152 research outputs found

    Keynote Address: What Transpires Now: Transgeder HIstory and the Future We Need

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    The 2017 keynote address presented by special guest Susan Stryker, Associate Professor of Gender and Women\u27s Studies at the University of Arizona. Professor Stryker is also the Director of the Institute for LGBT Studies, founder of the Transgender Studies Initiative, and holds a courtesy appointment as Associate Professor in the Norton School of Family and Consumer Sciences at the University of Arizona. She is the author of many articles and several books on transgender and queer topics, most recently Transgender History (Seal Press 2008). She won a Lambda Literary Award for the anthology The Transgender Studies Reader (Routledge 2006), and an Emmy Award for the documentary film Screaming Queens: The Riot at Compton\u27s Cafeteria (Frameline/ITVS 2005). Currently, she teaches classes on LGBT history, and on embodiment and technology at the University of Arizona. Research interests include transgender and queer studies, film and media, built environments, somatechnics, and critical theory

    Ghost Dances: A Trans-Movement Manifesto

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    Several things coincided to shape the space from which this lecture emerged. The first was an email from a list I\u27m on, soliciting creative, artistic responses to climate change. The second was a call for proposals for a symposium on subversive imaginaries. The third, an ongoing conversation with a dancer friend about critical embodiment practices. Fourth, the tangle of thoughts sorting themselves out into various bits of prose and syllabi then being demanded by editors and administrators. Fifth, the backdrop of an historical presidential election soliciting us all to dwell upon the fierce urgency of now. And finally, the call from Sarah Chinn at CLAGS letting me know I\u27d have the honor and opportunity to pull something together to to say tonight: when she asked me for a title, Ghost Dances is what popped out

    Minhas palavras para Victor Frankenstein acima da aldeia de Chamonix: Performar a fúria transgênera

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    A metĂĄfora do monstro, frequentemente usada contra pessoas transgĂȘneras, evoca aqui a fĂșria transgĂȘnera diante das interdiçÔes que defendem o binarismo sexual. Diversos gĂȘneros textuais e tipos de conhecimento sĂŁo usados para explorar aspectos da experiĂȘncia trans

    The differential effects of fructose and glucose on advanced glycation end-product formation and cellular damage in vitro

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    The protective mechanisms of microglia cells help to maintain central nervous system (CNS) homeostasis and function.1 Microglia are innate immune cells that constantly survey their surrounding CNS microenvironment for pathogens, damaged cells, and inflammatory molecules. Sugars from our diet, including glucose and fructose, combine with endogenous proteins non-enzymatically and form advanced glycation-end products (AGEs).2 AGEs are shown to produce reactive oxygen species, leading to inflammation and cellular damage that may be mediated by microglia.3 Fructose consumption has become increasingly prevalent within the American diet, as it is a lower cost sweetener.4 Microglia become activated and phagocytic in the presence of high levels of glucose, but the effects of fructose are not yet fully understood.3 The reactivity of fructose within the body and it’s long-term health implications remain unclear

    Case study of a performance-active changing trans* male singing voice

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    A professional classical singer of more than 25 years (AZ) in his early 50s requested this voice researcher’s consultation and assistance in early 2014. He was about to start living full time as a trans* man. Despite his intention to be included in the low start/gradual increase testosterone option of the Trans* Male (previously, “FTM”) Singing Voice Program, the request contained a rather unconventional aspect: AZ would continue to sing while his voice was changing. The above request was integral with his singing history. After the introduction of safeguards and his informed consent, AZ was accepted onto the Program. Due to the highly individual circumstances, his participation was recorded as a case study. The study has aimed to replicate the particulars of the slow hormonal changes and continuing singing ability found in certain cisgender male adolescent voices. Despite dealing with an adult trans* male individual, the progress has been comparable. This has been achieved by carefully monitoring AZ’s low start/gradual increase testosterone administration in communication with the medical practitioner. The participant’s vocal health remained safeguarded and promoted by carefully individualized vocal tuition. This article will discuss the collective results of the case study, including the recordings and the data analysis

    Activism, affect, identification: trans documentary in France and Spain and its reception

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    This article explores the documentation of trans activism in France and Spain since the 2000s. The first part addresses questions surrounding the place of affect and narrative in documentary film, particularly in relation to trans issues. The second part o f the article analyses an audience case study from a screening at the International Gay and Lesbian Film Festival in Barcelona of Valérie Mitteaux's Girl or Boy, My Sex is not my Gender (2011), considering how different viewers respond to the representatio n of trans identities. The article builds on qualitative research whilst extending the exploration of sexuality and gender in previous audience studies to a consideration of documentary film, seeking to provide a more nuanced understanding of what audience claims for identification in politicised contexts mean
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