Cold War Sport, Film and Propaganda : A Comparative Analysis of the Superpowers

This document is the author's original submitted manuscript (pre-print) version. An updated version has been published by MIT Press in Journal of Cold War Studies, available online at doi: https://doi.org/10.1162/JCWS_a_00721.Films and sports played central roles in Cold War popular culture. Each helped set ideological agendas domestically and internationally while serving as powerful substitutes for direct superpower conflict. This article brings film and sport together by offering the first comparative analysis of how U.S. and Soviet cinema used sport as an instrument of propaganda during the Cold War. The article explores the different propaganda styles that U.S. and Soviet sports films adopted and pinpoints the political functions they performed. It considers what Cold War sports cinema can tell us about political culture in the United States and the Soviet Union after 1945 and about the complex battle for hearts and minds that was so important to the East-West conflict.Peer reviewedFinal Published versio

The Woody Guthrie Centennial Bibliography

This bibliography updates two extensive works designed to include comprehensively all significant works by and about Woody Guthrie. Richard A. Reuss published A Woody Guthrie Bibliography, 1912–1967 in 1968 and Jeffrey N. Gatten\u27s article “Woody Guthrie: A Bibliographic Update, 1968–1986” appeared in 1988. With this current article, researchers need only utilize these three bibliographies to identify all English-language items of relevance related to, or written by, Guthrie

All-Stars and Movie Stars: Sports in Film and History

Sports films are popular forms of entertainment around the world, but beyond simply amusing audiences, they also reveal much about class, race, gender, sexuality, and national identity. In All-Stars and Movie Stars, Ron Briley, Michael K. Schoenecke, and Deborah A. Carmichael explore the interplay between sports films and critical aspects of our culture, examining them as both historical artifacts and building blocks of ideologies, values, and stereotypes. The book covers not only Hollywood hits such as Field of Dreams and Miracle but also documentaries such as The Journey of the African American Athlete and international cinema, such as the German film The Miracle of Bern. The book also explores television coverage of sports, commenting on the relationship of media to golf and offering a new perspective on the culture and politics behind the depictions of the world’s most popular pastimes. The first part of the book addresses how sports films represent the cultural events, patterns, and movements of the times in which they were set, as well as the effect of the media and athletic industry on the athletes themselves. Latham Hunter examines how the baseball classic The Natural reflects traditional ideas about gender, heroism, and nation, and Harper Cossar addresses how the production methods used in televised golf affect viewers. The second section deals with issues such as the growth of women’s involvement in athletics, sexual preference in the sports world, and the ever-present question of race by looking at sports classics such as Rocky, Hoosiers, and A League of Their Own. Finally, the authors address the historical and present-day role sports play in the international and political arena by examining such films as Visions of Eight and The Loneliness of the Long Distance Runner. This important and unique collection illuminates the prominent role that sports play in society and how that role is reflected in film. Analysis of the depiction of sports in film and television provides a deeper understanding of the appeal that sports hold for people worldwide and of the forces behind the historic and cultural traditions linked to sports. Ron Briley, assistant headmaster and teacher of history at Sandia Preparatory School, is the author of Class at Bat, Gender on Deck and Race in the Hole: A Line-Up of Essays on Twentieth Century Culture and America’s Game. Michael K. Schoenecke is professor of literature and languages at Texas Tech University. Deborah A. Carmichael, assistant professor at Michigan State University, is associate editor of the journal Film & History and editor of the collection The Landscape of Hollywood Westerns: Ecocriticism in an American Film Genre. The scholarship throughout the essays is solid and grounded. A careful, yet thoroughly engaging look at how sports in film speak to audiences of values, identities, and the cultural thrills that draw us to competition. —Cynthia J. Miller, Emerson College This collection is rigorously detailed and has quite an impact. Baseball, boxing, cross-country, track. —Choice Demonstrates that sports films are rich documents, that they offer much for scholars of film, television, cultural studies, sport, and history. —American Studies The works chosen reflect legendary sports figures or movements, large audiences, significant filmic innovations, or critical accolades...a handy package that serves personal learning, reference, library collection, or course introduction. —Film and Historyhttps://uknowledge.uky.edu/upk_film_and_media_studies/1017/thumbnail.jp

Patriots, Villains and the Quest for Liberty: American Film and the Depiction of the American Revolution

This study of a dozen American films featuring the American Revolution (released 1939–2002) evaluates the major characters (patriots and loyalists), diverse plots, and various social/class themes. Cinematic and popular culture understandings of the revolution are compared with the interpretations of historians to reveal thematic consistencies, noteworthy variations, and conceptual gulfs between filmmakers and historians