Dasar Program Perencanaan Dan Perancangan Arsitektur (Dp3a)

Makanan adalah salah satu kebutuhan pokok untuk memenuhi kebutuhan hidup manusia. Alangkah baiknya jika semua orang dapat memiliki kemampuan membuat makanan, Terlebih lagi jika ingin mendalami segala sesuatu yang berkaitan dengan profesi memasak, pengetahuan dan kemampuan akan makanan, ini adalah menjadi elemen yang penting. Di negara lain sudah ada beberapa tempat yang memiliki bangunan dengan aktifitas serupa, Akan tetapi di Indonesia belum ada sebuah bangunan yang mewadahi aktifitas ini. Oleh karena itu dibutuhkanlah wadah yang menampung segala aktifitas yang berisi tentang pendidikan memasak dan juga sebuah wadah untuk menjual hasil karya masakan yang telah dipelajari. Maka International Culinary And Cooking School ini dibutuhkan. "Solo Baru International Culinary And Cooking School" adalah Suatu Lembaga yang bergerak dalam bidang makanan dan terbagi menjadi dua muatan yaitu pendidikan dan bisnis. Adapun hal - hal yang terkait dengan cooking school adalah yang akan bergerak dari sektor pendidikan. Dimana disini menampung segala aktifitas yang berhubungan dengan pendidikan untuk belajar memasak secara profesional dan bertaraf internasional , sedangkan culinary adalah yang akan bergerak di bidang bisnis yang berfungsi sebagai penyedia untuk segala masakan untuk disajika

Perancangan Resort Berbasis Eko Arsitektur di Kawasan Samota Kabupaten Sumbawa

Sumbawa Regency through Regional Regulation Number 6 of 2018 concerning RIPPARKAB Sumbawa Regency in 2018-2027 is optimistic to develop tourism to be able to attract tourists up to 702,000 domestic tourists and 30,000 foreign tourists in 2027. One of the tourism objects of Sumbawa is the conservative area of Saleh-Moyo-Tambora Bay or better known as SAMOTA. With the increase and strong attractiveness will have an impact on increasing tourism as well as accommodation needs. Sea side Resort is a tourism accommodation in the form of beachside lodging which also provides special facilities for relaxing, exercising and recreation in terms of marine and cultural nature. Therefore, this planning and design aims to produce a sea side resort design in the SAMOTA Area that has 4-star specifications with a reflection of local culture as a tourism support facility in Sumbawa Regency. The planning and design methods used are based on an eco-architectural approach sourced from primary and secondary data and have gone through data processing by being linked to the essence of the project, the space approach, the study and space activities. The selection of an eco-architectural approach aims to create resort designs or designs that have local cultural values and do not cause environmental damage around the area. The ecological architecture-based approach refers to how to design a resort in the Samota Area of Sumbawa Regency that is environmentally friendly, has high aesthetic value, comfort, eco-friendly construction materials, indoor quality that supports the health of its residents, and areas that reflect local culture. From the results of the analysis that has been carried out, the planning and warfare of the sea side resort at SAMOTA has produced concepts such as the basic concept of design, the concept of tread, the concept of space, the concept of emphasizing eco-architecture, the concept of form, the concept of mass management, the concept of landscape, the concept of structure and the concept of utility

Revitalisasi Pabrik Gula Colomadu Sebagai Kawasan Agrowisata Di Kecamatan Colomadu

Sejalan dengan perkembangan dunia saat ini, sektor pariwisata adalah salah satu sektor yang begitu penting, oleh karena itu perlu adanya media untuk mempromosikan kepada dunia internasional bahwa di Indonesia memiliki kekayaan alam yang melimpah. Kabupaten Karanganyar merupakan salah satu daerah dari tiga puluh lima kabupaten dan kota di propinsi Jawa Tengah. Kabupaten Karanganyar merupakan daerah penghasil produk-produk unggulan di beberapa sektor, seperti pertanian, perkebunan, perikanan, industri besar, dan industri pariwisata. Kabupaten Karanganyar berpotensi sebagai tempat tujuan wisata atau daerah tujuan wisata, hal ini terbukti banyak sekali memiliki asset – asset wisata beragam dan beraneka ragam budaya yang tidak kalah menarik dengan wilayah – wilayah lain yang berada di propinsi Jawa Tengah. Kabupaten Karanganyar terdiri dari 17 Kecamatan yang meliputi 177 desa/kelurahan ( 15 kelurahan dan 162 desa). Salah satu dari kecamatan itu adalah Kecamatan Colomadu. Di Kecamatan Colomadu terdapat sebuah Pabrik Gula yaitu Pabrik Gula Colomadu, dengan luas lahan 22 Ha, bangunan ini didirikan pada tanggal 8 desember 1861. Pabrik gula ini ditutup atau ditidurkan pada awal abad ke-21, tepatnya pada tanggal 1 Mei 1998, atas kebijakan pemerintah di sebabkan karena mengalami kerugian. Sedangkan Pabrik Gula Colomadu sendiri memiliki potensi yang bagus. Terdapat permasalahan yaitu; Bagaimana mewujudkan suatu kawasan agar dapat di manfaatkan sebagai kawasan Agrowisata berbasis edukasi tanpa menghilangkan karakteristik bangunan pabrik Gula Colomadu, sehingga memberikan nuansa bangunan yang selaras dengan lingkungan disekitar kawasan pabrik gula Colomadu. Agar bangunan dapat dimanfaatkan kembali yaitu dengan cara merevitalisasi bangunan pabrik Gula Colomadu menjadi Kawasan Agrowisata yang berbasis edukasi, agar dapat mewadai kegiatan yang terkait dengan Pabrik Gula Colomadu. Perancangan dilakukan dengan pengamatan data dan juga mempertimbangkan potensi – potensi yang dapat mendukung penulisan proposal. Hasil dari analisis dapat dibuat dalam bentuk kerangka yang berupa deskriptif. Hasil akhir berupa konsep hasil penelitian yang dipadukan dengan referensi yang ada sebagai dasar perencanaan dan perancangan. Desain yang dihasilkan adalah sebuah Kawasan Agrowisata berbasis edukasi yang bisa mewadai kegiatan yang terkait dengan Pabrik Gula Colomadu

