Temporally coherent 4D reconstruction of complex dynamic scenes

This paper presents an approach for reconstruction of 4D temporally coherent models of complex dynamic scenes. No prior knowledge is required of scene structure or camera calibration allowing reconstruction from multiple moving cameras. Sparse-to-dense temporal correspondence is integrated with joint multi-view segmentation and reconstruction to obtain a complete 4D representation of static and dynamic objects. Temporal coherence is exploited to overcome visual ambiguities resulting in improved reconstruction of complex scenes. Robust joint segmentation and reconstruction of dynamic objects is achieved by introducing a geodesic star convexity constraint. Comparative evaluation is performed on a variety of unstructured indoor and outdoor dynamic scenes with hand-held cameras and multiple people. This demonstrates reconstruction of complete temporally coherent 4D scene models with improved nonrigid object segmentation and shape reconstruction.Comment: To appear in The IEEE Conference on Computer Vision and Pattern Recognition (CVPR) 2016 . Video available at: https://www.youtube.com/watch?v=bm_P13_-Ds

Tirtha -- An Automated Platform to Crowdsource Images and Create 3D Models of Heritage Sites

Digital preservation of Cultural Heritage (CH) sites is crucial to protect them against damage from natural disasters or human activities. Creating 3D models of CH sites has become a popular method of digital preservation thanks to advancements in computer vision and photogrammetry. However, the process is time-consuming, expensive, and typically requires specialized equipment and expertise, posing challenges in resource-limited developing countries. Additionally, the lack of an open repository for 3D models hinders research and public engagement with their heritage. To address these issues, we propose Tirtha, a web platform for crowdsourcing images of CH sites and creating their 3D models. Tirtha utilizes state-of-the-art Structure from Motion (SfM) and Multi-View Stereo (MVS) techniques. It is modular, extensible and cost-effective, allowing for the incorporation of new techniques as photogrammetry advances. Tirtha is accessible through a web interface at https://tirtha.niser.ac.in and can be deployed on-premise or in a cloud environment. In our case studies, we demonstrate the pipeline's effectiveness by creating 3D models of temples in Odisha, India, using crowdsourced images. These models are available for viewing, interaction, and download on the Tirtha website. Our work aims to provide a dataset of crowdsourced images and 3D reconstructions for research in computer vision, heritage conservation, and related domains. Overall, Tirtha is a step towards democratizing digital preservation, primarily in resource-limited developing countries.Comment: Accepted at The 28th International ACM Conference on 3D Web Technology (Web3D 2023

Data-driven 3D Reconstruction and View Synthesis of Dynamic Scene Elements

Our world is filled with living beings and other dynamic elements. It is important to record dynamic things and events for the sake of education, archeology, and culture inheritance. From vintage to modern times, people have recorded dynamic scene elements in different ways, from sequences of cave paintings to frames of motion pictures. This thesis focuses on two key computer vision techniques by which dynamic element representation moves beyond video capture: towards 3D reconstruction and view synthesis. Although previous methods on these two aspects have been adopted to model and represent static scene elements, dynamic scene elements present unique and difficult challenges for the tasks. This thesis focuses on three types of dynamic scene elements, namely 1) dynamic texture with static shape, 2) dynamic shapes with static texture, and 3) dynamic illumination of static scenes. Two research aspects will be explored to represent and visualize them: dynamic 3D reconstruction and dynamic view synthesis. Dynamic 3D reconstruction aims to recover the 3D geometry of dynamic objects and, by modeling the objects’ movements, bring 3D reconstructions to life. Dynamic view synthesis, on the other hand, summarizes or predicts the dynamic appearance change of dynamic objects – for example, the daytime-to-nighttime illumination of a building or the future movements of a rigid body. We first target the problem of reconstructing dynamic textures of objects that have (approximately) fixed 3D shape but time-varying appearance. Examples of such objects include waterfalls, fountains, and electronic billboards. Since the appearance of dynamic-textured objects can be random and complicated, estimating the 3D geometry of these objects from 2D images/video requires novel tools beyond the appearance-based point correspondence methods of traditional 3D computer vision. To perform this 3D reconstruction, we introduce a method that simultaneously 1) segments dynamically textured scene objects in the input images and 2) reconstructs the 3D geometry of the entire scene, assuming a static 3D shape for the dynamically textured objects. Compared to dynamic textures, the appearance change of dynamic shapes is due to physically defined motions like rigid body movements. In these cases, assumptions can be made about the object’s motion constraints in order to identify corresponding points on the object at different timepoints. For example, two points on a rigid object have constant distance between them in the 3D space, no matter how the object moves. Based on this assumption of local rigidity, we propose a robust method to correctly identify point correspondences of two images viewing the same moving object from different viewpoints and at different times. Dense 3D geometry could be obtained from the computed point correspondences. We apply this method on unsynchronized video streams, and observe that the number of inlier correspondences found by this method can be used as indicator for frame alignment among the different streams. To model dynamic scene appearance caused by illumination changes, we propose a framework to find a sequence of images that have similar geometric composition as a single reference image and also show a smooth transition in illumination throughout the day. These images could be registered to visualize patterns of illumination change from a single viewpoint. The final topic of this thesis involves predicting the movements of dynamic shapes in the image domain. Towards this end, we propose deep neural network architectures to predict future views of dynamic motions, such as rigid body movements and flowers blooming. Instead of predicting image pixels from the network, my methods predict pixel offsets and iteratively synthesize future views.Doctor of Philosoph

