52 research outputs found
Creating an atmosphere: media aesthetic analysis of journalistic prospects
In this article, journalistic practices are examined under the perspectives of 1) the theory of atmosphere in communication, 2) the creativity in journalism through the media aesthetic approach. This article contributes to both the theory of creativity in media industries, and the theory of aesthetic shift in current communication (with respect to the generation of atmospheric design in media). The empirical material used in this article was extracted from the Russian journalist Web portal Takie dela (English: So It Goes). The concept of βatmospheric creativityβ in the current journalistic practices is developed.
Article in English.
TerpΔs kΕ«rimas: ΕΎurnalistikos perspektyvΕ³ estetinΔ medijΕ³ analizΔ
Santrauka
Ε iame straipsnyje ΕΎurnalistikos praktika tyrinΔjama, remiantis komunikacijos terpΔs teorija ir kΕ«rybiΕ‘kumu ΕΎurnalistikoje estetiniu medijΕ³ poΕΎiΕ«riu. Ε iuo straipsniu prisidedama tiek prie kΕ«rybiΕ‘kumo teorijos medijΕ³ industrijose, tiek prie estetinio pokyΔio teorijos dabartinΔje komunikacijoje (atsiΕΎvelgiant Δ― modeliuojamos terpΔs kΕ«rimΔ
medijose). Ε iame straipsnyje naudota Rusijos ΕΎurnalistΕ³ interneto svetainΔs Takie dela (liet. Tokie reikalai) empirinΔ medΕΎiaga. DabartinΔje ΕΎurnalistikos praktikoje plΔtojama βterpΔs kΕ«rybiΕ‘kumoβ koncepcija.
ReikΕ‘miniai ΕΎodΕΎiai: terpΔ estetikoje, kΕ«rybiΕ‘kumas ΕΎurnalistikoje, Δ―traukioji ΕΎurnalistika, estetinΔ medijΕ³ analizΔ, daugiakryptΔ ΕΎurnalistika
Universal principles of journalism vs. national cultural codes
The article deals with the conflict that arose between the basic principles of quality journalism linked with the socalled normative theory) and the communicative situation of each individual national field. This conflict generates a barrier to the implementation of these basic principles. The author believes that ignoring of the cultural codes might create a gap between journalism and the audience.Π ΡΡΠ°ΡΡΠ΅ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅ΡΡΡ ΠΊΠΎΠ»Π»ΠΈΠ·ΠΈΡ, Π²ΠΎΠ·Π½ΠΈΠΊΡΠ°Ρ ΠΌΠ΅ΠΆΠ΄Ρ Π±Π°Π·ΠΎΠ²ΡΠΌΠΈ ΠΏΡΠΈΠ½ΡΠΈΠΏΠ°ΠΌΠΈ ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠΉ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΈΠΊΠΈ, Π²ΠΎΡΡ
