Tracing postrepresentational visions of the city: representing the unrepresentable Skateworlds of Tyneside

In any visualisation of the city more is left unseen than made visible. Contemporary visualisations of the city are increasingly influenced by quantification, and thus anything which cannot be quantified is hidden. In contrast, we explore the use of ‘lo-fi’, doodled, participatory maps made by skateboarders in Tyneside, England, as a means to represent their cityscape. Drawing on established work an skateboarding and recent developments in cartography, we argue that skateboarders understand the city from a postrepresentational perspective. Such a framing presents a series of challenges to map their worlds which we explore through a processual account of our mapmaking practice. In this process we chart how skateboarders’ mappings became part of a more significant interplay of performance, identity, visualisation, and exhibition. The paper makes contributions to the emerging field of postrepresentational cartography and argues that its processual focus provides useful tools to understand how visions of the city are produced

Ancient Cartographies as a Basis for Geolocation Models in Public Space: The Case of Giambattista Nolli and its Heritage Application

In 1748, the architect and surveyor Giambattista Nolli mapped an abstract reality of the city of Rome. As a challenge to the inherited projections, it represented the city mixing streets, halls, corridors, churches, baths and markets as part of a unique public space network. A new way to design public space and rethink the whole urban system was opened by the possibility of containing in these representations a single layer with all kinds of public space (including the interior of public buildings). Despite this, Nolli's plan remained as a useless instrument since the hegemony of automobile mobility appeared as a pre-eminent system. This research tries to understand how the application of the ancient cartographies' methodology can improve the pedestrian mobility of historic cities by means of enhancing the graphic value of the system of Giambattista Nolli. Nowadays, free public space is represented as empty and built ones, as solid. This proposal would revert this reified conception of the city, understanding this baroque representation as an instrument of identification and assessment of the transitional heritage. The clues unveiled by Nolli seem to be able to integrate the plans of public buildings within the urban tissue, which would result in a step towards the full integration of cartography and mobility. The success of the comprehensive tools offered by large servers such as Alphabet inc. (Google) or Bing Maps confirm the suitability of the combination of new technologies and Big Data with urban planning, reaching the synchronisation of Smart Cities. Nowadays, open public space can be 'walked in' from any electronic device, consequently, the application of the "Nolli methodology" would implement the model of urban geolocation with the assimilation of inner public spaces. In the creation of a great global map of the public space, a chimaera could be intuited. This would be discussed within a tangible reality: every open public space is already housed in the Big Data and it is accessible through geolocation tools. The inclusion of the of the public buildings' interiors would contribute to develop a greater permeability between city and citizens. Furthermore, this representation would optimize pedestrian travel times and would be able to expand the geolocation system network as a documentary repository

BERLIN AND THE RELICT BORDER: TRACES OF A CARTOGRAPHIC VOLUPTAS BETWEEN LITERATURE AND TOURISM

L’articolo si apre con una premessa teorica che prende in considerazione il paradigma emergente della cosiddetta “cartografia post-rappresentazionale”. Basandosi, secondo una prospettiva umanistica, su tali recenti acquisizioni teoriche nell’ambito degli studi cartografici, nonché su fondamentali lavori dedicati alla cartografia letteraria e alla cartografia turistica, l’articolo perviene in seguito ad affrontare il caso di studio di Berlino e della “memorializzazione” del Muro per suggerire l’opportunità di indagare l’immaginazione e l’esperienza cartografica attraverso testi e pratiche di ambito letterario e turistico.The article opens with a presentation of the theoretical framework, referring to the emergence of the so called “post-representational cartography”. Taking into consideration recent theories developed within a humanistic perspective in the field of map studies and at the same time some seminal works in literary cartography and tourism cartography, the present essay introduces the memorialisation of the Berlin Wall as a case study, in order to suggest the opportunity of researches on cartographic imagination and map experience through texts and practices of literature and tourism

