The Santa Clara, 2017-11-09

https://scholarcommons.scu.edu/tsc/1055/thumbnail.jp

Homebound: STS-M1301 A Study on Television Writing in the Science Fiction Genre

This project is a scene-by-scene outline of an original television pilot script in the science fiction genre. The outline is based on research conducted in both the television and science fiction fields, providing the project with a firm foundation in television screenwriting structure as well as insights into the characteristics of the science fiction genre. Additional research was carried out on the topic of developing realistic, engaging characters for the screen. This project serves to broaden the writer’s portfolio upon graduation while giving him a chance to study the world of television, which contains numerous differences from the field of cinematic arts

The Official Student Newspaper of UAS

UAS Answers: Everybody's got one... -- One Billion Rising -- That was a thing! -- Happiness Boosters -- What's the Scoop UAS: Travel Grants -- Delectable Rum Cake -- Suddenly, College: Spring Cleaning -- The Company that would Change us All -- Top Seven Things about Small Colleges -- What Makes You Happy? -- Campus Calenda

Spartan Daily, February 4, 2015

Volume 144, Issue 5https://scholarworks.sjsu.edu/spartandaily/2090/thumbnail.jp

MAGNETISM: MY FIRST EP

The purpose of this Project is to write, record, produce, mix and master the first EP (Extended Play) released by Williaw (my artistic persona) which includes 5 songs that are influenced by his favorite music genres: House, Dance, EDM, Pop and Reggaeton. The songs arise from collaborating with two singer-songwriters that he met during his journey at Berklee. Apart from offering an auditory experience, this project wants to offer a visual experience that will consist of two lyric videos and a unique experience with the packaging. The release plan of the Extended Play consists on releasing a lead single available on every streaming service, its music video on YouTube and a post on every social media platform announcing the release date of the EP. It will be available to stream and purchase digitally and physically, being released on CD format. The lyric videos will be uploaded to the artist’s YouTube Channel.https://remix.berklee.edu/graduate-studies-production-technology/1287/thumbnail.jp

TechNews digests: Jan - Nov 2008

TechNews is a technology, news and analysis service aimed at anyone in the education sector keen to stay informed about technology developments, trends and issues. TechNews focuses on emerging technologies and other technology news. TechNews service : digests september 2004 till May 2010 Analysis pieces and News combined publish every 2 to 3 month

Spartan Daily, November 21, 2013

Volume 141, Issue 37https://scholarworks.sjsu.edu/spartandaily/1456/thumbnail.jp

Spectrum, Volume 44, Issue 3

Highlights include: Horizons at SHU -- Taft Break-In -- Black History Month Event -- In With the Old -- Editorials -- Hamilton Coming to The Big Screen -- Baseball Season Previe

The Scowl - v.80 - n.20 - Mar 31, 2016

The Cowl - student newspaper of Providence College. Vol 80 - No. 20 - March 31, 2016. 20 pages

Sustaining local audiovisual ecosystems: shifting modes of financing and production of domestic TV drama in small media markets

Various trends, both technological and economic in nature, have led to a shift in the financing and production of serial television fiction (principally television drama and episodic comedy), resulting in pressure on existing financing of TV fiction. These pressures prove especially difficult for small nations and regions, being characterized by restricted markets, a limited number of active players, and barriers for export and scale. For media policy-makers, these transitions invoke a series of new challenges to sustain existing audio-visual ecosystems. Based on a case study of TV fiction in Flanders, and presenting evidence from a financial analysis of 46 TV fiction productions, this article analyses current financing streams, patterns and dynamics of TV fiction in small media markets. It seeks to reveal the composition of budgets and the relative importance of diverse agents and funders involved in TV fiction production. Critical evaluations are then offered as to whether current financing models and policy support mechanisms are fit to tackle the challenges posed by the increasing number of windows and increased fragmentation of TV fiction financing