The evaluation of interface aesthetics

There are many factors that contribute towards good user experience (Roto, Law, Vermeeren and Hoonhout, 2011). These factors include the content and its organization, the functionality and features, the information and interaction design, as well as the visual design (Garett, 2002; Morville’s, 2004; and Hassenzahl, 2005).This paper builds on the contribution of visual design into user experience as grounds to tackle the assessment of visual aesthetics evaluation methods. The intention of the study is to test objective and subjective evaluation methods with the same objects for comparison. Finding out the correlations between the objective and subjective evaluation results enables the usage of computerized image analysis for the purposes of evaluating aesthetics. The work reported in this paper thus contributes towards identifying a suitable objective method for a mathematical description of beautyinfo:eu-repo/semantics/publishedVersio

Literature Review of The Store Windows Display Influences on Consumers Attractiveness Through the Layout Design

Windows display is one of the important aspect in retail design in order to increase consumer product awareness. The store windows design had been varied especially with the creative visual merchandiser in managing a visual approach of store windows display. Flat type store windows display often used in Bandung Retail, and has characteristic of its own retail brand image to improve attractiveness. Layout design of a store windows display has an important role for the influence of consumer behavior especially in shopping attitudes. This research identify the effects of WAKAI and MANGO store windows display at Trans Studio Mall on consumer attractiveness through the implementation of layout design principles Keywords Store Windows, Retail, Attractiveness, Layout design

Metrics and Tools to Guide Design of Graphical User Interfaces

User interface design metrics assist developers evaluate interface designs in early phase before delivering the software to end users. This dissertation presents a metric-based tool called GUIEvaluator for evaluating the complexity of the user interface based on its structure. The metrics-model consists of five modified structural measures of interface complexity: Alignment, grouping, size, density, and balance. The results of GUIEvaluator are discussed in comparison with the subjective evaluations of interface layouts and the existing complexity metrics-models. To extend this metrics-model, the Screen-Layout Cohesion (SLC) metric has been proposed. This metric is used to evaluate the usability of user interfaces. The SLC metric has been developed based on Aesthetic, structural, and semantic aspects of GUIs. To provide the SLC calculation, a complementary tool has been developed, which is called GUIExaminer. This dissertation demonstrates the potential of incorporating automated complexity and cohesion metrics into the user interface design process. The findings show that a strong positive correlation between the subjective evaluation and both the GUIEvaluator and GUIExaminer, at a significance level 0.05. Moreover, the findings provide evidence of the effectiveness of the GUIEvaluator and GUIExaminer to predict the best user interface design among a set of alternative user interfaces. In addition, the findings show that the GUIEvaluator and GUIExaminer can measure some usability aspects of a given user interface. However, the metrics validation proves the usefulness of GUIEvaluator and GUIExaminer for evaluating user interface designs

Complex Beauty

Complex systems and their underlying convoluted networks are ubiquitous, all we need is an eye for them. They pose problems of organized complexity which cannot be approached with a reductionist method. Complexity science and its emergent sister network science both come to grips with the inherent complexity of complex systems with an holistic strategy. The relevance of complexity, however, transcends the sciences. Complex systems and networks are the focal point of a philosophical, cultural and artistic turn of our tightly interrelated and interdependent postmodern society. Here I take a different, aesthetic perspective on complexity. I argue that complex systems can be beautiful and can the object of artification - the neologism refers to processes in which something that is not regarded as art in the traditional sense of the word is changed into art. Complex systems and networks are powerful sources of inspiration for the generative designer, for the artful data visualizer, as well as for the traditional artist. I finally discuss the benefits of a cross-fertilization between science and art

Assessing the Quality of Mobile Graphical User Interfaces Using Multi-Objective Optimization

Aesthetic defects are a violation of quality attributes that are symptoms of bad interface design programming decisions. They lead to deteriorating the perceived usability of mobile user interfaces and negatively impact the Users eXperience (UX) with the mobile app. Most existing studies relied on a subjective evaluation of aesthetic defects depending on end-users feedback, which makes the manual evaluation of mobile user interfaces human-centric, time-consuming, and error-prone. Therefore, recent studies have dedicated their effort to focus on the definition of mathematical formulas that each targets a specific structural quality of the interface. As the UX is tightly dependent on the user profile, the combi-nation and calibration of quality attributes, formulas, and users characteristics, when defining a defect, is not straightforward. In this context, we propose a fully automated framework which combines literature quality attributes with the users profile to identify aesthetic defects of MUI. More precisely, we consider the mobile user interface evaluation as a multi-objective optimization problem where the goal is to maximize the number of detected violations while minimizing the detection complexity of detection rules and enhancing the interfaces overall quality in means

The Lismullin Enclosure:a Designed Ritual Space

The discovery in 2007 of a prehistoric post-built enclosure at Lismullin, Co. Meath, during archaeological investigations in advance of the construction of the M3 motorway is, arguably, the most significant Irish archaeological discovery of recent times. This appendix summarises a commissioned specialist report on the spatial and archaeoastronomical features of the enclosure

Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style

In this essay, I examine how aspects of rhythm and metre play a fundamental role in shaping and defining Led Zeppelin’s musical style. At the same time, I will show how Led Zeppelin was able to modify, manipulate, and develop pre-existing musical models and forms through various rhythmic and metric strategies. Comparative analyses will be used in an effort to show how Led Zeppelin’s flexible conception of rhythm and metre enabled the band to put their own stylistic ‘stamp’ on (i) specific musical genres (‘The Crunge’ and the song’s relation to James Brown-style funk), (ii) their riff constructions (‘Black Dog’ in relation to Fleetwood Mac’s ‘Oh Well’), and (iii) their cover versions (‘Dazed and Confused’). Drawing upon my analytical points, I re-visit the complex issues that persist regarding the possibility that Led Zeppelin even has an ‘original’ or ‘unique’ style given their often overt reliance upon earlier musical models and forms. Therefore, in my conclusion, I argue that the development of any artist or group’s individual style necessarily involves the ability to assimilate and transform pre-existing musical features – features such as rhythm and metre – in novel ways and where issues relating to musical style intersect with influence

Style and Flow: A Commentary on Duinker & Martin

Duinker and Martin’s excellent study presents a wealth of new data, findings, and analyses. It represents a welcome focus on the details of musical aspects of hip-hop, as well as an effort to combine those details with more global aspects of recordings in order to clarify what our notions of hip-hop ‘style’ or ‘sound’ are based on. The examination of instrumental backgrounds and production parameters is particularly novel. I would suggest, however, that the study could have benefitted from the use of details pertaining to flow, particularly in the examination of trends over time and stylistic sub-groupings. I show that several parameters pertaining to the complexity, rhythmic placement, and repetitiveness of rhymes help track changes in hip-hop style over time, distinguish between more and less similar songs, and capture effects of apparent time within the same actual time period