ΠΎΠ΄ΡΡΠΈΠΌΠΈ ΠΊ ΡΠ°ΠΊ Π½Π°Π·ΡΠ²Π°Π΅ΠΌΠΎΠΉ Π½ΠΎΡΠΌΠ°ΡΠΈΠ²Π½ΠΎΠΉ ΡΠ΅ΠΎΡΠΈΠΈ, ΠΈ ΠΊΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΠ²Π½ΠΎΠΉ ΡΠΈΡΡΠ°ΡΠΈΠ΅ΠΉ ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ ΠΎΡΠ΄Π΅Π»ΡΠ½ΠΎ Π²Π·ΡΡΠΎΠ³ΠΎ Π½Π°ΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΏΠΎΠ»Ρ, ΡΠΎΠ·Π΄Π°ΡΡΠ΅ΠΉ Π±Π°ΡΡΠ΅ΡΡ Π² ΡΠ΅Π°Π»ΠΈΠ·Π°ΡΠΈΠΈ ΡΡΠΈΡ
Π±Π°Π·ΠΎΠ²ΡΡ
ΠΏΡΠΈΠ½ΡΠΈΠΏΠΎΠ². ΠΠ²ΡΠΎΡ ΠΏΠΎΠ»Π°Π³Π°Π΅Ρ, ΡΡΠΎ Π½Π΅Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΠΊ ΠΊΡΠ»ΡΡΡΡΠ½ΡΠΌ ΠΊΠΎΠ΄Π°ΠΌ ΠΏΠΎΡΠΎΠΆΠ΄Π°Π΅Ρ ΡΠ°Π·ΡΡΠ² ΠΌΠ΅ΠΆΠ΄Ρ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΈΠΊΠΎΠΉ ΠΈ Π°ΡΠ΄ΠΈΡΠΎΡΠΈΠ΅ΠΉ
The Future of Journalism in Its Panmediatizated Environment: a Review of the Research Field
The author focuses on the review of some international and Russian research schools in the following range of issues: change of professional journalism culture under the pressure of technology, niches of professional journalism culture under the pressure of technology, evolution of several key traits of professional journalism culture: shift to Β«slow-journalismΒ»; increase in the emotional and interpersonal practices; investigative journalism in the era of post-truth.ΠΠ±Π·ΠΎΡ ΠΌΠ½Π΅Π½ΠΈΠΉ ΠΎΡΠ½ΠΎΠ²Π½ΡΡ
Π·Π°ΡΡΠ±Π΅ΠΆΠ½ΡΡ
ΠΈ ΡΠΎΡΡΠΈΠΉΡΠΊΠΈΡ
Π½Π°ΡΡΠ½ΡΡ
ΡΠΊΠΎΠ» ΠΏΠΎ ΡΠ»Π΅Π΄ΡΡΡΠ΅ΠΌΡ ΠΊΡΡΠ³Ρ Π²ΠΎΠΏΡΠΎΡΠΎΠ²: ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΠ΅ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΊΡΠ»ΡΡΡΡΡ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΈΠΊΠΈ ΠΏΠΎΠ΄ Π΄Π°Π²Π»Π΅Π½ΠΈΠ΅ΠΌ ΡΠ΅Ρ
Π½ΠΎΠ»ΠΎΠ³ΠΈΠΉ, Π½ΠΈΡΠΈ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΈΠΊΠΈ Π² ΡΠ΅Ρ
Π½ΠΎ-ΠΎΠ±ΡΠ΅ΡΡΠ²Π΅ Π±ΡΠ΄ΡΡΠ΅Π³ΠΎ, ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΡ ΠΊΠ»ΡΡΠ΅Π²ΡΡ
ΡΡΠ΅Π±ΠΎΠ²Π°Π½ΠΈΠΉ ΠΊ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΊΡΠ»ΡΡΡΡΠ΅ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠ° (Π² ΡΠΎΠΌ ΡΠΈΡΠ»Π΅ ΠΏΠ΅ΡΠ΅Ρ
ΠΎΠ΄ ΠΎΡ ΠΎΠΏΠ΅ΡΠ°ΡΠΈΠ²Π½ΠΎΡΡΠΈ ΠΊ Β«slow-journalismΒ», Π²ΠΎΠ·ΡΠ°ΡΡΠ°Π½ΠΈΠ΅ Π·Π½Π°ΡΠ΅Π½ΠΈΡ ΠΏΡΠΈΡ
ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΡ
Π²Π·Π°ΠΈΠΌΠΎΠ΄Π΅ΠΉΡΡΠ²ΠΈΠΉ, Π²ΡΠ·ΠΎΠ²Ρ ΡΠΌΠΎΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎ-ΠΏΠ΅ΡΡΠΎΠ½Π°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΊΡΠ΅Π½Π° ΠΊΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΠΈ, ΠΆΡΡΠ½Π°Π»ΠΈΡΡΡΠΊΠΎΠ΅ ΡΠ°ΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ Π² ΡΠΏΠΎΡ
Ρ ΠΏΠΎΡΡ-ΠΏΡΠ°Π²Π΄Ρ ΠΈ Π΄Ρ.). ΠΡΠ½ΠΎΠ²Π½Π°Ρ Π·Π°Π΄Π°ΡΠ° Π°Π²ΡΠΎΡΠ° β Π½Π° ΠΏΡΠΈΠΌΠ΅ΡΠ΅ ΠΎΠ±Π·ΠΎΡΠ° ΡΠ΅ΠΌΡ Π±ΡΠ΄ΡΡΠ΅Π³ΠΎ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΈΠΊΠΈ ΠΏΠΎΠΊΠ°Π·Π°ΡΡ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ digital-Π°Π½Π°Π»ΠΈΠ·Π° ΡΠΏΠ»ΠΎΡΠ½ΡΡΡΠ΅Π³ΠΎΡΡ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»ΡΡΠΊΠΎΠ³ΠΎ ΠΏΠΎΠ»Ρ Π² ΡΡΠ΅ΡΠ΅ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΈΠΊΠΈ
Avant-garde research in the field of verse forms (Based on i. yuzeev lyrics)
Β© 2016, Slovenska Vzdelavacia Obstaravacia. All rights reserved. The article describes the structural and content features of a particular form of poetry, which consists in the creation of the Tatar poet I.Yuzeeva. This form of verse reflects the artistic and aesthetic avant-garde nature of the searches, typical for the Tatar poetry 1960-1980-ies. The role of repetitive thoughts row in the creation of compositional and stylistic rhythm in poems of the poet. It was established that mythopoetical language and the language of tropes, dating back to the folk poetry, undergo inner transformation, becoming more complex, individual and unpredictable. It defines the basic type of subjective situation inherent in the lyrics of the Tatar poet
THE ASSEMBLAGE POINT: FROM DIGITAL CONTENT TO THE CONCEPTUALIZATION OF EPISTEMIC IDENTITY
ΠΠ° ΠΏΡΠΈΠΌΠ΅ΡΠ΅ Π»ΡΠ±ΠΈΡΠ΅Π»ΡΡΠΊΠΈΡ
Π²ΠΈΠ΄Π΅ΠΎ ΠΎ ΠΏΠΎΡΠ΅ΡΠ΅Π½ΠΈΠΈ Π°ΡΡ
Π΅ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΏΠ°ΠΌΡΡΠ½ΠΈΠΊΠ° ΠΡΠΊΠ°ΠΈΠΌ ΠΏΡΠ΅Π΄Π»ΠΎΠΆΠ΅Π½Π° ΠΌΠΎΠ΄Π΅Π»Ρ Π°Π½Π°Π»ΠΈΠ·Π° ΡΠΈΡΡΠΎΠ²ΠΎΠ³ΠΎ ΠΊΠΎΠ½ΡΠ΅Π½ΡΠ° ΠΊΠ°ΠΊ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠ° ΡΠΏΠΈΡΡΠ΅ΠΌΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΈΠ΄Π΅Π½ΡΠΈΡΠ½ΠΎΡΡΠΈ; ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅ΡΡΡ Π°Π»Π³ΠΎΡΠΈΡΠΌ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»ΡΡΠΊΠΈΡ
