7 research outputs found

    Textile Praxis: The Case for Malaysian Hand-Woven Songket

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    This research was prompted by a concern for the vulnerability of traditional pre-industrial handicrafts, namely the songket textiles of Malaysia. The songket textile has been woven for over two centuries in Southeast Asia, and its materiality represents cultural heritage, tradition, and national identity in Malaysia. Market competition from imported, less expensive and mass-produced songket textile replicas has forced local makers to instigate creative change, as a means of longevity and secure a place in the market. Within this research theories of development and social science are used to direct the creative practice of the researcher, forming a textile praxis. The practice of the researcher, as a textile designer and weaver, will introduce alternative technology, namely yarns and weaving techniques, to the production of the textile in order to instigate change. This practice is conducted within the field in Malaysia and in the London studios of the Royal College of Art. The implementation of the practice reflects the local material, technological, and economic environments, hence, providing alternative yarns and weaving techniques which are ‘appropriate’ (Schumacher 1993) to the local hand-woven production infrastructure. It is the socio-cultural context of the textiles materiality which most challenges the researcher in her practice; the duality (Gell 1998) of the object, subject, and social relationship. Manifesting itself as objectivity, dualism presents an agency upon creative practice. The autonomous practice of the researcher is challenged by the autonomy of material representation. The textiles which were produced by the researcher’s practice consist of radical changes in materiality. Through acquiring local knowledge, they represent creativity, where social objectivity has been considered and also abstracted by the researcher. The textiles exist, not as a new genre of materiality, but as exposure and influence to local makers, demonstrating creativity which can be achieved by expanding upon existing technological frameworks. By experiencing the use of alternative yarns during the researcher’s field practice, local makers have chosen to adopt and appropriate the use of the yarns within their practice and subsequent textile market, a use which they have sustained. The use of exposure to influence the local makers practice has already caused changes in the textiles materiality. The future materiality of the textile depends upon the time and space in which its creative practice and society resides

    Designing for the Infrastructure of the Supply Chain of Malay Handwoven Songket in Terengganu

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    The growing HCI interest in developing contexts and cultural craft practices is ripe to focus on their under-explored homegrown sociotechnical infrastructures. This paper explores the creative infrastructural actions embedded within the practices of songket's supply chain in Terengganu, Malaysia. We report on contextual interviews with 92 participants including preparation workers, weavers, designers, merchants, and customers. Findings indicate that increased creative infrastructural actions are reflected in these actors' resourcefulness for mobilizing information, materials, and equipment, and for making creative artifacts through new technologies weaved within traditional practices. We propose two novel approaches to design in this craft-based infrastructure. First, we explore designing for the social layer of infrastructure and its mutually advantageous exploitative relationships rooted in culture and traditions. Second, we suggest designing for roaming value-creation artifacts, which blend physical and digital materializations of songket textile design. Developed through a collaborative and asynchronous process, we argue that these artifacts represent less-explored vehicles for value co-creation, and that sociotechnical infrastructures as emerging sites of innovation could benefit from HCI research

    NIMH Project Accept (HPTN 043): results from in-depth interviews with a longitudinal cohort of community members.

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    IntroductionNIMH Project Accept (HPTN 043) is a community- randomized trial to test the safety and efficacy of a community-level intervention designed to increase testing and lower HIV incidence in Tanzania, Zimbabwe, South Africa and Thailand. The evaluation design included a longitudinal study with community members to assess attitudinal and behavioral changes in study outcomes including HIV testing norms, HIV-related discussions, and HIV-related stigma.MethodsA cohort of 657 individuals across all sites was selected to participate in a qualitative study that involved 4 interviews during the study period. Baseline and 30-month data were summarized according to each outcome, and a qualitative assessment of changes was made at the community level over time.ResultsMembers from intervention communities described fewer barriers and greater motivation for testing than those from comparison communities. HIV-related discussions in intervention communities were more grounded in personal testing experiences. A change in HIV-related stigma over time was most pronounced in Tanzania and Zimbabwe. Participants in the intervention communities from these two sites attributed community-level changes in attitudes to project specific activities.DiscussionThe Project Accept intervention was associated with more favorable social norms regarding HIV testing, more personal content in HIV discussions in all study sites, and qualitative changes in HIV-related stigma in two of five sites
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