30 research outputs found

    Part-Whole Relational Few-Shot 3D Point Cloud Semantic Segmentation

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    The author wishes to extend sincere appreciation to Professor Lin Shi for the generous provision of equipment support, which significantly aided in the successful completion of this research. Furthermore, the author expresses gratitude to Associate Professor Ning Li and Teacher Wei Guan for their invaluable academic guidance and unwavering support. Their expertise and advice played a crucial role in shaping the direction and quality of this research.Peer reviewe

    Part-Object Relational Visual Saliency

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    Recent years have witnessed a big leap in automatic visual saliency detection attributed to advances in deep learning, especially Convolutional Neural Networks (CNNs). However, inferring the saliency of each image part separately, as was adopted by most CNNs methods, inevitably leads to an incomplete segmentation of the salient object. In this paper, we describe how to use the property of part-object relations endowed by the Capsule Network (CapsNet) to solve the problems that fundamentally hinge on relational inference for visual saliency detection. Concretely, we put in place a two-stream strategy, termed Two-Stream Part-Object RelaTional Network (TSPORTNet), to implement CapsNet, aiming to reduce both the network complexity and the possible redundancy during capsule routing. Additionally, taking into account the correlations of capsule types from the preceding training images, a correlation-aware capsule routing algorithm is developed for more accurate capsule assignments at the training stage, which also speeds up the training dramatically. By exploring part-object relationships, TSPORTNet produces a capsule wholeness map, which in turn aids multi-level features in generating the final saliency map. Experimental results on five widely-used benchmarks show that our framework consistently achieves state-of-the-art performance. The code can be found on https://github.com/liuyi1989/TSPORTNet

    The Relationship Between Transitional Object Attachments in Early Childhood and Psychological Functioning in Later Life

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    This study focused upon assessing various relationships between the presence or absence of a transitional object in early childhood and aspects of psychological functioning in later life. The nature of the inanimate object attachments were determined by stringent criteria involving both self- and parental-reports. Personality differences were found between those subjects demonstrating strong singular attachments that persisted for a considerable period of time and those having no such significant attachments. The nature of what might be considered optimal object attachments was discussed in light of the findings

    Conceptualization and treatment of psychoanalytic envy through Kleinian/Bionian lens

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    Envy, like so much in psychoanalytic thought, occupies something of a transitional space between concept and experience. Colloquially, envy is often used to mean something similar to (but worse than) jealousy. Psychoanalytically, the concept/phenomenon/experience is far more complex, however; it is something for which there are many causes and for which there can be no material cure. In this theoretical study of psychoanalytic envy, the work of Melanie Klein and Wilfred Bion are used to develop a conceptualization of envy and formulate recommendations for clinical work with the envious patient. Case material is used to synthesize their two approaches to practice. A Kleinian/Bionian lens may help clinicians to better understand and more effectively work with patients who are struggling to soften their shame and guilt, more fully integrate their capacities for love and hate, grieve losses and a lack of early containment, and, ultimately, build up a strong internal world from which to draw in their continued development

    Opticality and tactility in selected South African still-life painting

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    A dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts in fine Arts Johannesburg 1992This research examines some ways in which source material is interpreted in still life painting. These interpretations will be explored from two positions in painting. For my purposes, these positions will be termed opticality and tactility. [Abbreviated Abstract. Open document to view full version][MT201

    A psychoanalytic exploration into the memory and aesthetics of everyday life: Photographs, recollections, and encounters with loss

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    The project at hand explores some of the psychological functions of photography as both an everyday and an artistic cultural practice from a psychoanalytic perspective. It is proposed that, contrary to commonsensical opinion, photographs are not accurate depositories of memory, but rather function as a functional equivalent of screen memories, thus channeling the subject\u27s memory in ways that are objectively distorted and distorting, but psychologically meaningful and important; moreover, they are a special kind of screen memory in that they are often created pre-emptively and are physically instantiated. Additionally, it is suggested that, by dint of their materiality, photographs achieve a degree of autonomy from the purposes of their creators and viewers, with the result that they can also trigger unwanted and potentially traumatic recollections, along the lines of the Freudian notion of `deferred action\u27. Specifically, different ways in which photographs can enter into the experiencing and processing of loss are explored. It is proposed that photographs can either facilitate normal mourning or impede it. They can be used to either disavow loss, to repetitively fixate on it in a sadomasochistic manner, or to facilitate the transition to an acceptance of loss and moving on. Parallels are drawn between these various uses of photographs and three types of physical/emotionally charged objects: fetishes, transitional objects, and what I term `masochistic objects\u27. The paradox of the accrual of aesthetic value on certain photographs and not others is explored next. The attainment of aesthetic value is separated from the conscious intentions of the photographer, and is instead linked to certain underlying psychological parameters, primarily, the acceptance of the depressive position and of the separateness of the libidinal object, as well as the capacity to achieve a controlled surrender to primary-process functioning. These conceptualizations are illustrated by reference to specific photographs (taken by the author, who is also a recognized photographer), as well as through an analysis of several poems of the Greek poet Kiki Dimoula, in whose oeuvre photography is a prominent and recurrent theme
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