Participatory mapping in Latin America : a tool for adult education for social change

As with many other sciences, the field of cartography has developed based on the exclusion of other forms of knowledge of the people from the South. The purpose of this article is to discuss Participatory Mapping (Social cartography) both as a possibility for adult education for social change and for giving voice to social groups, who were historically denied the right to speech, the possibility of sharing their knowledge about space. Based on recent examples, especially in Latin America, it argues that during the mapping activity there is a process of learning exchange between the scholar’s knowledge and the local communities’ knowledge of the mapped spaces where they live.peer-reviewe

Shifts in Mapping

Depicting the world, territory, and geopolitical realities involves a high degree of interpretation and imagination. It is never neutral. Cartography originated in ancient times to represent the world and to enable circulation, communication, and economic exchange. Today, IT companies are a driving force in this field and change our view of the world; how we communicate, navigate, and consume globally. Questions of privacy, authorship, and economic interests are highly relevant to cartography's practices. So how to deal with such powers and what is the critical role of cartography in it? How might a bottom-up perspective (and actions) in map-making change the conception of a geopolitical space

Shifts in Mapping: Maps as a Tool of Knowledge

Depicting the world, territory, and geopolitical realities involves a high degree of interpretation and imagination. It is never neutral. Cartography originated in ancient times to represent the world and to enable circulation, communication, and economic exchange. Today, IT companies are a driving force in this field and change our view of the world; how we communicate, navigate, and consume globally. Questions of privacy, authorship, and economic interests are highly relevant to cartography's practices. So how to deal with such powers and what is the critical role of cartography in it? How might a bottom-up perspective (and actions) in map-making change the conception of a geopolitical space

Liberating clocks: Developing a critical horology to rethink the potential of clock time

Across a wide range of cultural forms, including philosophy, cultural theory, literature and art, the figure of the clock has drawn suspicion, censure and outright hostility. In contrast, even while maps have been shown to be complicit with forms of domination, they are also widely recognised as tools that can be critically reworked in the service of more liberatory ends. This paper seeks to counteract the tendency to see clocks in this way, arguing that they have many more interesting possibilities than they are usually given credit for. An analysis of approaches to clocks in continental philosophy critiques the way they have too often been dismissed as unworthy of further analysis, and argues that this dismissal is based upon an inadequate understanding of how clocks operate. Seeking to move towards more critical and curious approaches, the paper draws inspiration from critical cartography in order to call for the development of a ‘critical horology’ which would emphasise both the fundamentally political nature of clocks, and the potential for designing them otherwise. A discussion of temporal design provides a range of examples of how clocks might open up new horizons within the politics of time

Off the Grid

Off the Grid explores the messy relationship between public and private perceptions of our urban spaces, especially the tensions created when lived experience runs up against the physical and conceptual networks of cities: street grids, construction tape, and property lines. Incorporating different modes of spatial representation, from cartographic diagrams to isometric illustrations and Renaissance perspectives, this exhibition examines the role drawing plays in how we conceptualize the divisions and definitions of everyday space. The drawings engage the often overlooked detritus of city life, from layers of old graffiti to overgrown dirt piles and unmoored electrical wiring, that complicate our understanding of how urban space is actually used. Drawn from the spaces surrounding the artist’s daily routine, Off the Grid investigates the potential of a subjective cartography to tell a more complete story about the places we inhabit

Shifts in Mapping

Depicting the world, territory, and geopolitical realities involves a high degree of interpretation and imagination. It is never neutral. Cartography originated in ancient times to represent the world and to enable circulation, communication, and economic exchange. Today, IT companies are a driving force in this field and change our view of the world; how we communicate, navigate, and consume globally. Questions of privacy, authorship, and economic interests are highly relevant to cartography's practices. So how to deal with such powers and what is the critical role of cartography in it? How might a bottom-up perspective (and actions) in map-making change the conception of a geopolitical space