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Functional evidence for cone-specific connectivity in the human retina
NoPhysiological studies of colour vision have not yet resolved the controversial issue of how chromatic opponency is constructed at a neuronal level. Two competing theories, the cone-selective hypothesis and the random-wiring hypothesis, are currently equivocal to the architecture of the primate retina. In central vision, both schemes are capable of producing colour opponency due to the fact that receptive field centres receive input from a single bipolar cell ¿ the so called `private line arrangement¿. However, in peripheral vision this single-cone input to the receptive field centre is lost, so that any random cone connectivity would result in a predictable reduction in the quality of colour vision. Behavioural studies thus far have indeed suggested a selective loss of chromatic sensitivity in peripheral vision. We investigated chromatic sensitivity as a function of eccentricity for the cardinal chromatic (L/M and S/(L + M)) and achromatic (L + M) pathways, adopting stimulus size as the critical variable. Results show that performance can be equated across the visual field simply by a change of scale (size). In other words, there exists no qualitative loss of chromatic sensitivity across the visual field. Critically, however, the quantitative nature of size dependency for each of the cardinal chromatic and achromatic mechanisms is very specific, reinforcing their independence in terms of anatomy and genetics. Our data provide clear evidence for a physiological model of primate colour vision that retains chromatic quality in peripheral vision, thus supporting the cone-selective hypothesis
Change blindness: eradication of gestalt strategies
Arrays of eight, texture-defined rectangles were used as stimuli in a one-shot change blindness (CB) task where there was a 50% chance that one rectangle would change orientation between two successive presentations separated by an interval. CB was eliminated by cueing the target rectangle in the first stimulus, reduced by cueing in the interval and unaffected by cueing in the second presentation. This supports the idea that a representation was formed that persisted through the interval before being 'overwritten' by the second presentation (Landman et al, 2003 Vision Research 43149–164]. Another possibility is that participants used some kind of grouping or Gestalt strategy. To test this we changed the spatial position of the rectangles in the second presentation by shifting them along imaginary spokes (by ±1 degree) emanating from the central fixation point. There was no significant difference seen in performance between this and the standard task [F(1,4)=2.565, p=0.185]. This may suggest two things: (i) Gestalt grouping is not used as a strategy in these tasks, and (ii) it gives further weight to the argument that objects may be stored and retrieved from a pre-attentional store during this task
Quantifying the colour appearance of displays.
EThOS - Electronic Theses Online ServiceGBUnited Kingdo
Algorithms for colour image processing based on neurological models
373 p. : il., gráf., fot., tablasColour image processing is nowadays mostly achieved through the extrapolation of algorithms
developed for images in grey levels into three colour planes, either RGB or some transformed
planes, such as HSI, CIELAB... These techniques provide reliable solutions only in simple
situations. As colour is a perception and not a characteristic inherent to objects, this thesis has
developed new bioinspired algorithms for colour image processing.
The work of this thesis has joined elements in colour theory and processing undertaken in the
human visual system. A new functional model of the retina has been developed where each cell
type has been characterised according to its connections, distribution and size. A retina
architecture has been created which provides detailed information about its cell elements and
organisation. This has allowed the creation of a retina model that generates a set of parallel output
channels as happens in the human retina. The level of detail provided in the model has allowed
the characterisation of each of the pathways with a precision that is not present in existing models
described in scientific publications.
The development of a colour processing model requires the combination of a functional retina
model with colour appearance models. This union has achieved a new algorithm for colour image
processing that provides colour attributes, such as: hue, lightness, brightness, saturation, chroma,
colourfulness as well as edge detection components both in chromatic as well as achromatic
components. The results provided by this model have been compared with CIECAM02 model's
ones and have obtained noticeably better results in the "ab" plane and in the attributes calculated
on Munsell colour samples. The colour processing model is backed by its results and has allowed
identifying output channels of the retina that make up the usual "a", "b" and "A" channels in
colour appearance models.
This model entails a step forward on colour processing techniques that shall be of great use for
image segmentation, characterisation and object identification.
Key Words Colour image processing, neuroinspired models, computational modelling, colour
appearance models.
Colour image processing is nowadays mostly achieved through the extrapolation of algorithms
developed for images in grey levels into three colour planes, either RGB or some transformed
planes, such as HSI, CIELAB... These techniques provide reliable solutions only in simple
situations. As colour is a perception and not a characteristic inherent to objects, this thesis has
developed new bioinspired algorithms for colour image processing.
The work of this thesis has joined elements in colour theory and processing undertaken in the
human visual system. A new functional model of the retina has been developed where each cell
type has been characterised according to its connections, distribution and size. A retina
architecture has been created which provides detailed information about its cell elements and
organisation. This has allowed the creation of a retina model that generates a set of parallel output
channels as happens in the human retina. The level of detail provided in the model has allowed
the characterisation of each of the pathways with a precision that is not present in existing models
described in scientific publications.
The development of a colour processing model requires the combination of a functional retina
model with colour appearance models. This union has achieved a new algorithm for colour image
processing that provides colour attributes, such as: hue, lightness, brightness, saturation, chroma,
colourfulness as well as edge detection components both in chromatic as well as achromatic
components. The results provided by this model have been compared with CIECAM02 model's
ones and have obtained noticeably better results in the "ab" plane and in the attributes calculated
on Munsell colour samples. The colour processing model is backed by its results and has allowed
identifying output channels of the retina that make up the usual "a", "b" and "A" channels in
colour appearance models.
