Reduced resolution depth coding for stereoscopic 3D video

In this paper, Reduced Resolution Depth Compression (RRDC) is proposed for Scalable Video Coding (SVC) to improve the 3D video rate distortion performance. RRDC is applied by using Down-Sampling and Up-Sampling (DSUS) of the depth data of the stereoscopic 3D video. The depth data is down-sampled before SVC encoding and up-sampled after SVC decoding operation. The proposed DSUS method reduces the overall bit rates and consequently: 1) improves SVC rate distortion for 3D video, particularly at lower bit rates in error free channels; and 2) improves 3D SVC performance for 3D transmission in error prone channels. The objective quality evaluation of the stereoscopic 3D video yields higher PSNR values at low bit rates for SVCDSUS compared to the original SVC (SVC-Org), which makes it advantageous in terms of reduced storage and bandwidth requirements. Moreover, the subjective quality evaluation of the stereoscopic 3D video further confirmed that the perceived stereoscopic 3D video quality of the SVC-DSUS is very similar to the stereoscopic 3D video of the SVC-Org by up to 98.2%

Evaluation of further reduced resolution depth coding for stereoscopic 3D video

This paper presents the results and analysis of the objective and subjective quality evaluations of Further Reduced Resolution Depth Coding (FRRDC) method for stereoscopic 3D video. FRRDC is developed based on the Scalable Video Coding (SVC) reference software and the result are objectively evaluated using rate distortion curve and subjectively evaluated using LCD and auto-stereoscopic video displays. FRRDC uses the Down-Sampling and Up-Sampling (DSUS) method of the depth data of the stereoscopic 3D video. The emergence of numerous auto-stereoscopic displays in the market confirms the growth of 3DTV services. It is essential that the coding method of stereoscopic 3D videos produces high quality 3D videos on both stereoscopic displays and emerging auto-stereoscopic 3D video displays to ensure the interoperability and compatibility among all the different display devices. In this paper, the stereoscopic 3D videos are compressed using the H.264/SVC codec with Reduced Resolution Depth Coding (RRDC) and compared with H.264/SVC-FRRDC. The experimental results indicate good 3D depth perception of FRRDC on both stereoscopic and auto-stereoscopic display devices with lesser bit rates compared to H.264/SVC-RRDC

The Modelling of Stereoscopic 3D Scene Acquisition

The main goal of this work is to find a suitable method for calculating the best setting of a stereo pair of cameras that are viewing the scene to enable spatial imaging. The method is based on a geometric model of a stereo pair cameras currently used for the acquisition of 3D scenes. Based on selectable camera parameters and object positions in the scene, the resultant model allows calculating the parameters of the stereo pair of images that influence the quality of spatial imaging. For the purpose of presenting the properties of the model of a simple 3D scene, an interactive application was created that allows, in addition to setting the cameras and scene parameters and displaying the calculated parameters, also displaying the modelled scene using perspective views and the stereo pair modelled with the aid of anaglyphic images. The resulting modelling method can be used in practice to determine appropriate parameters of the camera configuration based on the known arrangement of the objects in the scene. Analogously, it can, for a given camera configuration, determine appropriate geometrical limits of arranging the objects in the scene being displayed. This method ensures that the resulting stereoscopic recording will be of good quality and observer-friendly

Multiple description video coding for stereoscopic 3D

In this paper, we propose an MDC schemes for stereoscopic 3D video. In the literature, MDC has previously been applied in 2D video but not so much in 3D video. The proposed algorithm enhances the error resilience of the 3D video using the combination of even and odd frame based MDC while retaining good temporal prediction efficiency for video over error-prone networks. Improvements are made to the original even and odd frame MDC scheme by adding a controllable amount of side information to improve frame interpolation at the decoder. The side information is also sent according to the video sequence motion for further improvement. The performance of the proposed algorithms is evaluated in error free and error prone environments especially for wireless channels. Simulation results show improved performance using the proposed MDC at high error rates compared to the single description coding (SDC) and the original even and odd frame MDC

Cosmic cookery : making a stereoscopic 3D animated movie.

