progression, these data become the part of our daily life. This devastating data production rate accompanies with a predicament of surpassing our potentials for acquiring this data. Perhaps one of the utmost prevailing problems of this digital era is an information plethora. Until now, progressions in image and video retrieval research reached restrained success owed to its interpretation of an image and video in terms of primitive features. Humans generally access multimedia assets in terms of semantic concepts. The retrieval of digital images and videos is impeded by the semantic gap. The semantic gap is the discrepancy between a user’s high-level interpretation of an image and the information that can be extracted from an image’s physical properties. Content- based image and video retrieval systems are explicitly assailable to the semantic gap due to their dependence on low-level visual features for describing image and content. The semantic gap can be narrowed by including high-level features. High-level descriptions of images and videos are more proficient of apprehending the semantic meaning of image and video content. It is generally understood that the problem of image and video retrieval is still far from being solved. This thesis proposes an approach for intelligent multimedia semantic extraction for search and retrieval. This thesis intends to bridge the gap between the visual features and semantics. This thesis proposes a Semantic query Interpreter for the images and the videos. The proposed Semantic Query Interpreter will select the pertinent terms from the user query and analyse it lexically and semantically. The proposed SQI reduces the semantic as well as the vocabulary gap between the users and the machine. This thesis also explored a novel ranking strategy for image search and retrieval. SemRank is the novel system that will incorporate the Semantic Intensity (SI) in exploring the semantic relevancy between the user query and the available data. The novel Semantic Intensity captures the concept dominancy factor of an image. As we are aware of the fact that the image is the combination of various concepts and among the list of concepts some of them are more dominant then the other. The SemRank will rank the retrieved images on the basis of Semantic Intensity. The investigations are made on the LabelMe image and LabelMe video dataset. Experiments show that the proposed approach is successful in bridging the semantic gap. The experiments reveal that our proposed system outperforms the traditional image retrieval systems

Spatio-temporal feature representations of reactivated memories

How does the human brain recover memories of past events? The neural processes of memory retrieval are still not fully uncovered. This doctoral thesis is concerned with the spatio-temporal feature representations of reactivated episodic memories. Classical theories and empirical evidence suggest that the revival of memory representations in the brain is initiated in the hippocampus, before activity patterns in cortical regions reactivate to represent previously experienced events. The current doctoral project tests the assumption that the neural processing cascade during retrieval is reversed with respect to perception. This general framework predicts that semantic concepts and modality-independent information is reconstructed before modality-specific sensory details. This backward information flow is also assumed to affect the neural representations when memories are recalled repeatedly, enhancing the integration of new information into existing conceptual networks. The first two studies investigate the neural information flow during retrieval with respect to the reactivated mnemonic representations. First, simultaneous EEG-fMRI is used to track the presumed reversed reconstruction from abstract modality-independent to sensory-specific visual and auditory memory representations. The second EEG-fMRI project then zooms in on the recall of visual memories, testing whether the visual retrieval process propagates backwards along the ventral visual stream transferring from abstract conceptual to detailed perceptual representations. The reverse reconstruction framework predicts that conceptual information, due to its prioritisation, should benefit more from repeated recall than perceptual information. Hence, the last, behavioural study investigated whether retrieval strengthens conceptual representations over perceptual ones and thus promotes the semanticisation of episodic memories. Altogether, the findings offer novel insights into retrieval-related processing cascades, in terms of their temporal and spatial dynamics and the nature of the reactivated representations. The results also provide an understanding of memory transformations during the consolidation processes that are amplified through repeated retrieval