8,714 research outputs found
A historical complex at St. Agatha - Rabat
Within St. Agatha's Historical Complex, one can
discover various important sites: the catacombs
containing different types of tombs, agape tables and
frescoes; the crypt with its important medieval frescoes;
the alabaster statue depicting the martyrdom of the saint;
crosses of Dedication; the historical Church of 1504 and
enlarged in 1670 and wherein is kept the historical
marble statue which was placed on the walls of the city
of Mdina on July 20th 1551, during one of frequent
attacks by the Arab corsairs on the island. Nearby stands
a small Museum with various collections of fossils,
prehistoric remains, minerals, pottery and many other
things of interest and beauty.peer-reviewe
Erich Becker and Malta Sotteranea - exposing the achievements of a dark horse of Christian archaeology
Becker's 1913 publication Malta Sotterranea,
Studien zur altchristlichen und jiidischen
Sepulkralkunst- studies of Malta's early Christian
and Jewish sepulchral art- is a work often quoted
and sometimes even copied by authors writing on
Malta's catacombs and Late Antiquity. Its value was
recognised by many scholars, but to date very few
have managed to fully grasp and understand it.
Certainly, one does not need to understand much
German to realise that his study was exceptionally
thorough and methodical. But one needs to master
German and German grammar perfectly in order to
follow his line of reasoning - which is why many
remarkable conclusions and discoveries in Malta
Sotterranea were at best ignored, or at worst
wrongly quoted or totally misunderstood. Ironically,
it is thanks to the latter that his book never slipped
into oblivion.peer-reviewe
Apocalyptic Beauty
A potent and formative text for a theological aesthetics faithful to the God revealed in the Scriptures is the Apocalypse of John (Revelation). An apocalyptic viewpoint is beautiful inasmuch as it observes the whole from within the part of time/space and inasmuch as the apocalyptic vision provides considerable unity of diverse theological themes with various expansions and enhancements, hence mimicking the very function of theological beauty to communicate the whole (God) in the part (here, in space-time). This essay traces major themes throughout Scripture, utilizing inter-textual interpretation en route, and seeks to clarify the Book of Revelation\u27s role in recapitulation, consummation, and consolation (i.e. beauty). Commenting on how the Apocalypse meets the criteria for being theologically beautiful, this essay then seeks to show how this role of beauty--and in particular, consolation--attracted the early Christian devotees visiting/dwelling-in the catacombs (A.D. 150-500) to make the Apocalypse of John one of the major contributors to their artwork
Robots for Exploration, Digital Preservation and Visualization of Archeological Sites
Monitoring and conservation of archaeological sites
are important activities necessary to prevent damage or to
perform restoration on cultural heritage. Standard techniques,
like mapping and digitizing, are typically used to document the
status of such sites. While these task are normally accomplished
manually by humans, this is not possible when dealing with
hard-to-access areas. For example, due to the possibility of
structural collapses, underground tunnels like catacombs are
considered highly unstable environments. Moreover, they are full
of radioactive gas radon that limits the presence of people only
for few minutes. The progress recently made in the artificial
intelligence and robotics field opened new possibilities for mobile
robots to be used in locations where humans are not allowed
to enter. The ROVINA project aims at developing autonomous
mobile robots to make faster, cheaper and safer the monitoring of
archaeological sites. ROVINA will be evaluated on the catacombs
of Priscilla (in Rome) and S. Gennaro (in Naples)
A possibly Christian burial of the late Roman period discovered in a quarry at Ta' Sannat, Gozo
According to the Museum Annual Report
for the years 1928-9, the Police Occurrences
Register for the period 20/12/1928- 9/4/1929,
and Public Works correspondence for the
period 5/9/1928 - 3/4/1929, a burial was
discovered in a quarry at Ta' Sannat on 7th
January 1929. The report of the discovery
was initially received by Mr Edward Borg
Cardona, the District Engineer Public Works
Department (Gozo). Together with Supt. E.
Galea, he immediately visited the site and gave
instructions to halt works and for the site to
also submitted to the Director of Museums.
The burial yielded a small jar, an oenochoe
(wine-jug), and a red clay lamp close to a heap
of human bones. This is probably what was
seen by Prof. Terni Zammit, the Archaeology
section curator, when six days later (on 13th
January), accompanied by Mr Edward Borg
Cardona, he examined the site and the finds that
had been lifted from the tomb.peer-reviewe
Observations on the linguistic epigraphic choice in late antique inscriptions from Malta
The aim of this paper is to reconsider the Maltese epigraphic material from a linguistic point of view,
with an attempt to point out what the specific linguistic choice means within the epigraphic context.
Analysing the epigraphic data, it is possible to suppose that in late antiquity the Greek-speaking
community in Malta was linked to a Jewish community maybe coming from abroad. Furthermore, a
parallel can be established with the south-eastern area in Sicily, where there is evidence for the presence
of Jewish burial places in Christian necropoleis, with the preponderance of Greek used as epigraphic
language. The choice of Greek for the funerary inscriptions from Malta does not tend to be arbitrary,
and might indicate the persistent use of the original language of an immigrant community.peer-reviewe
What is 'Jewish' about Jewish art? Art and identity on late ancient sarcophagi from Rome
A paper delivered at in the 2017 Colloquia of the Metropolitan Museum of Art. Considers how a group of sarcophagi from the Jewish catacombs of Rome reflect on the subject of Jewish art and Jewish patrons in Late Antiquity
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