Π΄Π΅ΠΉΡΡΠ²ΠΈΠΉ Π² ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²ΠΈΠΈ Ρ Π΄Π°Π½Π½ΠΎΠΉ Π½Π°ΡΡΠ½ΠΎΠΉ ΠΏΡΠΎΠ±Π»Π΅ΠΌΠΎΠΉ.Using the example of amateur videos about a visit to the archaeological site Arkaim, a model for analyzing digital content as a source of epistemic identity is proposed; considers an algorithm for research actions in accordance with a given scientific problem
Ethnic exaggeration as a media trend: how ethnic identity becomes a product
The author considers the main ways of commoditizing ethnic identity in historical retrospect and in modern conditions: how ethnic identity is embodied in material objects that symbolize it and how Β«ethnic setsΒ» can become the basis for media production: advertising, memes, songs, video and other forms of media communication. The main focuses of this article are intraβ and inter-identity in the information field.Π ΡΡΠ°ΡΡΠ΅ ΠΏΡΠ΅Π΄ΠΏΠΎΠ»Π°Π³Π°Π΅ΡΡΡ ΡΠ°ΡΡΠΌΠΎΡΡΠ΅ΡΡ ΠΎΡΠ½ΠΎΠ²Π½ΡΠ΅ ΡΠΏΠΎΡΠΎΠ±Ρ ΠΊΠΎΠΌΠΌΠΎΠ΄ΠΈΡΠΈΠ·Π°ΡΠΈΠΈ ΡΡΠ½ΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΈΠ΄Π΅Π½ΡΠΈΡΠ½ΠΎΡΡΠΈ Π² ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΠ΅ΡΡΠΎΡΠΏΠ΅ΠΊΡΠΈΠ²Π΅ ΠΈ Π² ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΡ
ΡΡΠ»ΠΎΠ²ΠΈΡΡ
(ΠΊΠ°ΠΊΠΈΠΌ ΠΎΠ±ΡΠ°Π·ΠΎΠΌ ΡΡΠ½ΠΈΡΠ΅ΡΠΊΠ°Ρ ΠΈΠ΄Π΅Π½ΡΠΈΡΠ½ΠΎΡΡΡ Π²ΠΎΠΏΠ»ΠΎΡΠ°Π΅ΡΡΡ Π² ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»ΡΠ½ΡΡ
ΠΎΠ±ΡΠ΅ΠΊΡΠ°Ρ
, Π΅Π΅ ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΠ·ΠΈΡΡΡΡΠΈΡ
ΠΈ ΠΊΠ°ΠΊ Β«ΡΡΠ½ΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π½Π°Π±ΠΎΡΡΒ» ΠΌΠΎΠ³ΡΡ ΡΡΠ°Π½ΠΎΠ²ΠΈΡΡΡΡ ΠΎΡΠ½ΠΎΠ²ΠΎΠΉ ΠΌΠ΅Π΄ΠΈΠ°ΠΏΡΠΎΠ΄ΡΠΊΡΠΈΠΈ: ΡΠ΅ΠΊΠ»Π°ΠΌΡ, ΠΌΠ΅ΠΌΠΎΠ², ΠΏΠ΅ΡΠ΅Π½, Π²ΠΈΠ΄Π΅ΠΎ ΠΈ Π΄ΡΡΠ³ΠΈΡ
ΡΠΎΡΠΌ ΠΌΠ΅Π΄ΠΈΠ°ΠΊΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΠΈ; ΡΡΠ°Π²ΠΈΡΡΡ Π²ΠΎΠΏΡΠΎΡ ΠΎ ΡΠΎΡΠΌΠΈΡΠΎΠ²Π°Π½ΠΈΠΈ Π² ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΎΠ½Π½ΠΎΠΌ ΠΏΠΎΠ»Π΅ ΠΈΠ½ΡΡΠ°β ΠΈ ΠΈΠ½ΡΠ΅Ρ-ΠΈΠ΄Π΅Π½ΡΠΈΡΠ½ΠΎΡΡΠΈ ΠΏΠΎ Π½Π°ΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΌΡ ΠΏΡΠΈΠ·Π½Π°ΠΊΡ).ΠΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ Π²ΡΠΏΠΎΠ»Π½Π΅Π½ΠΎ ΠΏΡΠΈ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΊΠ΅ Π³ΡΠ°Π½ΡΠ° Π ΠΠ€ β 16-18-02032
