Subjective quality assessment database of HDR images compressed with JPEG XT

Recent advances in high dynamic range (HDR) capturing and display technologies attracted a lot of interest to HDR imaging. Many issues that are considered as being resolved for conventional low dynamic range (LDR) images pose new challenges in HDR context. One such issue is a lack of standards for HDR image compression. Another is the limited availability of suitable image datasets that are suitable for studying and evaluation of HDR image compression. In this paper, we address this problem by creating a publicly available dataset of 20 HDR images and corresponding versions compressed at four different bit rates with three profiles of the upcoming JPEG XT standard for HDR image compression. The images cover different scenes, dynamic ranges, and acquisition methods (fusion from several exposures, frame of an HDR video, and CGI generated images). The dataset also includes Mean Opinion Scores (MOS) for each compressed version of the images obtained from extensive subjective experiments using SIM2 HDR monitor

Overview and Evaluation of the JPEG XT HDR Image Compression Standard

Standards play an important role in providing a common set of specifications and allowing inter-operability between devices and systems. Until recently, no standard for High Dynamic Range (HDR) image coding had been adopted by the market, and HDR imaging relies on proprietary and vendor specific formats which are unsuitable for storage or exchange of such images. To resolve this situation, the JPEG Committee is developing a new coding standard called JPEG~XT that is backwards compatible to the popular JPEG compression, allowing it to be implemented using standard 8-bit JPEG coding hardware or software. In this paper, we present design principles and technical details of JPEG~XT. It is based on a two-layers design, a base layer containing a Low Dynamic Range (LDR) image accessible to legacy implementations, and an extension layer providing the full dynamic range. The paper introduces three of currently defined profiles in JPEG~XT, each constraining the common decoder architecture to a subset of allowable configurations. We assess the coding efficiency of each profile extensively through subjective assessments, using 24 naive subjects to evaluate 20 images, and objective evaluations, using 106 images with five different tone-mapping operators and at 100 different bit rates. The objective results (based on benchmarking with subjective scores) demonstrate that JPEG~XT can encode HDR images at bit rates varying from 1.1 to 1.9 bit/pixel for estimated mean opinion score (MOS) values above 4.5 out of 5, which is considered as fully transparent in many applications. This corresponds to 23-times bitstream reduction compared to lossless OpenEXR PIZ compression

Benchmarking of objective quality metrics for HDR image quality assessment

Recent advances in high dynamic range (HDR) capture and display technologies have attracted a lot of interest from scientific, professional, and artistic communities. As any technology, the evaluation of HDR systems in terms of quality of experience is essential. Subjective evaluations are time consuming and expensive, and thus objective quality assessment tools are needed as well. In this paper, we report and analyze the results of an extensive benchmarking of objective quality metrics for HDR image quality assessment. In total, 35 objective metrics were benchmarked on a database of 20 HDR contents encoded with 3 compression algorithms at 4 bit rates, leading to a total of 240 compressed HDR images, using subjective quality scores as ground truth. Performance indexes were computed to assess the accuracy, monotonicity, and consistency of the metrics estimation of subjective scores. Statistical analysis was performed on the performance indexes to discriminate small differences between two metrics. Results demonstrated that HDR-VDP-2 is the most reliable predictor of perceived quality. Finally, our findings suggested that the performance of most full-reference metrics can be improved by considering non-linearities of the human visual system, while further efforts are necessary to improve performance of no-reference quality metrics for HDR content