Text-based Editing of Talking-head Video

Editing talking-head video to change the speech content or to remove filler words is challenging. We propose a novel method to edit talking-head video based on its transcript to produce a realistic output video in which the dialogue of the speaker has been modified, while maintaining a seamless audio-visual flow (i.e. no jump cuts). Our method automatically annotates an input talking-head video with phonemes, visemes, 3D face pose and geometry, reflectance, expression and scene illumination per frame. To edit a video, the user has to only edit the transcript, and an optimization strategy then chooses segments of the input corpus as base material. The annotated parameters corresponding to the selected segments are seamlessly stitched together and used to produce an intermediate video representation in which the lower half of the face is rendered with a parametric face model. Finally, a recurrent video generation network transforms this representation to a photorealistic video that matches the edited transcript. We demonstrate a large variety of edits, such as the addition, removal, and alteration of words, as well as convincing language translation and full sentence synthesis

CGIntrinsics: Better Intrinsic Image Decomposition through Physically-Based Rendering

Intrinsic image decomposition is a challenging, long-standing computer vision problem for which ground truth data is very difficult to acquire. We explore the use of synthetic data for training CNN-based intrinsic image decomposition models, then applying these learned models to real-world images. To that end, we present \ICG, a new, large-scale dataset of physically-based rendered images of scenes with full ground truth decompositions. The rendering process we use is carefully designed to yield high-quality, realistic images, which we find to be crucial for this problem domain. We also propose a new end-to-end training method that learns better decompositions by leveraging \ICG, and optionally IIW and SAW, two recent datasets of sparse annotations on real-world images. Surprisingly, we find that a decomposition network trained solely on our synthetic data outperforms the state-of-the-art on both IIW and SAW, and performance improves even further when IIW and SAW data is added during training. Our work demonstrates the suprising effectiveness of carefully-rendered synthetic data for the intrinsic images task.Comment: Paper for 'CGIntrinsics: Better Intrinsic Image Decomposition through Physically-Based Rendering' published in ECCV, 201

Fusing Multimedia Data Into Dynamic Virtual Environments

In spite of the dramatic growth of virtual and augmented reality (VR and AR) technology, content creation for immersive and dynamic virtual environments remains a significant challenge. In this dissertation, we present our research in fusing multimedia data, including text, photos, panoramas, and multi-view videos, to create rich and compelling virtual environments. First, we present Social Street View, which renders geo-tagged social media in its natural geo-spatial context provided by 360° panoramas. Our system takes into account visual saliency and uses maximal Poisson-disc placement with spatiotemporal filters to render social multimedia in an immersive setting. We also present a novel GPU-driven pipeline for saliency computation in 360° panoramas using spherical harmonics (SH). Our spherical residual model can be applied to virtual cinematography in 360° videos. We further present Geollery, a mixed-reality platform to render an interactive mirrored world in real time with three-dimensional (3D) buildings, user-generated content, and geo-tagged social media. Our user study has identified several use cases for these systems, including immersive social storytelling, experiencing the culture, and crowd-sourced tourism. We next present Video Fields, a web-based interactive system to create, calibrate, and render dynamic videos overlaid on 3D scenes. Our system renders dynamic entities from multiple videos, using early and deferred texture sampling. Video Fields can be used for immersive surveillance in virtual environments. Furthermore, we present VRSurus and ARCrypt projects to explore the applications of gestures recognition, haptic feedback, and visual cryptography for virtual and augmented reality. Finally, we present our work on Montage4D, a real-time system for seamlessly fusing multi-view video textures with dynamic meshes. We use geodesics on meshes with view-dependent rendering to mitigate spatial occlusion seams while maintaining temporal consistency. Our experiments show significant enhancement in rendering quality, especially for salient regions such as faces. We believe that Social Street View, Geollery, Video Fields, and Montage4D will greatly facilitate several applications such as virtual tourism, immersive telepresence, and remote education

An Approach Of Automatic Reconstruction Of Building Models For Virtual Cities From Open Resources

Along with the ever-increasing popularity of virtual reality technology in recent years, 3D city models have been used in different applications, such as urban planning, disaster management, tourism, entertainment, and video games. Currently, those models are mainly reconstructed from access-restricted data sources such as LiDAR point clouds, airborne images, satellite images, and UAV (uncrewed air vehicle) images with a focus on structural illustration of buildings’ contours and layouts. To help make 3D models closer to their real-life counterparts, this thesis research proposes a new approach for the automatic reconstruction of building models from open resources. In this approach, first, building shapes are reconstructed by using the structural and geographic information retrievable from the open repository of OpenStreetMap (OSM). Later, images available from the street view of Google maps are used to extract information of the exterior appearance of buildings for texture mapping onto their boundaries. The constructed 3D environment is used as prior knowledge for the navigation purposes in a self-driving car. The static objects from the 3D model are compared with the real-time images of static objects to reduce the computation time by eliminating them from the detection proces

FEASIBILITY STUDY OF LOW-COST IMAGE-BASED HERITAGE DOCUMENTATION IN NEPAL

Cultural heritage structural documentation is of great importance in terms of historical preservation, tourism, educational and spiritual values. Cultural heritage across the world, and in Nepal in particular, is at risk from various natural hazards (e.g. earthquakes, flooding, rainfall etc), poor maintenance and preservation, and even human destruction. This paper evaluates the feasibility of low-cost photogrammetric modelling cultural heritage sites, and explores the practicality of using photogrammetry in Nepal. The full pipeline of 3D modelling for heritage documentation and conservation, including visualisation, reconstruction, and structure analysis, is proposed. In addition, crowdsourcing is discussed as a method of data collection of growing prominence