Medicompetences of Scientists (on Example of Social Impact of SARS-Cov-2βs Visualization)
It is proposed to consider the features of visualization of the SARS-Cov-2 virus by professional design scientists from the standpoint of the goals set by the scientists and the results of the spread of such visualization on a global scale. The question is raised about the insufficient acquisition of media competencies by scientists while broadcasting specific scientific information to the lay public, as well as the susceptibility of the scientific community to media-logics.Π ΡΡΠ°ΡΡΠ΅ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅ΡΡΡ ΡΠ°ΡΡΠΌΠΎΡΡΠ΅ΡΡ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ Π²ΠΈΠ·ΡΠ°Π»ΠΈΠ·Π°ΡΠΈΠΈ Π²ΠΈΡΡΡΠ° SARS-Cov-2 ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΠΌΠΈ ΡΡΠ΅Π½ΡΠΌΠΈ-Π΄ΠΈΠ·Π°ΠΉΠ½Π΅ΡΠ°ΠΌΠΈ Ρ ΠΏΠΎΠ·ΠΈΡΠΈΠΉ ΡΠ΅Π»Π΅ΠΉ, ΠΊΠΎΡΠΎΡΡΠ΅ ΡΡΠ°Π²ΠΈΠ»ΠΈ ΡΡΠ΅Π½ΡΠ΅, ΠΈ ΡΠ΅Π·ΡΠ»ΡΡΠ°ΡΠΎΠ² ΡΠ°ΡΠΏΡΠΎΡΡΡΠ°Π½Π΅Π½ΠΈΡ ΡΠ°ΠΊΠΎΠΉ Π²ΠΈΠ·ΡΠ°Π»ΠΈΠ·Π°ΡΠΈΠΈ Π² Π³Π»ΠΎΠ±Π°Π»ΡΠ½ΠΎΠΌ ΠΌΠ°ΡΡΡΠ°Π±Π΅. Π‘ΡΠ°Π²ΠΈΡΡΡ Π²ΠΎΠΏΡΠΎΡ ΠΎ Π½Π΅Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎΠΉ ΡΡΠ²ΠΎΠ΅Π½Π½ΠΎΡΡΠΈ ΠΌΠ΅Π΄ΠΈΠ°ΠΊΠΎΠΌΠΏΠ΅ΡΠ΅Π½ΡΠΈΠΉ Π² ΡΠΈΡΡΠ°ΡΠΈΡΡ
ΡΡΠ°Π½ΡΠ»ΡΡΠΈΠΈ ΡΠΏΠ΅ΡΠΈΡΠΈΡΠ΅ΡΠΊΠΈΡ
Π½Π°ΡΡΠ½ΡΡ
ΡΠ²Π΅Π΄Π΅Π½ΠΈΠΉ ΡΠΈΡΠΎΠΊΠΎΠΉ ΠΏΡΠ±Π»ΠΈΠΊΠ΅, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΎ ΠΏΠΎΠ΄Π²Π΅ΡΠΆΠ΅Π½Π½ΠΎΡΡΠΈ Π½Π°ΡΡΠ½ΠΎΠ³ΠΎ ΡΠΎΠΎΠ±ΡΠ΅ΡΡΠ²Π° ΠΌΠ΅Π΄ΠΈΠ°Π»ΠΎΠ³ΠΈΠΊΠ΅
Expansion of Media Aesthetics: the Typology of Institutional Problems of Journalism in the 20TH Anniversary Issue of Jrounalism
Π ΡΡΠ°ΡΡΠ΅, Π°Π½Π°Π»ΠΈΠ·ΠΈΡΡΠ΅ΡΡΡ ΡΠ±ΠΈΠ»Π΅ΠΉΠ½ΡΠΉ Π²ΡΠΏΡΡΠΊ ΠΆΡΡΠ½Π°Π»Π° Journalism, Π²ΡΠΏΡΡΠΊΠ°Π΅ΠΌΠΎΠ³ΠΎ Π±ΠΎΠ»ΡΡΠΎΠΉ ΠΈΠ½ΡΠ΅ΡΠ½Π°ΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΊΠΎΠΌΠ°Π½Π΄ΠΎΠΉ (Π² ΡΠ΅Π΄Π°ΠΊΡΠΈΠΎΠ½Π½ΡΠΉ ΡΠΎΠ²Π΅Ρ ΠΆΡΡΠ½Π°Π»Π° Π²Ρ
ΠΎΠ΄ΠΈΡ 83 ΡΡΠ΅Π½ΡΡ
