22,341 research outputs found

    Traduzione di un racconto di Fuʼad al-Takarli

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    Il presente elaborato consiste in una proposta di traduzione di un racconto breve dello scrittore iracheno Fuʼad al-Takarli dal titolo Ḫazīn al-Lāmarʼiyāt. Nel capitolo primo verranno illustrati vita e opere principali dell'autore. Nel capitolo secondo verrà invece brevemente ripercorsa la storia del racconto breve arabo dalle sue origini. Il capitolo terzo conterrà il testo originale del racconto e la relativa traduzione a fronte, con il rispettivo commento a piè di pagina. L'elaborato si chiude con la bibliografia

    The modernist short story in Italy: the case of the 'Edizioni di Solaria'

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    This article investigates the role played by the modernist periodical Solaria (1926–34) as the Italian short story was being modernized. By offering a descriptive survey of the rarely studied corpus of fifteen short narrative volumes printed by the ‘Edizioni di Solaria’, the periodical’s minor publishing house, it sheds new light on the development of the short genre in this particular context. The two key questions addressed are, on the one hand, the validity of a recent hypothesis proposing Italo Svevo as a model for the ‘Solarian’ short story, and, on the other, the relationship between the codified novella/raccontoand other forms of short narrative prose derived from early twentieth-century avant-garde experimentation

    "Le mantel mautaill\ue9", edizione critica e commento a cura di Alberto Conte, Modena, Mucchi, 2013; 127 pp., ISBN 978-88-7000-617-9.

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    Recensione positiva dell'edizione del racconto breve antico-francese "Le mantel mautaill\ue9" di materia arturian

    Videorappresentazioni del lavoro. Analisi sociosemiotica e aperture interdisciplinari

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    SOMMARIO: 1. Premessa 2. Il formato breve nel cinema di finzione e documentario 3. Il mondo del lavoro nei documentari brevi 4. Cinema espanso, tra design narrativo e regimi di senso 5. Una \u2018griglia di valutazione\u2019 per il Festival Short on Work 6. Esempi di analisi, tra soggettivante e oggettivante 7. Di alcune tendenze del documentario contemporaneo 8. Aperture epistemologiche

    Su una svolta di Verga novelliere

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    La trama del caso. 'Maria Giuseppa' di Tommaso Landolfi (1930)

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    The analysis focuses on Maria Giuseppa, a Short Story written by Tommaso Landolfi ,first published in 1930 and then collected in his Dialogo dei massimi sistemi (1937). Maria Giuseppa is exemplary of Landolfi’s main narrative attitude, which is dominated by the narrow span of the Short Story and by the peculiar perspective of first-person narration ; such a specific standpoint seems to depend on the writer’s overtly problematic relationship with complex plots and with narrative objects different from the self. The diegetic structure of Maria Giuseppa, a sort of confession of an « idiot », is built upon the opposition between an iterative, wandering pace and a singulative, abrupt ending – between the daily habits of a master towards his ugly female servant and their tragic interruption, caused by the rape of the servant and her subsequent death. There is no contradiction between the theatrical aspect of the story, which seems pronounced in front of an audience, and its interior character, because conscience itself is a stage and, in Landolfi ’s view, writing is always a monologue performed in public. The facts are told by a reticent and unreliable first person, who divagates and continuously loses « the thread » of his own narration : he is unable to explain and organize his past actions (i.e., to narrate) and at the same time he seems to expect an absolution or a condemnation from his narration. The tale undermines the rational foundations of its crucial narrative event and thus calls into question the existence of causal connections between facts, or even the notion of cause itself and, as a consequence, the possibility of determining guilt or innocence. Looking back on this Short Story in his La vera storia di Maria Giuseppa (1954), Landolfi himself described its tragic denouement as something « logic » but « conceived as » absurd and accidental

    Miti, miti in miniatura, miti senza racconto. Note a quattro epilli (Mosch. "Eur." 58-62, Catull. 64,89-90, Verg. "georg." IV 507-515, Ou. "met." XI 751-795)

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    The pattern ‘frame and inset’ is a characteristic feature of Roman epyllion. Under this respect, Moschus’ Europa was a precursor of it. This study surveys the development of the type within Latin literature from Catullus to Ovid – i.e. from problematic unity to mannerism and play with forms – focusing on some passages of highly representative and influencial poems

    «With a slip of the pen you». Amelia Rosselli e Boris Pasternak

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    Partendo dall’articolo su Boris Pasternak scritto da Amelia Rosselli nel1966 e attraverso l’indagine delle edizioni del poeta russo conservate presso labiblioteca della poetessa, mi propongo in questo breve scritto di studiare i motiviletterari e politici della vicinanza di Amelia Rosselli all’opera di Boris Pasternak
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