Collaborative Strategies for Re-Enhancing Hapū Connections to Lands and Making Changes with Our Climate

Since 1996, considerable challenges have faced hapū in terms of ecosystem decline in lands and waterways within southwestern coastal Māori lands from the Horowhenua to Kāpiti regions of Te Ika a Maui / North Island, Aotearoa New Zealand. The rationales for hapū re-enhancing intergenerational connections to their lands have required culturally led, collaborative, innovative, solutions- focused, and transformative actions to reinstate well-being to areas of cultural and natural value. Beginning with the project “Manaaki Taha Moana: Enhancing Coastal Ecosystems for Iwi and Hapū” (2010 –2015), hapū have collaborated with specialists to cocreate new frameworks for addressing short-term issues and long-term impacts of sea-level rise, leading to the “Adaptation Strategies for Climate Change for Coastal Māori Communities” project (2015–2017). Build- ing on Māori methods such as wānanga, hui, and hīkoi, these approaches have strengthened localized cultural knowledge of place as the lens through which climate change and fluvial geomorphology sciences can be viewed. Developed design scenarios have encouraged beneficial relationships between culture, settle- ment form, ecologies, economies, and farming practices in order to better prepare Māori communities for the ecological and socioeconomic impacts of climate change. Art and design have helped bridge Māori culture, sciences, and com- munities’ understanding of complex data within university-based and curated exhibitions. The latest project, “Risk Management Planning for Climate Change Impacts on Māori Coastal Ecosystems and Economies” (2017–2019), envisages integrative decision-making tools to enable more coastal Māori landholders to assess the risks and benefits associated with alternative coastal land uses and economies

Da artificação do sagrado nos museus: entre o teatro e a sacralidade

From the anthropological perspective, extending the notion of performance from the arts and the ritual context to virtually all forms of human action, different kinds of museums present different performances involving both an actor and the audience. This paper, aiming to study the museal performance in the French case, investigates the processes of artification of religious objects in museums, taking into consideration two case studies: a visit to the Écomusée d’Alsace, where religion is associated with the arts and folk traditions to evoke the local identity; and the study of the short-term exhibition Mãori. Leurs trésors ont une âme , at the Musée du quai Branly , in Paris, in which some kind of self-musealization is experienced, with sacred objects from the maori culture