Complex Beauty

Complex systems and their underlying convoluted networks are ubiquitous, all we need is an eye for them. They pose problems of organized complexity which cannot be approached with a reductionist method. Complexity science and its emergent sister network science both come to grips with the inherent complexity of complex systems with an holistic strategy. The relevance of complexity, however, transcends the sciences. Complex systems and networks are the focal point of a philosophical, cultural and artistic turn of our tightly interrelated and interdependent postmodern society. Here I take a different, aesthetic perspective on complexity. I argue that complex systems can be beautiful and can the object of artification - the neologism refers to processes in which something that is not regarded as art in the traditional sense of the word is changed into art. Complex systems and networks are powerful sources of inspiration for the generative designer, for the artful data visualizer, as well as for the traditional artist. I finally discuss the benefits of a cross-fertilization between science and art

The Beauty of Complex Designs

The increasing use of omics data in epidemiology enables many novel study designs, but also introduces challenges for data analysis. We describe the possibilities for systems epidemiological designs in the Norwegian Women and Cancer (NOWAC) study and show how the complexity of NOWAC enables many beautiful new study designs. We discuss the challenges of implementing designs and analyzing data. Finally, we propose a systems architecture for swift design and exploration of epidemiological studies

How Beauty Matters

How do we view, understand and appreciate a complex and challenging work of visual art such as Leon Mostovoy's Transfigure and how, in our encounter with it, does beauty matter? Transfigure Project--a 2013 book, film and photographic installation that is now also an interactive website (http://transfigureproject.com/)--is "a project of corporal self-expression, presented as an experimental, visual feast" by which 'transfigure' means "to transform into something more beautiful or elevated." Photographs of fifty nude trans-identified figures can be playfully arranged in numerous combinations; a woman's head can appear over a post-op torso over a pelvis with penis. The result, according to the artist, is "A celebration of bodies that transcend the gender binary" and shatter stereotypical notions of beauty. How does the meaning of Transfigure challenge and subvert traditional theories in aesthetics

Comparing Guessing Games with homogeneous and heterogeneous players: Experimental results and a CH explanation

We investigate the decisions of individuals in simple and complex environments. We use a version of the Guessing Game (Beauty-contest Game) as a vehicle for our investigation, employing mathematically talented students. We find that our subjects think in complex environments more carefully before making decisions. We rationalize our findings using the Cognitive Hierarchy (CH) model proposed by Camerer, Ho, and Chong (2002). We relate our results to the emerging literature on the decision making of collective actors.Guessing Game

Women's beauty in the history of Tanzania

Beauty, in particular, women's beauty, has been a preoccupation of human societies throughout history. Encompassing not only physical appearance, but also aspects of dress and adornment and, in some contexts, more abstract notions like morality and spirituality. notions of beauty are shaped by complex social, cultural and economic considerations. By focusing on specific case studies, this study investigates the history of beauty in Tanzania, taking into account both past and present debates on the role female beauty plays in human relations

Zephyr Lilies: Simple Beauty Belies Complex Biology

It is often thus, the best in art appears effortless; the most compelling science, once understood, seems obvious. But talk at length with any artist or scientist and you will learn that what appears simple is actually the culmination of a great deal of work. Zephyr, or Jamestown, lilies are like that, too. These seemingly simple flowers are merely the elegant end product of some very complex underlying biology, the details of which are imperfectly understood

Perception, cognitive development and humour in the child

Like beauty, humour is in the eye of the beholder, having no objective existence, being purely a product of the act of perception) In other words, humour results not from the concrete object which impinges physically upon the organism, but from the complex process which organizes and places the sensory-data within a frame of reference, thus bestowing meaning on it. A "humour stimulus" (e.g. a "joke") - like any other stimulus - is intrinsically meaningless, and only acquires meaning after the perceptual process has successfully managed to decipher a pattern in the stimulus which can be matched with pre-existing schemata in the mind.peer-reviewe