ΠΈΠ· 19 ΡΡΡΠ°Π½, ΠΏΡΠ΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎ β Π‘ΠΎΠ΅Π΄ΠΈΠ½Π΅Π½Π½ΡΠ΅ Π¨ΡΠ°ΡΡ ΠΠΌΠ΅ΡΠΈΠΊΠΈ ΠΈ ΠΠ΅Π»ΠΈΠΊΠΎΠ±ΡΠΈΡΠ°Π½ΠΈΡ). ΠΠ° Π΄Π²Π°Π΄ΡΠ°ΡΠΎΠΌ Π³ΠΎΠ΄Ρ ΡΡΡΠ΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΡ ΠΆΡΡΠ½Π°Π»Π° Π²ΡΠ΅ΠΌ ΡΠ»Π΅Π½Π°ΠΌ ΡΠ΅Π΄ΠΊΠΎΠ»Π»Π΅Π³ΠΈΠΈ Π±ΡΠ»ΠΎ ΠΏΡΠ΅Π΄Π»ΠΎΠΆΠ΅Π½ΠΎ Π²ΡΠ±ΡΠ°ΡΡ ΠΎΠ΄Π½Ρ Π³Π»Π°Π²Π½ΡΡ ΠΏΡΠΎΠ±Π»Π΅ΠΌΡ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΈΠΊΠΈ ΠΈ Π½Π°ΠΏΠΈΡΠ°ΡΡ ΡΡΡΠ΅ ΠΎ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡΡ
ΠΏΡΠ΅ΠΎΠ΄ΠΎΠ»Π΅Π½ΠΈΡ ΡΡΠΎΠΉ ΠΏΡΠΎΠ±Π»Π΅ΠΌΡ. Π Π΅Π΄Π°ΠΊΡΠΎΡΡ ΠΏΡΠΎΠ΄Π΅Π»Π°Π»ΠΈ Π±ΠΎΠ»ΡΡΡΡ ΡΠ°Π±ΠΎΡΡ ΠΏΠΎ ΡΠΏΠΎΡΡΠ΄ΠΎΡΠΈΠ²Π°Π½ΠΈΡ ΡΡΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π° ΠΈΒ ΠΏΠΎΠ»ΡΡΠΈΠ»ΠΈ ΡΡΠ½ΡΡ ΠΊΠ°ΡΡΠΈΠ½Ρ Π½Π°ΡΡΠ½ΡΡ
ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½ΠΈΠΉ ΠΎΠ± ΠΈΠ½ΡΡΠΈΡΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΌ ΠΈ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΌ ΠΊΡΠΈΠ·ΠΈΡΠ΅ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΈΠΊΠΈ. ΠΠ½Π°Π»ΠΈΠ· ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Π½ΡΡ
Π² ΡΠ½Π²Π°ΡΡΠΊΠΎΠΌ Π²ΡΠΏΡΡΠΊΠ΅ Journalism 2019 Π³. ΡΡΠ°ΡΠ΅ΠΉ ΠΏΡΠΎΠ²Π΅Π΄Π΅Π½ Π² Π°ΡΠΏΠ΅ΠΊΡΠ΅ ΠΈΠ·ΡΡΠ΅Π½ΠΈΡ ΠΌΠ΅Π΄ΠΈΠ°ΡΡΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΠΊΡΠΏΠ°Π½ΡΠΈΠΈ Π² ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ ΠΊΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΠΈ. ΠΠ²ΡΠΎΡ ΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ Π½Π° Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ ΠΊ ΠΏΡΠΎΠ±Π»Π΅ΠΌΠ°ΠΌ Β«ΡΡΠΎΠ·ΠΈΠΈ ΡΠ°ΠΊΡΠ°Β» Π² ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΌ ΠΊΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΠΎΠ½Π½ΠΎΠΌ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²Π΅ ΠΈ ΡΠΌΠ΅Π½Ρ ΠΏΡΠ΅ΠΆΠ½ΠΈΡ
ΠΊΡΠΈΡΠ΅ΡΠΈΠ΅Π² Π·Π½Π°ΡΠΈΠΌΠΎΡΡΠΈ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΡΠΊΠΎΠ³ΠΎ ΡΠ΅ΠΊΡΡΠ° (ΠΊΡΠ΅Π½ Π² ΡΡΠΎΡΠΎΠ½Ρ ΡΠΌΠΎΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ, ΡΡΠ±ΡΠ΅ΠΊΡΠΈΠ²Π½ΠΎΡΡΠΈ, Π°ΠΏΠΎΠ»ΠΈΡΠΈΡΠ½ΠΎΡΡΠΈ, Π²ΡΠ΅ΠΌΠ΅Π½Π½ΡΡ
ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΡ
Π°Π½ΡΠ°ΠΌΠ±Π»Π΅ΠΉ ΠΈ Π΄Ρ.).The article analyzes the anniversary edition of the Journalism research magazine, produced by a large international team (the editorial board of the journal includes 83 scientists from 19 countries, mainly the United States of America and the United Kingdom). In the twentieth year of the journalβs existence, all members of the editorial board were asked to choose one main problem of journalism and write an essay on how to overcome this problem. The editors have done a great job of streamlining this material and got a clear picture of the scientific understanding of the institutional and professional crisis of modern journalism. The analysis of articles presented in the January issue of Journalism (No 1, 2019) was considered in the aspect of studying expansion of media aesthetics in modern communication. The author points out the considerable attention of researchers (in this issue) to the problems of the Β«erosion of factΒ» inΒ the modern communication and the change of the former criteria of the journalistic text (a Β«fluxΒ» towards emotionality, subjectivity, apoliticality, temporary social ensembles, etc.).ΠΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ Π²ΡΠΏΠΎΠ»Π½Π΅Π½ΠΎ Π·Π° ΡΡΠ΅Ρ Π³ΡΠ°Π½ΡΠ° Π ΠΠ€, ΠΏΡΠΎΠ΅ΠΊΡ 18-18-00007
The structure of intangible capital
Β© 2016 Taylor & Francis Group, London.The article deals with the structure of intangible capital. A significant share of the intangible capital is associated with a person and can be considered as human capital, which, in turn, also has a complex structure, including intellectual, social, organizational, cliental, and reputational capital. We have allocated a separate category of the intangible capitalβunidentifiable capitalβincluding a variety of synergistic interaction effects, and the structure of intangible capital
Emergent Mediaesthetic Phenomena as a Challenge to Professional Journalism
ΠΠΎΠΏΡΠΎΡΡ ΠΊΠΎΠ½ΠΊΡΡΠ΅Π½ΡΠΈΠΈ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΈΠΊΠΈ Ρ Π΄ΡΡΠ³ΠΈΠΌΠΈ Π°ΠΊΡΠΎΡΠ°ΠΌΠΈ ΠΊΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΠ²Π½ΠΎΠ³ΠΎ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²Π° ΠΊΠ°ΡΠ°ΡΡΡΡ ΠΈ ΡΠ°ΠΊΠΎΠ³ΠΎ ΡΠ΅Π½ΠΎΠΌΠ΅Π½Π°, ΠΊΠ°ΠΊ ΡΠΌΠ΅ΡΠ΄ΠΆΠ΅Π½ΡΠ½ΡΠ΅ ΠΌΠ΅Π΄ΠΈΠ°ΡΡΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ²Π»Π΅Π½ΠΈΡ. Π ΡΠΎΡΡΠ°Π² ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΡ
ΠΊΠΎΠΌΠΏΠ΅ΡΠ΅Π½ΡΠΈΠΉ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠ° Π΄ΠΎΠ»ΠΆΠ½Π° Π²Ρ
