An Academic Writing Curriculum and Materials for A1-B2-Level Learners in a Turkish University’s English Language Preparatory Program

This IPP combines a literature review and a materials development project. The literature review outlines and supports the approach taken throughout the curriculum and the materials that were developed. First, it lays out the nature of Turkish universities’ ELPP’s; then, it deals with the basic philosophy of the curriculum including individualization and standardization, the role of joy in education, the necessity for an integration of skills in teaching academic writing, the use of models, and the necessity and purpose of feedback. In the second half of the literature review, the key features of academic writing are discussed in advance of showing how to teach them. Recommendations are also given for testing the validity of the approach taken and for additional areas that should be studied. These are followed by a demonstration lesson where the principles are shown in action. Finally, the entire 32-week curriculum is presented, showing how this philosophy can be actualized in lesson planning, materials, and handouts

‘I know you can cant’:Slips of the Mother Tongue in Fred Moten’s B Jenkins

This article reads Fred Moten’s collection B Jenkins as literalizing the poetic appeal to the mother tongue to reveal its mediated essence. Approaching its first and last poems in terms of Friedrich Kittler’s techno-psychological history of the family casts Moten’s detuning of natural language in terms of cultural mastery streaked with affirmative disfluency. With the ‘cant’, slang slides towards a broader awareness of the limits of knowledge. There, language may emerge for perceiving the role of the technological mother tongue in our post-national age.Jeffrey Champlin, ‘“I know you can cant’: Slips of the Mother Tongue in Fred Moten”s **B Jenkins/**’, in Untying the Mother Tongue, ed. by Antonio Castore and Federico Dal Bo, Cultural Inquiry, 26 (Berlin: ICI Berlin Press, 2023), pp. 155-63 <https://doi.org/10.37050/ci-26_7

Book Review: The Complete Picture Guide to Newport, RI

Champlin gives his review on John T. Hopf’s The Complete Picture Guide to Newport, RI. He notes that the book includes stunning pictures of the city, which have the feel from a true Newporter

Final MA Portfolio

MA Portfolio, Englis

Henri Temianka Correspondence; (champlin)

This collection contains material pertaining to the life, career, and activities of Henri Temianka, violin virtuoso, conductor, music teacher, and author. Materials include correspondence, concert programs and flyers, music scores, photographs, and books.https://digitalcommons.chapman.edu/temianka_correspondence/1589/thumbnail.jp

Henri Temianka Correspondence; (champlin)

This collection contains material pertaining to the life, career, and activities of Henri Temianka, violin virtuoso, conductor, music teacher, and author. Materials include correspondence, concert programs and flyers, music scores, photographs, and books.https://digitalcommons.chapman.edu/temianka_correspondence/1577/thumbnail.jp

Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance

This paper examines the themes of human perception and participation within the contemporary paradigm and relates the hallmarks of the major paradigm shift which occurred in the mid-20th century from a structural view of the world to a systems view. In this context, the author’s creative practice is described, outlining a methodology for working with the communication networks and interpersonal feedback loops that help to define our relationships to each other and to media since that paradigm shift. This research is framed within a larger field of inquiry into the impact of contemporary New Media Art as we experience it. This thesis proposes generative/cybernetic/systems art as the most appropriate media to model the processes of cultural identity production and networked communication. It reviews brief definitions of the systems paradigm and some key principles of cybernetic theory, with emphasis on generative, indeterminate processes. These definitions provide context for a brief review of precedents for the use of these models in the arts, (especially in process art, experimental video, interactive art, algorithmic composition, and sound art) since the mid-20th century, in direct correlation to the paradigm shift into systems thinking. Research outcomes reported here describe a recent body of generative art performances that have evolved from this intermedial, research-based creative practice, and discuss its use of algorithms, electronic media, and performance to provide audiences with access to an intuitive model of the interpersonal in a networked world

Shared Trauma: Implications for Signed Language Interpreters

The concept and implications of shared trauma have been widely debated and discussed within the field of psychology, but these studies do not adequately attend to the experiences of signed language interpreters. This thesis addresses the potential outcomes and impacts of shared trauma on interpreters and consumers with special attention to assignment content that specifically relates to said trauma. Qualitative research was conducted through interviews with interpreters selected at random from participants in the initial survey. Interview data was categorized into pre-, during, and post-assignment information and several patterns were found. Within the pre-assignment interview data, interpreters discussed the decision to accept work, including assignment content, a sense of obligation, and the need to build a reputation. Within the during assignment interview data, interpreters discussed their emotional response, a fight or flight response, the value of team interpreting, and the effectiveness of their work. Within the post-assignment interview data, interpreters discussed their own personal engagements as well as debriefing and supervision. The discussion based on the interview content included several topics: interpreter training programs, confidentiality, interpreters as members of the Deaf community, the value of having a voice, and the mental health of interpreters. Recommendations for further research include studies with greater than three interview candidates, considerations for interpreters within marginalized groups who experience shared trauma, studies on the impact of interpreting shared trauma on the working memory of practitioners, and comparing the experiences of interpreters with and without a team interpreter