A low complexity image compression algorithm for Bayer color filter array

Digital image in their raw form requires an excessive amount of storage capacity. Image compression is a process of reducing the cost of storage and transmission of image data. The compression algorithm reduces the file size so that it requires less storage or transmission bandwidth. This work presents a new color transformation and compression algorithm for the Bayer color filter array (CFA) images. In a full color image, each pixel contains R, G, and B components. A CFA image contains single channel information in each pixel position, demosaicking is required to construct a full color image. For each pixel, demosaicking constructs the missing two-color information by using information from neighbouring pixels. After demosaicking, each pixel contains R, G, and B information, and a full color image is constructed. Conventional CFA compression occurs after the demosaicking. However, the Bayer CFA image can be compressed before demosaicking which is called compression-first method, and the algorithm proposed in this research follows the compression-first or direct compression method. The compression-first method applies the compression algorithm directly onto the CFA data and shifts demosaicking to the other end of the transmission and storage process. The advantage of the compression-first method is that it requires three time less transmission bandwidth for each pixel than conventional compression. Compression-first method of CFA data produces spatial redundancy, artifacts, and false high frequencies. The process requires a color transformation with less correlation among the color components than that Bayer RGB color space. This work analyzes correlation coefficient, standard deviation, entropy, and intensity range of the Bayer RGB color components. The analysis provides two efficient color transformations in terms of features of color transformation. The proposed color components show lesser correlation coefficient than occurs with the Bayer RGB color components. Color transformations reduce both the spatial and spectral redundancies of the Bayer CFA image. After color transformation, the components are independently encoded using differential pulse-code modulation (DPCM) in raster order fashion. The residue error of DPCM is mapped to a positive integer for the adaptive Golomb rice code. The compression algorithm includes both the adaptive Golomb rice and Unary coding to generate bit stream. Extensive simulation analysis is performed on both simulated CFA and real CFA datasets. This analysis is extended for the WCE (wireless capsule endoscopic) images. The compression algorithm is also realized with a simulated WCE CFA dataset. The results show that the proposed algorithm requires less bits per pixel than the conventional CFA compression. The algorithm also outperforms recent works on CFA compression algorithms for both real and simulated CFA datasets

A Paradigm for color gamut mapping of pictorial images

In this thesis, a paradigm was generated for color gamut mapping of pictorial images. This involved the development and testing of: 1.) a hue-corrected version of the CIELAB color space, 2.) an image-dependent sigmoidal-lightness-rescaling process, 3.) an image-gamut- based chromatic-compression process, and 4.) a gamut-expansion process. This gamut-mapping paradigm was tested against some gamut-mapping strategies published in the literature. Reproductions generated by gamut mapping in a hue-corrected CIELAB color space more accurately preserved the perceived hue of the original scenes compared to reproductions generated using the CIELAB color space. The results of three gamut-mapping experiments showed that the contrast-preserving nature of the sigmoidal-lightness-remapping strategy generated gamut-mapped reproductions that were better matches to the originals than reproductions generated using linear-lightness-compression functions. In addition, chromatic-scaling functions that compressed colors at a higher rate near the gamut surface and less near the achromatic axis produced better matches to the originals than algorithms that performed linear chroma compression throughout color space. A constrained gamut-expansion process, similar to the inverse of the best gamut-compression process found in this experiment, produced reproductions preferred over an expansion process utilizing unconstrained linear expansion

Study and simulation of low rate video coding schemes

The semiannual report is included. Topics covered include communication, information science, data compression, remote sensing, color mapped images, robust coding scheme for packet video, recursively indexed differential pulse code modulation, image compression technique for use on token ring networks, and joint source/channel coder design

ITEM: Inter-Texture Error Measurement for 3D Meshes

We introduce a simple and innovative method to compare any two texture maps, regardless of their sizes, aspect ratios, or even masks, as long as they are both meant to be mapped onto the same 3D mesh. Our system is based on a zero-distortion 3D mesh unwrapping technique which compares two new adapted texture atlases with the same mask but different texel colors, and whose every texel covers the same area in 3D. Once these adapted atlases are created, we measure their difference with ITEM-RMSE, a slightly modified version of the standard RMSE defined for images. ITEM-RMSE is more meaningful and reliable than RMSE because it only takes into account the texels inside the mask, since they are the only ones that will actually be used during rendering. Our method is not only very useful to compare the space efficiency of different texture atlas generation algorithms, but also to quantify texture loss in compression schemes for multi-resolution textured 3D meshes

Fully-automatic inverse tone mapping algorithm based on dynamic mid-level tone mapping

High Dynamic Range (HDR) displays can show images with higher color contrast levels and peak luminosities than the common Low Dynamic Range (LDR) displays. However, most existing video content is recorded and/or graded in LDR format. To show LDR content on HDR displays, it needs to be up-scaled using a so-called inverse tone mapping algorithm. Several techniques for inverse tone mapping have been proposed in the last years, going from simple approaches based on global and local operators to more advanced algorithms such as neural networks. Some of the drawbacks of existing techniques for inverse tone mapping are the need for human intervention, the high computation time for more advanced algorithms, limited low peak brightness, and the lack of the preservation of the artistic intentions. In this paper, we propose a fully-automatic inverse tone mapping operator based on mid-level mapping capable of real-time video processing. Our proposed algorithm allows expanding LDR images into HDR images with peak brightness over 1000 nits, preserving the artistic intentions inherent to the HDR domain. We assessed our results using the full-reference objective quality metrics HDR-VDP-2.2 and DRIM, and carrying out a subjective pair-wise comparison experiment. We compared our results with those obtained with the most recent methods found in the literature. Experimental results demonstrate that our proposed method outperforms the current state-of-the-art of simple inverse tone mapping methods and its performance is similar to other more complex and time-consuming advanced techniques