Quality of Experience in Immersive Video Technologies

Over the last decades, several technological revolutions have impacted the television industry, such as the shifts from black & white to color and from standard to high-definition. Nevertheless, further considerable improvements can still be achieved to provide a better multimedia experience, for example with ultra-high-definition, high dynamic range & wide color gamut, or 3D. These so-called immersive technologies aim at providing better, more realistic, and emotionally stronger experiences. To measure quality of experience (QoE), subjective evaluation is the ultimate means since it relies on a pool of human subjects. However, reliable and meaningful results can only be obtained if experiments are properly designed and conducted following a strict methodology. In this thesis, we build a rigorous framework for subjective evaluation of new types of image and video content. We propose different procedures and analysis tools for measuring QoE in immersive technologies. As immersive technologies capture more information than conventional technologies, they have the ability to provide more details, enhanced depth perception, as well as better color, contrast, and brightness. To measure the impact of immersive technologies on the viewersâ QoE, we apply the proposed framework for designing experiments and analyzing collected subjectsâ ratings. We also analyze eye movements to study human visual attention during immersive content playback. Since immersive content carries more information than conventional content, efficient compression algorithms are needed for storage and transmission using existing infrastructures. To determine the required bandwidth for high-quality transmission of immersive content, we use the proposed framework to conduct meticulous evaluations of recent image and video codecs in the context of immersive technologies. Subjective evaluation is time consuming, expensive, and is not always feasible. Consequently, researchers have developed objective metrics to automatically predict quality. To measure the performance of objective metrics in assessing immersive content quality, we perform several in-depth benchmarks of state-of-the-art and commonly used objective metrics. For this aim, we use ground truth quality scores, which are collected under our subjective evaluation framework. To improve QoE, we propose different systems for stereoscopic and autostereoscopic 3D displays in particular. The proposed systems can help reducing the artifacts generated at the visualization stage, which impact picture quality, depth quality, and visual comfort. To demonstrate the effectiveness of these systems, we use the proposed framework to measure viewersâ preference between these systems and standard 2D & 3D modes. In summary, this thesis tackles the problems of measuring, predicting, and improving QoE in immersive technologies. To address these problems, we build a rigorous framework and we apply it through several in-depth investigations. We put essential concepts of multimedia QoE under this framework. These concepts not only are of fundamental nature, but also have shown their impact in very practical applications. In particular, the JPEG, MPEG, and VCEG standardization bodies have adopted these concepts to select technologies that were proposed for standardization and to validate the resulting standards in terms of compression efficiency

Subjective and objective quality evaluation of synthetic and high dynamic range images

Recent years have seen a huge growth in the acquisition, transmission, and storage of videos. The visual data consists of both natural scenes as well as synthetic scenes, such as animated movies, cartoons and video games. In all these cases, the ultimate goal is to provide the viewers with a satisfactory quality-of-experience. In addition to the traditional 8-bit images, high dynamic range imaging is also becoming popular because of its ability to represent the real world luminances more realistically. Coming up with objective image quality assessment algorithms for these applications is an interesting research problem. In this work, I have developed a synthetic image quality database by introducing varying degrees of different types of distortions and conducted a subjective experiment in order to obtain the ground-truth data. I evaluated the performance of state-of-the-art image quality assessment algorithms (typically meant for natural images) on this database, especially no-reference algorithms that have not been applied to the domain of computer graphics images before. I identified the top-performing algorithms along with analyzing the types of distortions on which the present algorithms show a less impressive performance. For high dynamic range(HDR) images, I have designed two new full-reference image quality assessment algorithms to judge the quality of tonemapped HDR images using statistical features extracted from them. I have also conducted a massive online crowd-sourced subjective test for HDR image artifacts arising from tonemapping, multiple-exposure fusion and post processing. To the best of our knowledge, presently this is the largest HDR image database in the world involving the largest number of source images and most number of human evaluations. Based on the subjective evaluations obtained, I have also proposed machine learning based no-reference image quality assessment algorithms to predict the perceptual quality of HDR images.Electrical and Computer Engineerin

Visual saliency guided high dynamic range image compression

Recent years have seen the emergence of the visual saliency-based image and video compression for low dynamic range (LDR) visual content. The high dynamic range (HDR) imaging is yet to follow such an approach for compression as the state-of-the-art visual saliency detection models are mainly concerned with LDR content. Although a few HDR saliency detection models have been proposed in the recent years, they lack the comprehensive validation. Current HDR image compression schemes do not differentiate salient and non-salient regions, which has been proved redundant in terms of the Human Visual System. In this paper, we propose a novel visual saliency guided layered compression scheme for HDR images. The proposed saliency detection model is robust and highly correlates with the ground truth saliency maps obtained from eye tracker. The results show a reduction of bit-rates up to 50% while retaining the same high visual quality in terms of HDR-Visual Difference Predictor (HDR-VDP) and the visual saliency-induced index for perceptual image quality assessment (VSI) metrics in the salient regions