Pengembangan Stasiun Purwosari Sebagai Central Interchange Station

Surakarta City is one of the cities of culture and tourism that began to be populated by residents. With a strategic position, the city in the past few years has often experienced on major roads because many people use their personal vehicles when working or traveling somewhere. This is because the growth of roads tends to stagnate and the growth of private vehicle use continues to increase, and public transportation is still small. Therefore, to reduce congestion due to the use of private vehicles, mass transportation is needed which can carry many people on a trip that is free of traffic, timely, efficient, and integrated with other transportation, such as Light Rail Transit (LRT) that can connecting one point to another and integrated with other transportation. With the LRT train, Purwosari Station will be developed into an interchange station that can connect important points in the city of Surakarta to accommodate citizens and surrounding areas in their daily activities

Penataan Kampung Kauman Surakarta Berbasis Wisata Kreatif

Kampung Kauman Surakarta is one of the historic villages in the city of Surakarta. At first Kampung Kauman was a place to live for the people / courtiers of the palace to take care of the Great Mosque. Then the courtiers began to make batik for the needs of the palace. So that the existence of the village of Kauman cannot be separated from the history of the Great Mosque of Surakarta and the Surakarta Palace. After the governance of the palace was transferred to the government of the Republic of Indonesia, the relationship between the Kampung Kauman, the Surakarta Grand Mosque and the palace began to stretch and now the Kampung Kauman comes with a new branding as the "Batik Village". As a historic village, Kauman has a lot of undeveloped potential, especially in terms of history and conservation. Therefore, a creative based tourism with community participation is needed so that the conservation of Kampung Kauman can be realized

Revitalisasi Silir Sebagai Sentra Industri Kerajinan Khas Solo

Revitalization of Silir as a Center for Crafts Industry Solo is an attempt to revive an area that once lived but decline or degradation. Based on the problems faced, the authors will design and design the building Industry Center as a facility that accommodate the production of typical crafts of Solo, especially batik and derivatives so that small entrepreneurs or Silir village community who want to start a business in the field of craft can be facilitated. to achieve that goal, the target to be achieved is to get the concept of Solo Crafts Industry Center with the formulation of planning ideas, site concept, space concept, concept of architectural appearance, structure concept, interior / conditioning concept and utility concept as a place to accommodate and channeling talents, creativity, and ideas in the field of handicraft industry and also can be enjoyed by the people of Surakarta and surrounding areas. In line with the ideas and ideas of authors, with the passage of time may Sentra Industries typical crafts Solo can be useful and useful for the people of Solo and surrounding areas. Keywords: surakarta; craft; center; activity cente

Taman Dan Galeri Kota Tasikmalaya Universitas Muhammadiyah Surakarta

ABSTRACT Tasikmalaya city has not built a facility open space as a community interact freely. Until the age of adolescence, Tasikmalaya not rebuild facilities Open Space City. Tasikmalaya steadily evolved into a more advanced city should have a gallery building. Building the gallery can be used as a facility information and the promotion of tourism and cultural potential. The purpose and objectives of the design Tasikmalaya City Park and Gallery is fatherly build and Gallery Park City as a center of open space Tasikmalaya City community level to encourage the creative culture of people in Tasikmalaya. The method used in this plan is the study of literature, comparative studies, and descriptive analysis. Based on the analysis of the object, location, footprint, and the potential of the concept of Tasikmalaya City on the design of this building is the architecture of Creative Thinking refers to the new thing and freedom in thinking. Freedom of thought without limits is the basic thing that is needed in the creative process. Two terms of freedom and Thinking new thing into the basic architectural concept creative in designing Tasikmalaya City Gallery. Keywords: Park, Gallery, Creativ

Program Perencanaan Dan Perancangan Arsitektur (PPA) Solo Creative Art And Culture Centre

