Art as Research: Conversations with Graeme Sullivan

This proposal is a collaboration between the Intermedia MFA and the Department of Att. \u27We are seeking Cultural Affairs/Distinguished Lecture Series funds to support a guest lecture as well as classroom visits by Dr. Graeme Sullivan (Director, School of Visual Art at The Pennsylvania State University). Sullivan is the author of Art Practice as Research: Inquiry in Visual Arts (2 d edition, 2010) and one of the country\u27s leading scholars on arts-based research as well as art education. Sullivan\u27s primary research focuses on critical-reflexive thinking processes, specifically those associated with visual arts inquiry and practice. We have attached a brief bio-statement and condensed CV to provide a more in-depth portrait of his academic and artistic engagements

Watercolor Exhibition Four UT Professors (Exhibition Catalogue)

Exhibiting artists were: Richard A. Clarke, John W. Robertson, Walter H. Stevens, and Carl C. Sublett

Artist Lecture with Colin Blakeley

Title: Thursday Evening Guest Lecture with Colin Blakely Photographer; Thursday Feb 6th\u27 6-7:00 Lord 100 And Title: Friday Artist Workshop Series with Colin Blakely : Tips and Techniques in Digital Collage; Friday Feb 7th, l-2:00 Lord rm 311 Both events are free and open to the public. An e-poster will be sent out and flyers will be posted in and around campus. The posters will give the titles, dates, times and locations of each event

Program Booklet: 11th Annual James Porter Colloquium

https://dh.howard.edu/portercolloquium_11/1000/thumbnail.jp

Ewing Gallery Dedication

University of Tennessee Chancellor, Jack Reese, with Mary Ewing, widow of C. Kermit Buck Ewing, founder of the Art Department at UT, at the dedication of the Ewing Gallery of Art and Architecture

Tennessee Watercolor Competition

Brochure for the Tennessee College Art Council\u27s Tennessee Watercolor Competition. The competition was sponsored by UT\u27s Department of Art. UT Faculty members included in the competition were: William Loy, Walter H. Stevens, and Carl Sublett

Ruth Weisberg, Rich Gere, and Andrew Rubin

Printmakers Ruth Weisberg (left) Rich Gere (center) and Andrew Rubin (right) work on a collaborative print during the 1992 Southern Graphics Council conference hosted by the University of Tennessee

Melrose Ave. Art Annex

Photograph of Art Annex No. 1 located at 1703 Melrose Ave. on the University of Tennessee campus. These studios pre-dated the Art and Architecture Building, completed in 1981

Charles Yoder Lecture and Exhibition of Paintings

For this reason, the Art Department is requesting funds to support Natural Resources, an exhibition of paintings by University of Maine alumni Charles Yoder. Mr. Yoder\u27s recent works are paintings of trees, created in his studio from manipulated photographs. His paintings have been described as deceptively simple, widely accessible, thought-provoking and mysterious. Essayist Howard McCalebb points out: Yoder\u27s paintings remind us that it may be time for us to slow down and think about....where we are going. We should not depend too much on painting and photography as the way to preserve our natural legacy.... As much as we cherish art, we need the real trees as well

Sculpting in the Moment; A Dialog with Material and Process

Sculptor Mark Hanington will present his lecture, entitled, Sculpting in the Moment: A Dialog with material and process Mr. Hanington\u27s lecture will take place on the evening of October 30th at 6:00pm, in room 100, Lord Hall. Mr. Harrington will be presenting his methods and thoughts on the subject of Sculpting. On Friday October the 3l\u27t Mr. Harrington will hold a demonstrations and conduct a work shop on Sculpture using wood as the primary material. The demonstrations and workshop will be held at the Fire Station Sculpture Building from 9 a.m. - noon. These are free campus wide events and all public are welcome. The act of creating is an attempt to understand connections. They can be between the conscious and the unconscious, personal and public, intellectual and emotional, or almost anything, perceived or not perceived. There is also the relationship between idea and concept, mind and body, body and tool, tool and technique upon medium and project to place, which are constantly layered over the reasons for creating within the process of doing. Artists work through these connections to give themselves and the world glimpses of possibilities as to how things fit into our world. For me that process is important. Having a plan that allows for discoveries to be made and acted on along the way that will enlighten and enliven the result is one of the reasons I find great joy in my work. It is also a tool to keep me present within the process. I believe creation happens only in the present. The past and future are only tools to help us fully focus on the here and now