A comparative study of the function of heterospecific vocal mimicry in European passerines

Although heterospecific vocal imitation is well documented in passerines, the evolutionary correlates of this phenomenon are poorly known. Here, we studied interspecific variation in vocal mimicry in a comparative study of 241 European songbirds. We tested whether vocal mimicry is a mode of repertoire acquisition or whether it resulted from imperfect song learning. We also investigated the effect of the degree of contact with the vocal environment (with species having larger ranges, abundance, or being long lived having a higher degree of mimicry) and a possible link with cognitive capacity (an overall larger brain in species with mimicry). Finally, we determined the potential evolutionary role of vocal mimicry in different interspecific contexts, predicting that mimicry may affect the intensity of brood parasitism, predation, or degree of hybridization. While controlling for research effort and phylogenetic relationships among taxa, we found that effect sizes for intersong interval, brain size, breeding dispersal, abundance, age-dependent expression of repertoires, and predation risk reached a level that may indicate evolutionary importance. Vocal mimicry seems to be a consequence of song continuity rather than song complexity, may partially have some cognitive component but may also be dependent on the vocal environment, and may attract the attention of predators. However, estimates of sexual selection and interspecific contacts due to brood parasitism and hybridization varied independently of vocal mimicry. Therefore, mimicry may have no function in female choice for complex songs and may be weakly selected via interspecific associations. These findings provide little evidence for vocal mimicry having evolved to serve important functions in most birds

A glottal chink model for the synthesis of voiced fricatives

International audienceThis paper presents a simulation framework that enables a glottal chink model to be integrated into a time-domain continuous speech synthesizer along with self-oscillating vocal folds. The glottis is then made up of two main separated components: a self-oscillating part and a constantly open chink. This feature allows the simulation of voiced fricatives, thanks to a self-oscillating model of the vocal folds to generate the voiced source, and the glottal opening that is necessary to generate the frication noise. Numerical simulations show the accuracy of the model to simulate voiced fricative, and also phonetic assimilation, such as sonorization and devoicing. The simulation framework is also used to show that the phonatory/articulatory space for generating voiced fricatives is different according to the desired sound: for instance, the minimal glottal opening for generating frica-tion noise is shorter for /z/ than for /Z/

Voice morphing using the generative topographic mapping

In this paper we address the problem of Voice Morphing. We attempt to transform the spectral characteristics of a source speaker's speech signal so that the listener would believe that the speech was uttered by a target speaker. The voice morphing system transforms the spectral envelope as represented by a Linear Prediction model. The transformation is achieved by codebook mapping using the Generative Topographic Mapping, a non-linear, latent variable, parametrically constrained, Gaussian Mixture Model

Long-term and persistent vocal plasticity in adult bats.

Bats exhibit a diverse and complex vocabulary of social communication calls some of which are believed to be learned during development. This ability to produce learned, species-specific vocalizations - a rare trait in the animal kingdom - requires a high-degree of vocal plasticity. Bats live extremely long lives in highly complex and dynamic social environments, which suggests that they might also retain a high degree of vocal plasticity in adulthood, much as humans do. Here, we report persistent vocal plasticity in adult bats (Rousettus aegyptiacus) following exposure to broad-band, acoustic perturbation. Our results show that adult bats can not only modify distinct parameters of their vocalizations, but that these changes persist even after noise cessation - in some cases lasting several weeks or months. Combined, these findings underscore the potential importance of bats as a model organism for studies of vocal plasticity, including in adulthood