Evolution of the Sportscast Highlight Form: From Peep Show to Pathé to Pastiche

This dissertation traces the evolution of the sportscast highlight form. The highlight form emerged as the dominant technique of sportscasts as a result of the technological, economic and social changes that impacted media systems. Changes in technologies do not provide the entire account of the highlight form's development and deployment, so this study also explicates the importance of the protocols that express the intricate relationships between media producers, sports leagues and organizations, and audiences. It argues that the sportscast highlight form is not a recent development, given its prominent use within a news context in every medium from early news film and newsreels to television and new media. As an example of media history, this project explicates each medium's contributions, not so much as discrete phenomenon, but as the relational totality which the term implies. Such macro-level histories necessarily take a more long-term view of the processes of historical change. Additionally, this methodology utilizes intertextuality as an analytical strategy to question whose interests were served from the evolution and deployment of this form, who benefited from the narratives represented through the form, and whose interests were consolidated from the commodification of the form. This study analyzes primary and secondary sources related to sportscasts, including early sport films, newsreels, network and cable programming, and new media content. The significance of this study stems from the prominent position sports media in general and sports journalism in particular occupy within the political and cultural economy of late capitalism. The significance of this project is also evidenced in the considerable impact the national and regional sports networks have had on the proliferation of sportscasts. Lastly, this study analyzes the impacts electronic sports journalists have had in influencing and reflecting trends in race, gender, and ethnic relations, as well as political, economic and international affairs

Narrative motion on the two-dimensional plane: the “video-ization” of photography and characterization of reality

"Art is not truth. Art is a lie that enables us to recognize truth" Pablo Picasso Time, as known to many, is an indispensable component of photography. Period(s) included in “single” photographs are usually and naturally much shorter than periods documented in video works. Yet, when it comes to combining photos taken at different times on one photographical surface, it becomes possible to see remnants of longer periods of time. Whatever method you use, the many traces left by different moments, lead to the positive notion of timelessness (lack of time dependence) due to the plural presences of time at once. This concept of timelessness sometimes carries the content of the photo to anonymity, the substance becomes multi-layered and hierarchy disappears. This paper focuses on creating photographical narratives within the two-dimensional world. The possibility of working in layers with transparency within the computer environment enables us to overlay succession of moments seized from time on top of each other, in order to create a storyline spread in time that is otherwise not possible to express in a single photograph, unless properly staged. Truth with the capital T is not taken as the departure point in this article; on the contrary, personal delineations of temporary yet experienced smaller realities is suggested

University of San Diego News Print Media Coverage 2004.04

Printed clippings housed in folders with a table of contents arranged by topic.https://digital.sandiego.edu/print-media/1015/thumbnail.jp

The Whitworthian 2005-2006

The Whitworthian student newspaper, September 2005-May 2006.https://digitalcommons.whitworth.edu/whitworthian/1090/thumbnail.jp

Bowdoin Orient v.131, no.1-24 (1999-2000)

https://digitalcommons.bowdoin.edu/bowdoinorient-2000s/1000/thumbnail.jp

What Do We Know About the World? Rhetorical and Argumentative Perspectives

his book consists of selected papers delivered at “First International Conference on Rhetoric in Croatia: the Days of Ivo Škarić” in May, 2012, and subsequently revised for publication. Through a variety of different routes, the papers explore the role of rhetoric and argumentation in various types of public discourse and present interdisciplinary work connecting linguists, phoneticians, philosophers, law experts and communication scientists in the common ground of rhetoric and argumentation

Bowdoin Orient v.115, no.1-27 (1985-1986)

https://digitalcommons.bowdoin.edu/bowdoinorient-1980s/1006/thumbnail.jp