17 research outputs found

    Research strategies for organizational history:a dialogue between historical theory and organization theory

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    If history matters for organization theory, then we need greater reflexivity regarding the epistemological problem of representing the past; otherwise, history might be seen as merely a repository of ready-made data. To facilitate this reflexivity, we set out three epistemological dualisms derived from historical theory to explain the relationship between history and organization theory: (1) in the dualism of explanation, historians are preoccupied with narrative construction, whereas organization theorists subordinate narrative to analysis; (2) in the dualism of evidence, historians use verifiable documentary sources, whereas organization theorists prefer constructed data; and (3) in the dualism of temporality, historians construct their own periodization, whereas organization theorists treat time as constant for chronology. These three dualisms underpin our explication of four alternative research strategies for organizational history: corporate history, consisting of a holistic, objectivist narrative of a corporate entity; analytically structured history, narrating theoretically conceptualized structures and events; serial history, using replicable techniques to analyze repeatable facts; and ethnographic history, reading documentary sources "against the grain." Ultimately, we argue that our epistemological dualisms will enable organization theorists to justify their theoretical stance in relation to a range of strategies in organizational history, including narratives constructed from documentary sources found in organizational archives. Copyright of the Academy of Management, all rights reserved

    Excavations at Ashkelon; in the footsteps of the Philistines

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    Item consists of a digitized copy of a video recording of a Vancouver Institute lecture given by Lawrence Stager on November 14, 1992. Original video recording available in the University Archives (UBC VT 273).Non UBCUnreviewedFacult

    Women first?: on the legacy of primitive communism

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    One of the most important contributions to the study of the Hebrew Bible in the last 25 years is the argument for a mode of production unique to early Israel. Variously called the communitarian (Norman Gottwald), household (Carol Meyers), domestic (David Jobling and Ronald Simkins), or familial (Gail Yee), such a mode of production urges a firm basis in the study of political economics or Marxism. However, another feature of these arguments (apart from Simkins) is that such a mode of production was at least comparatively better for women. The concern of this article is to trace such a motif back through the work of biblical scholars to Marshall Sahlins, the anthropologist who first proposed the domestic mode of production, and then to the crucial work of Friedrich Engels, Lewis Henry Morgan, and J.J. Bachofen. What this article finds is that primitive communism has a more durable legacy in biblical studies than may at first appear

    Auto conceito e imagem corporal em crianças obesas

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    Este trabalho teve como objetivo descrever o que pensam crianças obesas sobre seus corpos. Para tanto o delineamento metodolĂłgico incluiu um grupo de obesos e outro de nĂŁo obesos. As crianças responderam a dois instrumentos que tocam nessas questĂ”es de forma sistematizada - Escala Piers Harris de Auto-Conceito e Eating Behviours and Body Image Test. O grupo de crianças obesas era composto por 14 meninas e 13 meninos, com idades entre 10 a 12 anos e Ă­ndice de massa corporal variando de P85 a P95 ou acima; o de nĂŁo obesas era composto por 15 meninas e 12 meninos, com a mesma faixa etĂĄria e Ă­ndice de massa corporal entre P5 a P<85. Os resultados mostraram que as crianças obesas estĂŁo mais insatisfeitas com seu corpo e aparĂȘncia. Entretanto, elas identificam em si caracterĂ­sticas fĂ­sicas positivas e outros atributos pessoais. Embora menos preocupadas, as crianças nĂŁo obesas tambĂ©m manifestam insatisfação, possivelmente devido Ă s pressĂ”es culturais sobre a aparĂȘncia fĂ­sica
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