High Dynamic Range Visual Content Compression

This thesis addresses the research questions of High Dynamic Range (HDR) visual contents compression. The HDR representations are intended to represent the actual physical value of the light rather than exposed value. The current HDR compression schemes are the extension of legacy Low Dynamic Range (LDR) compressions, by using Tone-Mapping Operators (TMO) to reduce the dynamic range of the HDR contents. However, introducing TMO increases the overall computational complexity, and it causes the temporal artifacts. Furthermore, these compression schemes fail to compress non-salient region differently than the salient region, when Human Visual System (HVS) perceives them differently. The main contribution of this thesis is to propose a novel Mapping-free visual saliency-guided HDR content compression scheme. Firstly, the relationship of Discrete Wavelet Transform (DWT) lifting steps and TMO are explored. A novel approach to compress HDR image by Joint Photographic Experts Group (JPEG) 2000 codec while backward compatible to LDR is proposed. This approach exploits the reversibility of tone mapping and scalability of DWT. Secondly, the importance of the TMO in the HDR compression is evaluated in this thesis. A mapping-free post HDR image compression based on JPEG and JPEG2000 standard codecs for current HDR image formats is proposed. This approach exploits the structure of HDR formats. It has an equivalent compression performance and the lowest computational complexity compared to the existing HDR lossy compressions (50% lower than the state-of-the-art). Finally, the shortcomings of the current HDR visual saliency models, and HDR visual saliency-guided compression are explored in this thesis. A spatial saliency model for HDR visual content outperform others by 10% for spatial visual prediction task with 70% lower computational complexity is proposed. Furthermore, the experiment suggested more than 90% temporal saliency is predicted by the proposed spatial model. Moreover, the proposed saliency model can be used to guide the HDR compression by applying different quantization factor according to the intensity of predicted saliency map

Visibility metrics and their applications in visually lossless image compression

Visibility metrics are image metrics that predict the probability that a human observer can detect differences between a pair of images. These metrics can provide localized information in the form of visibility maps, in which each value represents a probability of detection. An important application of the visibility metric is visually lossless image compression that aims at compressing a given image to the lowest fraction of bit per pixel while keeping the compression artifacts invisible at the same time. In previous works, most visibility metrics were modeled based on largely simplified assumptions and mathematical models of human visual systems. This approach generally fits well into experimental data measured with simple stimuli, such as Gabor patches. However, it cannot predict complex non-linear effects, such as contrast masking in natural images, particularly well. To predict visibility of image differences accurately, we collected the largest visibility dataset under fixed viewing conditions for calibrating existing visibility metrics and proposed a deep neural network-based visibility metric. We demonstrated in our experiments that the deep neural network-based visibility metric significantly outperformed existing visibility metrics. However, the deep neural network-based visibility metric cannot predict visibility under varying viewing conditions, such as display brightness and viewing distances that have great impacts on the visibility of distortions. To extend the deep neural network-based visibility metric to varying viewing conditions, we collected the largest visibility dataset under varying display brightness and viewing distances. We proposed incorporating white-box modules, in other words, luminance masking and viewing distance adaptation, into the black-box deep neural network, and we found that the combination of white-box modules and black-box deep neural networks could generalize our proposed visibility metric to varying viewing conditions. To demonstrate the application of our proposed deep neural network-based visibility metric to visually lossless image compression, we collected the visually lossless image compression dataset under fixed viewing conditions and significantly improved the deep neural network-based visibility metric's accuracy of predicting visually lossless image compression threshold by pre-training the visibility metric with a synthetic dataset generated by the state-of-the-art white-box visibility metric---HDR-VDP \cite{Mantiuk2011}. In a large-scale study of 1000 images, we found that with our improved visibility metric, we can save around 60\% to 70\% bits for visually lossless image compression encoding as compared to the default visually lossless quality level of 90. Because predicting image visibility and predicting image quality are closely related research topics, we also proposed a trained perceptually uniform transform for high dynamic range images and videos quality assessments by training a perceptual encoding function on a set of subjective quality assessment datasets. We have shown that when combining the trained perceptual encoding function with standard dynamic range image quality metrics, such as peak-signal-noise-ratio (PSNR), better performance was achieved compared to the untrained version