Solo merupakan salah satu kota di Indonesia yang memiliki potensi pada berbagai macam kegiatan antara lain budaya, pariwisata, bisnis, dan perdagangan. Salah satu potensi kota Solo yang cukub tinggi yaitu budaya, sehingga Kota Solo diberi brand sebagai “ Solo Kota Budaya “ Itu sebabnya masyarakat di kota Solo dituntut lebih kreatif dalam mengekspresikan budaya ke dalam berbagai desain agar budaya tradisional Solo tidak terkikis seiring perkembangan jaman. Pada ulang tahun Kota Solo yang Ke - 268 Solo dicanangkan sebagai kota kreatif. Untuk menciptakan Solo sebagai Kota Kreatif diperlukan berbagai fasilitas yang mewadahi aktifitas yang berkaitan dengan hal tersebut seperti wadah untuk mengedukasi , memberikan informasi, melatih kreatifitas dan juga wadah untuk berinteraksi sosial sesama masyarakat Kota Solo. Solo Creative Art and Culture ini adalah suatu bangunan yang berfungsi sebagai tempat berinterkasi antara masyarakat Kota Solo dalam mengekspresikan kreatifitas dalam seni dan budaya Kota Solo dapat semakin berkembang dengan sentuhan kreatifitasnya Pemilihin lokasi di ndalem joyokusuman ini memiliki kriteria dalam meganalisanya dengan sentuhan cagar budaya yang terdapat pada kawasan ini , joyokusuman juga terletak di sekitar kawasan Kraton Kasunanan Surakarta dimana lokasi ini erat sekali dengan seni budaya yang kental Perencaan Solo Creative art and Culture ini diharapkan dapat menjadi bangunan yang berguna untuk masyarakat dalam bidang kreatifitas seni dan budaya hal ini dapat menambah pariwisata di Kota Sol

PENGEMBANGAN WISATA KREATIF TEPIAN SUNGAI BENGAWAN SOLO DI KAWASAN PESANGGRAHAN, LANGENHARJO, SURAKARTA DENGAN PENDEKATAN RUANG PUBLIK ARSITEKTUR RAMAH LINGKUNGAN

The Bengawan Solo River is the largest river on the island of Java, and carries water from a watershed (DAS) covering an area of ± 16,100 km2, starting from the Sewu Mountains in the west-south of Surakarta, to the Java Sea in the north of Surabaya through a channel that is ± 600 km long. The construction of natural resources infrastructure in the Bengawan Solo River Basin was started in the 18th century by the Dutch Colonial Government through the construction of the Solo Vallei Werken canal and the Bengawan Solo shortcut from Plangwot – Sidayu Lawas, but was stopped for reasons of cost. In 1880, in order to avoid sedimentation at the Port of Tanjung Perak, the mouth of the Bengawan Solo River was diverted from the Madura Strait to Ujung Pangkah. For irrigation purposes, the Dutch Government built the Pacal Reservoir (1935) in Bojonegoro Regency and the Prijetan Reservoir (1916) in Lamongan Regency. After the big flood in 1966 which submerged most of the city of Solo, the Government began to handle the construction of flood control infrastructure for the Bengawan Solo. With technical assistance from the Government of Japan (OTCA) in 1974, a Master Plan for the Development of the Bengawan Solo River Area was formulated. At this site as a tourist and developing the river in Bengawan Solo it becomes a tourist attraction. The Langenharjo Guesthouse is located north of the Bengawan Solo River. Administratively, the Pesanggrahan is located in Langenarjan Village, Langenharjo Village, Grogol District, Sukoharjo Regency. The Langeharjo Guesthouse was built only about 50 meters from the mouth of the Bengawan Solo River. Pesanggrahan Langenharjo is a cultural heritage recreation area for the local community and the Surakarta Hadiningrat Sunanate royal family. However, as the years go by, visitors to the Langenharjo Guesthouse are decreasing due to the lack of attraction for visitors. So the solution to attract visitors is the need for development in the Langenharjo Pesanggrahan area by developing the banks of the Bengawan Solo River into creative tourism. Creative tourism must also have several public spaces with an environmentally friendly architectural approach. Keywords: waterfront, creative tourism, Pesanggrahan Langenharj

Redesain Stadion Krida Bhakti Purwodadi Dengan Pendekatan Arsitektur Modern

Krida Bhakti Stadium which is the homebase of Persipur Purwodadi which was founded in 1969. To solve the problem of soccer sports in Purwodadi, it is very necessary to plan and redesign the Krida Bhakti Stadium because many facilities are damaged and not maintained. The redesign of the krida bhakti stadium uses a modern architectural approach as an answer to the problems that exist in the krida bhakti stadium. The application of modern architecture aims to improve the quality of stadium architecture that is no longer relevant to today's times, so that to meet the demands of the times modernization is needed in all aspects of the building. besides that most of the physical stadium has experienced a lot of quality decline, therefore a stadium redesign is needed as an effort to rebirth the stadium which is an icon for the people of Purwodadi and its surroundings