Histories of medicine in the household : recovering practice and ‘reception’

Introducing the essays in this special issue on medicine in the household, Bivins, Marland and Tomes briefly sketch the existing historiography and argue for the enduring importance of the household as a site of medical decision making and practice. The household as explored by this collection also offers a valuable space within which to test new methodologies addressing the challenges that face historians and other scholars seeking to trace the reception, adoption and adaptation of new knowledge, practices and products

A Tale of Two Cities: The Exploration of the Trieste Public Psychiatry Model in San Francisco

According to the World Health Organization (WHO), the “Trieste model” of public psychiatry is one of the most progressive in the world. It was in Trieste, Italy, in the 1970s that the radical psychiatrist, Franco Basaglia, implemented his vision of anti-institutional, democratic psychiatry. The Trieste model put the suffering person—not his or her disorders—at the center of the health care system. The model, revolutionary in its time, began with the “negation” and “destruction” of the traditional mental asylum (‘manicomio’). A novel community mental health system replaced the mental institution. To achieve this, the Trieste model promoted the social inclusion and full citizenship of users of mental health services. Trieste has been a collaborating center of the WHO for four decades with a goal of disseminating its practices across the world. This paper illustrates a recent attempt to determine whether the Trieste model could be translated to the city of San Francisco, California. This process revealed a number of obstacles to such a translation. Our hope is that a review of Basaglia’s ideas, along with a discussion of the obstacles to their implementation, will facilitate efforts to foster the social integration of persons with mental disorders across the world

O "CC" e a patologização do natural: higiene, publicidade e modernização no Brasil do pós-Segunda Guerra Mundial

The aim of this article is to discuss the relationship between consumption and changing habits through new industrial products related to health and hygiene, which were announced as the possibility of replacing the natural odor and industrialized by artificial smell. This would represent the cultural transformation of natural physiological functions, such as sweat, something unwholesome and socially repugnant and also a synonym for backwardness. The ideal of a hygienic, modern and deodorized find life in the media and advertising - in the modernization and expansion process in the Brazil post-II World War the privileged space for the placement and supply of new and abundant products that promised to cancel the threat of "body odor" - "BO" and replace it, by the "smell good", hygienic and socially enjoyable that could be bought.O objetivo do artigo é discutir a relação entre consumo e mudança de hábitos por meio de novos produtos industrializados relacionados à saúde e à higiene, que foram anunciados como capazes de substituir o odor natural pelo cheiro artificial e industrializado. Sugerimos que foi um processo social e cultural de transformação de funções fisiológicas naturais, como o suor e o mau hálito, em algo nocivo à saúde e repugnante socialmente e também em um sinônimo de atraso. O ideal de uma vida higiênica, moderna e desodorizada encontrou na imprensa e na publicidade - em processo de modernização e expansão no Brasil após a Segunda Guerra Mundial - o espaço privilegiado para a veiculação e oferta de novos e abundantes produtos que prometiam cancelar a ameaça do "cheiro de corpo", o "CC", e substituí-lo pelo "cheiro bom", salubre e socialmente aceitável que poderia, inclusive, ser comprado

Corridor Gothic

This article investigates the role of the corridor in Gothic fiction and horror film from the late eighteenth century to the present day. It seeks to establish this transitional space as a crucial locus, by tracing the rise of the corridor as a distinct mode of architectural distribution in domestic and public buildings since the eighteenth century. The article tracks pivotal appearances of the corridor in fiction and film, and in the final phase argues that it has become associated with a specific emotional tenor, less to do with amplified fear and horror and more with emotions of Angst or dread

THE PERSUASIVE INSTITUTION: THOMAS STORY KIRKBRIDE AND THE ART OF ASYLUM-KEEPING, 1841-1883.

The Pennsylvania Hospital for the Insane, which opened in January, 1841, under the direction of Thomas Story Kirkbride, embodied the principles of moral treatment, a regimen of medical and psychological care for the insane which originated in France and England. In the late eighteenth century, the work of Philippe Pinel at the Bicetre in Paris and William Tuke at the York Retreat in England, generated a reform movement which quickly spread across the Atlantic. Between 1817 and 1845, eighteen American asylums had opened, based on the principles of psychological medicine expounded by Pinel and Tuke. The earliest and most influential of these institutions included the Friends Asylum at Frankford, Pennsylvania, (1817); the Massachusetts General Hospital\u27s McLean Asylum at Somerville, Massachusetts, (1818); the New York Hospital\u27s Bloomingdale Asylum in New York City, (1821); the Hartford Retreat at Hartford, Connecticut, (1824); the Worcester State Hospital at Worcester, Massachusetts, (1833); the Maine Insane Asylum at Augusta, (1840); the New York State Lunatic Asylum at Utica, (1843); and the Butler Hospital for the Insane at Providence, Rhode Island, (1845). The pioneer superintendents of these hospitals, most prominently Samuel Woodward, Amariah Brigham, Pliny Earle, Isaac Ray, and John Butler, along with Thomas Story Kirkbride, served as the principal American interpreters and exponents of moral treatment