Semantic Description of Timbral Transformations in Music Production

Abstract. In music production, descriptive terminology is used to define perceived sound transformations. By understanding the underlying statistical features associated with these descriptions, we can aid the retrieval of contextually relevant processing parameters using natural language, and create intelligent systems capable of assisting in audio engineering. In this study, we present an analysis of a dataset containing descriptive terms gathered using a series of processing modules, embedded within a Digital Audio Workstation. By applying hierarchical clustering to the audio feature space, we show that similarity in term representations exists within and between transformation classes. Furthermore, the organisation of terms in low-dimensional timbre space can be explained using perceptual concepts such as size and dissonance. We conclude by performing Latent Semantic Indexing to show that similar groupings exist based on term frequency

Evolution of Information Retrieval System: Critical Review of Multimedia Information Retrieval System Based On Content, Context, and Concept

In recent years the explosive growth of information affects the flood of information. The amount of information must be followed by the development of the effective Information Retrieval System (IRS) so that the information will be easily accessible and useful for the user. The source of Information contains various media format, beside text there is also image, audio, and video that called multimedia. A large number of multimedia information rise the Multimedia Information Retrieval System (MIRS). Most of MIRS today is monolithic or only using one media format like Google1 for text search, tineye2 for image search, youtube3 for video search or 4shared4 for music and audio search. There is a need of information in any kind of media, not only retrieve the document in text format, but also retrieve the document in an image, audio and video format at once from any kind media format of the query. This study reviews the evolution of IRS, regress from text-based to concept- based MIRS. Unified Multimedia Indexing technique is discussed along with Concept-based MIRS. This critical review concludes that the evolution of IRS follows three paces: content-based, context-based and concept-based. Each pace takes on indexing system and retrieval techniques to optimize information retrieved. The challenge is how to come up with a retrieval technique that can process unified MIRS in order to retrieve optimally the relevant document

Video semantic content analysis framework based on ontology combined MPEG-7

The rapid increase in the available amount of video data is creating a growing demand for efficient methods for understanding and managing it at the semantic level. New multimedia standard, MPEG-7, provides the rich functionalities to enable the generation of audiovisual descriptions and is expressed solely in XML Schema which provides little support for expressing semantic knowledge. In this paper, a video semantic content analysis framework based on ontology combined MPEG-7 is presented. Domain ontology is used to define high level semantic concepts and their relations in the context of the examined domain. MPEG-7 metadata terms of audiovisual descriptions and video content analysis algorithms are expressed in this ontology to enrich video semantic analysis. OWL is used for the ontology description. Rules in Description Logic are defined to describe how low-level features and algorithms for video analysis should be applied according to different perception content. Temporal Description Logic is used to describe the semantic events, and a reasoning algorithm is proposed for events detection. The proposed framework is demonstrated in sports video domain and shows promising results

Retrieval and Annotation of Music Using Latent Semantic Models

PhDThis thesis investigates the use of latent semantic models for annotation and retrieval from collections of musical audio tracks. In particular latent semantic analysis (LSA) and aspect models (or probabilistic latent semantic analysis, pLSA) are used to index words in descriptions of music drawn from hundreds of thousands of social tags. A new discrete audio feature representation is introduced to encode musical characteristics of automatically-identified regions of interest within each track, using a vocabulary of audio muswords. Finally a joint aspect model is developed that can learn from both tagged and untagged tracks by indexing both conventional words and muswords. This model is used as the basis of a music search system that supports query by example and by keyword, and of a simple probabilistic machine annotation system. The models are evaluated by their performance in a variety of realistic retrieval and annotation tasks, motivated by applications including playlist generation, internet radio streaming, music recommendation and catalogue searchEngineering and Physical Sciences Research Counci