This paper describes our experience making a short stereoscopic movie visualizing the development of structure in the universe during the 13.7 billion years from the Big Bang to the present day. Aimed at a general audience for the Royal Society's 2005 Summer Science Exhibition, the movie illustrates how the latest cosmological theories based on dark matter and dark energy are capable of producing structures as complex as spiral galaxies and allows the viewer to directly compare observations from the real universe with theoretical results. 3D is an inherent feature of the cosmology data sets and stereoscopic visualization provides a natural way to present the images to the viewer, in addition to allowing researchers to visualize these vast, complex data sets. The presentation of the movie used passive, linearly polarized projection onto a 2m wide screen but it was also required to playback on a Sharp RD3D display and in anaglyph projection at venues without dedicated stereoscopic display equipment. Additionally lenticular prints were made from key images in the movie. We discuss the following technical challenges during the stereoscopic production process; 1) Controlling the depth presentation, 2) Editing the stereoscopic sequences, 3) Generating compressed movies in display speci¯c formats. We conclude that the generation of high quality stereoscopic movie content using desktop tools and equipment is feasible. This does require careful quality control and manual intervention but we believe these overheads are worthwhile when presenting inherently 3D data as the result is signi¯cantly increased impact and better understanding of complex 3D scenes

3D fatigue from stereoscopic 3D video displays: Comparing objective and subjective tests using electroencephalography

The use of stereoscopic display has increased in recent times, with a growing range of applications using 3D videos for visual entertainment, data visualization, and medical applications. However, stereoscopic 3D video can lead to adverse reactions amongst some viewers, including visual fatigue, headache and nausea; such reactions can further lead to Visually Induced Motion Sickness (VIMS). Whilst motion sickness symptoms can occur from other types of visual displays, this paper investigates the rapid adjustment triggered by human pupils as a potential cause of 3D fatigue due to VIMS from stereoscopic 3D displays. Using Electroencephalogram (EEG) biosignals and eye blink tools to measure the 3D fatigue, a series of objective and subjective experiments were conducted to investigate the effect of stereoscopic 3D across a series of video sequences

Anahita: A System for 3D Video Streaming with Depth Customization

Producing high-quality stereoscopic 3D content requires significantly more effort than preparing regular video footage. In order to assure good depth perception and visual comfort, 3D videos need to be carefully adjusted to specific viewing conditions before they are shown to viewers. While most stereoscopic 3D content is designed for viewing in movie theaters, where viewing conditions do not vary significantly, adapting the same content for viewing on home TV-sets, desktop displays, laptops, and mobile devices requires additional adjustments. To address this challenge, we propose a new system for 3D video streaming that provides automatic depth adjustments as one of its key features. Our system takes into account both the content and the display type in order to customize 3D videos and maximize their perceived quality. We propose a novel method for depth adjustment that is well-suited for videos of field sports such as soccer, football, and tennis. Our method is computationally efficient and it does not introduce any visual artifacts. We have implemented our 3D streaming system and conducted two user studies, which show: (i) adapting stereoscopic 3D videos for different displays is beneficial, and (ii) our proposed system can achieve up to 35% improvement in the perceived quality of the stereoscopic 3D content

Soft reboot : the making of Hard Reset

textDirector, Writer and MFA Candidate Deepak Chetty will discuss his history as a filmmaker from an early age up until present day as well as the entire process of conceptualizing, creating, producing and finishing Hard Reset. Hard Reset, a science fiction thriller is the first short film out of UT3D and the first graduate thesis film shot natively in stereoscopic 3D in North America.Radio-Television-Fil

Brain Signal Analysis while Watching Stereoscopic 3D Movies

An electroencephalogram (EEG) is a test that measures and records the electrical activity of brain. Special sensors (electrodes ) are attached to the head and hooked by wires to a computer. EEG measures voltage fluctuations resulting from ionic current flows within the neurons of the brain. With technology growing every day, and stereoscopic 3D televisions becoming commercially available, a question arises: what kind of effect do 3D movies have on the brain activity and brain signals? The objective of this project is to have an attempt at answering this question as very little research has been done in this field. An EEG study was conducted on 30 healthy participants while watching a series of clips in 2D, stereoscopic 3D using active glasses and stereoscopic 3D using passive glasses. Their brain activity was recorded, and analyzed by writing a code in MATLAB to compare between the brain signals in terms of power, coherence and phase. We focused on the activity in theta and beta frequency bands. This paper shows that the results revealed a decrease in concentration in stereoscopic 3D compared to 2D, as well as higher learning behavior in 2D