ΠΎΠ΄ΠΈΡΡ ΡΠΏΠΎΡΠΎΠ±Π½ΠΎΡΡΡ ΠΎΡΡΠ»Π΅ΠΆΠΈΠ²Π°ΡΡ ΠΈ ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠΈΡΠΎΠ²Π°ΡΡ ΡΠ°ΠΊΠΈΠ΅ ΡΠ²Π»Π΅Π½ΠΈΡ Ρ ΡΠΎΡΠΊΠΈ Π·ΡΠ΅Π½ΠΈΡ ΠΏΡΠΈΡΠΈΠ½ ΠΈΡ
ΠΏΠΎΡΠ²Π»Π΅Π½ΠΈΡ ΠΈ ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²ΠΈΡ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΡΠΌ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΎΠ½Π½ΠΎ-ΠΊΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΠ²Π½ΡΠΌ ΠΏΠΎΡΡΠ΅Π±Π½ΠΎΡΡΡΠΌ. Π Π½Π°ΡΡΠΎΡΡΠ΅ΠΉ ΡΡΠ°ΡΡΠ΅ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅ΡΡΡ Π°Π»Π³ΠΎΡΠΈΡΠΌ ΡΠ°ΠΊΠΎΠΉ ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΠΈ ΠΊΠ°ΠΊ ΡΠΏΠΎΡΠΎΠ± ΡΠΊΡΠ΅ΠΏΠ»Π΅Π½ΠΈΡ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΊΠΎΠ½ΠΊΡΡΠ΅Π½ΡΠΎΡΠΏΠΎΡΠΎΠ±Π½ΠΎΡΡΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠ³ΠΎ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠ°. ΠΡΠ½ΠΎΠ²ΠΎΠΉ ΠΏΠΎΡΡΡΠΎΠ΅Π½ΠΈΡ Π°Π»Π³ΠΎΡΠΈΡΠΌΠ° ΡΡΠ°Π»Π° ΡΠ΅ΠΎΡΠΈΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΠΈ ΡΠ΄ΠΎΠ²Π»Π΅ΡΠ²ΠΎΡΠ΅Π½ΠΈΡ. ΠΠ²ΡΠΎΡ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡ ΡΠΌΠ΅ΡΠ΄ΠΆΠ΅Π½ΡΠ½ΡΠ΅ ΠΌΠ΅Π΄ΠΈΠ°ΡΡΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ²Π»Π΅Π½ΠΈΡ Π² ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡΠ΅ ΡΠΎΠ²Π΅ΡΡΠ΅Π½ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΡ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΡ
Π‘ΠΠ.The issues of competition between professional journalism and other actors of the communicative field relate to emergent media-aesthetic phenomena. The professional competencies of a journalist should include the ability to track and interpret these phenomena. This article proposes an algorithm of the interpretation as a way to strengthen the professional competitiveness of a modern journalist. This algorithm is based on the theory of use and gratification. The author considers emergent media-aesthetic phenomena in the context of improvement and development of the professional journalism.ΠΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ Π²ΡΠΏΠΎΠ»Π½Π΅Π½ΠΎ Π·Π° ΡΡΠ΅Ρ Π³ΡΠ°Π½ΡΠ° Π ΠΠ€, β 18-18-00007
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