Spoken content retrieval: A survey of techniques and technologies

Speech media, that is, digital audio and video containing spoken content, has blossomed in recent years. Large collections are accruing on the Internet as well as in private and enterprise settings. This growth has motivated extensive research on techniques and technologies that facilitate reliable indexing and retrieval. Spoken content retrieval (SCR) requires the combination of audio and speech processing technologies with methods from information retrieval (IR). SCR research initially investigated planned speech structured in document-like units, but has subsequently shifted focus to more informal spoken content produced spontaneously, outside of the studio and in conversational settings. This survey provides an overview of the field of SCR encompassing component technologies, the relationship of SCR to text IR and automatic speech recognition and user interaction issues. It is aimed at researchers with backgrounds in speech technology or IR who are seeking deeper insight on how these fields are integrated to support research and development, thus addressing the core challenges of SCR

Automated generation of movie tributes

O objetivo desta tese é gerar um tributo a um filme sob a forma de videoclip, considerando como entrada um filme e um segmento musical coerente. Um tributo é considerado um vídeo que contém os clips mais significativos de um filme, reproduzidos sequencialmente, enquanto uma música toca. Nesta proposta, os clips a constar do tributo final são o resultado da sumarização das legendas do filme com um algoritmo de sumarização genérico. É importante que o artefacto seja coerente e fluido, pelo que há a necessidade de haver um equilíbrio entre a seleção de conteúdo importante e a seleção de conteúdo que esteja em harmonia com a música. Para tal, os clips são filtrados de forma a garantir que apenas aqueles que contêm a mesma emoção da música aparecem no vídeo final. Tal é feito através da extração de vetores de características áudio relacionadas com emoções das cenas às quais os clips pertencem e da música, e, de seguida, da sua comparação por meio do cálculo de uma medida de distância. Por fim, os clips filtrados preenchem a música cronologicamente. Os resultados foram positivos: em média, os tributos produzidos obtiveram 7 pontos, numa escala de 0 a 10, em critérios como seleção de conteúdo e coerência emocional, fruto de avaliação humana.This thesis’ purpose is to generate a movie tribute in the form of a videoclip for a given movie and music. A tribute is considered to be a video containing meaningful clips from the movie playing along with a cohesive music piece. In this work, we collect the clips by summarizing the movie subtitles with a generic summarization algorithm. It is important that the artifact is coherent and fluid, hence there is the need to balance between the selection of important content and the selection of content that is in harmony with the music. To achieve so, clips are filtered so as to ensure that only those that contain the same emotion as the music are chosen to appear in the final video. This is made by extracting vectors of emotion-related audio features from the scenes they belong to and from the music, and then comparing them with a distance measure. Finally, filtered clips fill the music length in a chronological order. Results were positive: on average, the produced tributes obtained scores of 7, on a scale from 0 to 10, on content selection, and emotional coherence criteria, from human evaluation

New Methods for Image Retrieval

Image Retrieval (IR) is a standout amongst the most energizing and quickest developing exploration regions in the field of multimedia innovation. We present here a feature of ongoing exploration for IR. A few patterns and plausible future research bearings are exhibited. We uncover the significant issues that we have perceived: the absence of a decent estimation of visual comparability, the little significance agreed to client communication and input, and the disregard of spatial data. Noting these worries, we depict the arrangements actualized by recent IR frameworks. We likewise present the current image retrieval extends in our research centre, which are persuaded to a huge degree by these equivalent contemplations

Unveiling the multimedia unconscious: implicit cognitive processes and multimedia content analysis

One of the main findings of cognitive sciences is that automatic processes of which we are unaware shape, to a significant extent, our perception of the environment. The phenomenon applies not only to the real world, but also to multimedia data we consume every day. Whenever we look at pictures, watch a video or listen to audio recordings, our conscious attention efforts focus on the observable content, but our cognition spontaneously perceives intentions, beliefs, values, attitudes and other constructs that, while being outside of our conscious awareness, still shape our reactions and behavior. So far, multimedia technologies have neglected such a phenomenon to a large extent. This paper argues that taking into account cognitive effects is possible and it can also improve multimedia approaches. As a supporting proof-of-concept, the paper shows not only that there are visual patterns correlated with the personality traits of 300 Flickr users to a statistically significant extent, but also that the personality traits (both self-assessed and attributed by others) of those users can be inferred from the images these latter post as "favourite"