This model entails a step forward on colour processing techniques that shall be of great use for
image segmentation, characterisation and object identification.
Key Words - Colour image processing, neuroinspired models, computational modelling, colour
appearance models.El Gobierno Vasco ha proporcionado apoyo financiero a través del programa ETORTEK, para las estancias en el Instituto Técnico de Massachusetts (MIT) y en la Universidad de Cambridge
Modelling of colour appearance
A colour may have a different appearance under different viewing conditions. This
causes many problems in the colour reproduction industry. Thus the importance of
prediction of colour appearance has arisen. In this study, a mathematical model to
predict colour appearance was developed based on the investigation of the changes of
colour appearance under a wide range of media and viewing conditions.
The media studied included large cut-sheet transparency films, 35mm projected
slides, reflection samples and monitor colours. The viewing conditions varied were light
source, luminance level and viewing background. Colour appearance was studied using
the magnitude estimation technique.
In general, colours appeared more colourful, lighter and brighter with an increase
in luminance level. Background and flare light had considerable influence on colour
appearance for cut-sheet transparency media. Simultaneous contrast effects occurred
when a monitor colour was displayed against a chromatic surround. The monitor colour
appeared lighter with a darker induction field. When a coloured area was enlarged,
lightness tended to increase while colourfulness tended to decrease. Colour appearance
was also affected by the closest neighbouring colour. In this case, the hue of the colour
largely shifted towards the direction of the opponent hue of the induction colour.
The data obtained were applied to test three colour spaces and two colour
appearance models. For reflection media, the Hunt91 model performed the best.
However it was not satisfactory when applied to transmissive media. Based on these
results, the Hunt93 model was developed by modification of the Hunt91 model. The new
model widens the application range of the Hunt91 and is reversible
Evaluation of changes in image appearance with changes in displayed image size
This research focused on the quantification of changes in image appearance when images are displayed at different image sizes on LCD devices. The final results provided in calibrated Just Noticeable Differences (JNDs) on relevant perceptual scales, allowing the prediction of sharpness and contrast appearance with changes in the displayed image size.
A series of psychophysical experiments were conducted to enable appearance predictions. Firstly, a rank order experiment was carried out to identify the image attributes that were most affected by changes in displayed image size. Two digital cameras, exhibiting very different reproduction qualities, were employed to capture the same scenes, for the investigation of the effect of the original image quality on image appearance changes. A wide range of scenes with different scene properties was used as
a test-set for the investigation of image appearance changes with scene type. The outcomes indicated that sharpness and contrast were the most important attributes for the majority of scene types and original image qualities. Appearance matching experiments were further conducted to quantify changes in perceived sharpness and contrast with respect to changes in the displayed image size.
For the creation of sharpness matching stimuli, a set of frequency domain filters were designed to provide equal intervals in image quality, by taking into account the system’s Spatial Frequency Response (SFR) and the observation distance. For the creation of contrast matching stimuli, a series of spatial domain S-shaped filters were designed to provide equal intervals in image contrast, by gamma adjustments. Five displayed image sizes were investigated. Observers were always asked to match the appearance of the smaller version of each stimulus to its larger reference. Lastly, rating experiments were conducted to validate the derived JNDs in perceptual quality for both sharpness and contrast stimuli. Data obtained by these experiments finally converted into JND scales for each individual image attribute.
Linear functions were fitted to the final data, which allowed the prediction of image appearance of images viewed at larger sizes than these investigated in this research
Gaze-contingent manipulation of color perception
Using real time eye tracking, gaze-contingent displays can modify their content to represent depth (e.g., through additional depth cues) or to increase rendering performance (e.g., by omitting peripheral detail). However, there has been no research to date exploring how gaze-contingent displays can be leveraged for manipulating perceived color. To address this, we conducted two experiments (color matching and sorting) that manipulated peripheral background and object colors to influence the user's color perception. Findings from our color matching experiment suggest that we can use gaze-contingent simultaneous contrast to affect color appearance and that existing color appearance models might not fully predict perceived colors with gaze-contingent presentation. Through our color sorting experiment we demonstrate how gaze-contingent adjustments can be used to enhance color discrimination. Gaze-contingent color holds the promise of expanding the perceived color gamut of existing display technology and enabling people to discriminate color with greater precision.Postprin
Colour discrimination as a function of observer adaptation
Imperial Users onl
A Role for Contrast Gain Control in Skin Appearance
Apparent contrast can be suppressed or enhanced when presented within surrounding images. This contextual modulation is typically accounted for with models of contrast gain control. Similarly, the appearance of one part of a face is affected by the appearance of the other parts of the face. These influences are typically accounted for with models of face-specific holistic processing. Here we report evidence that facial skin appearance is modulated by adjacent surfaces. In four experiments we measured the appearance of skin evenness and wrinkles in images with increased or decreased contrast between facial skin and adjacent image regions. Increased contrast with adjacent regions made facial skin appear more even and less wrinkled. We found the effect whether faces were presented upright or inverted, and also when facial features were not present, ruling out face-specific holistic processing as an explanation yet fully consistent with contrast gain control. Because the mechanism is not face specific, contrast between skin and any adjacent surface should affect skin appearance. This suggests that adornments such as makeup, hair coloring, clothing, and jewelry could also affect skin appearance through contrast suppression or enhancement, linking these cultural practices to the structure and function of the visual system
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