Flamingo Vol. III N 1

E.B. Cover. Picture. 0. Anonymous. Untitled. Prose. 5. Anonymous. Untitled. Prose. 5. Anonymous. Untitled. Picture. 5. Anonymous. Untitled. Prose. 5. Chaparral. Show This to the Livy. Prose. 5. Lemon Punch. Show This to the Livy. Prose. 5. Burr, Leigh. Fair and Warmer. Prose. 5. Judge. Fair and Warmer. Prose. 5. Record. Fair and Warmer. Prose. 5. Anonymous. Cutting, Isn\u27t It?. Picture. 6. Vogel, W.A. Twentieth Century Romance. Prose. 7. Q. Meditation. Poem. 8. M.I.D. Morning, The Seventeenth. Poem. 8. Anonymous. The Engagement. Poem. 8. Rine, Russell. On Rolling Pins. Poem. 9. G.M.C. Evening Star. Poem. 9. G.M.C. An Orison. Poem. 9. Schmitz. Denison Ding Dongs. Poem/Picture. 10. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Poem. 11. Anonymous. Untitled. Picture. 11. Anonymous. Untitled. Poem. 11. Anonymous. Untitled. Picture. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Poem. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Deluber. Untitled. Picture. 12. Anonymous. Untitled. Prose. 12. Anonymous. Untitled. Prose. 12. Anonymous. The Circus. Poem. 12. Anonymous. Untitled. Prose. 12. Anonymous. The Deuce You Say. Prose. 12. Anonymous. Untitled. Prose. 12. Anonymous. Untitled. Prose. 12. Anonymous. WHERE ARE YOU GOING MY PRETTY MAID? I\u27M GOING OUT FOR CHOW, SHE SAID. Picture. 12. Anonymous. E.E. Mongomery, M.D. Prose. 13. Anonymous. One Gone. Prose. 14. Anonymous. You\u27re Out. Prose. 15. W.G.M. Spring, B\u27gosh. Prose. 15. Bridge. Denison Folies. Picture. 16. W.M.P. New Fiction. Prose. 18. Schmitz. WHAT\u27S THE FARE TO KALAMAZOO? STANDARD RATES, $20.50. HOW MUCH FOR A SEAT? . Picture. 18. E.T. HE— WHAT\u27S THAT PRETTY THING YOU\u27RE WEARING UNDER YOUR \u27DOFUNNY?\u27 SHE— OH, THAT\u27S A SLIP. HE— I BEG YOUR PARDON. . Picture. 18. Anonymous. Untitled. Prose. 18. Anonymous. Untitled. Prose. 18. Anonymous. Untitled. Prose. 18. Anonymous. Untitled. Prose. 18. Anonymous. Untitled. Prose. 18. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. The Flapper\u27s Standard. Prose. 20. George. Y\u27OTTA SEE MY NEW GIRL. I CALL HER MY LITTLE SHYLOCK. JEWESS? NO, BOBBED HAIR. . Picture. 20. Anonymous. Untitled. Prose. 21. Anonymous. Read Aloud. Prose. 21. Anonymous. Untitled. Prose. 21. Anonymous. Untitled. Poem. 21. Anonymous. Untitled. Prose. 21. Anonymous. Untitled. Prose. 21. Anonymous. Untitled. Prose. 21. Anonymous. Untitled. Prose. 21. Anonymous. Untitled. Prose. 21. Whiz Bang. Untitled. Prose. 21. Awgwan. And Close It As You Go Out. Prose. 22. Wasp. Untitled. Prose. 22. Octopus. Untitled. Prose. 22. Anonymous. S. STORY THE ORIGINAL DAYLIGHT SAVER. Picture. 23. Wag Jag. Two Cokes, Garcon. Prose. 23. Boston Transcript. Untitled. Prose. 24. Siren. Untitled. Prose. 24. Widow. You Noah. Prose. 24. Anonymous. Deep Stuff. Prose. 27. Anonymous. Untitled. Prose. 27. Anonymous. Untitled. Prose. 27. Garber, Jock. Our Questionable Department. 29. Chaparral. Dayton?. Prose. 29. Banter. Untitled. Prose. 29. Burr. Untitled. Prose. 29. Anonymous. Untitled. Poem. 29. Octopus. Untitled. Poem. 29. B.N.E. Untitled. Poem. 30. Reel, Virginia. Untitled. Prose. 30. Octopus. Untitled. Prose. 31. Octopus. Untitled. Prose. 31. Ghost. Untitled. Prose. 31. Phoenix. Untitled. Prose. 31. Chaparral. Untitled. Prose. 31. Goblin. Untitled. Prose. 31. Banter. Untitled. Prose. 31. Jester. Untitled. Prose. 31. Scalper. Untitled. Prose. 32. Punch Bowl. A Pressing Matter. Prose. 32. Lyre. Untitled. Prose. 32. Punch Bowl. Y.W.C.A. Wanted. Prose. 32. Awgwan. Untitled. Prose. 32. Octopus. Politics. Prose. 32

Flamingo Vol. III N 2

Anonymous. Cover. Picture. 0. Anonymous. Untitled. Picture. 4. Price, John M. Dada--Esthetic Nihilism. Prose. 5. G.C. Tolerance. Poem. 6. G.W.B. The Castaway. Poem. 6. G.W.B. Cinquains. Poem. 7. Holt, K. HORATI CARMINA, Liber I, ix. Prose. 7. W.A.V. Untitled. Poem. 7. A.E.R. Moods. Poem. 7. G.W.B. Some Say The Moon. Poem. 7. A.E.R. On Quoting The Night Has A Thousand Eyes . Poem. 7. Anonymous. Chapel Cherubs. Prose. 8. E.B. Untitled. Picture. 8. E.B. Untitled. Picture. 8. Anonymous. Untitled. Prose. 9. Anonymous. Untitled. Prose. 9. Anonymous. FLIP— MIGHT I ASK YOU FOR THIS DANCE? FLAP— PLEASE DO, I\u27VE BEEN DYING TO REFUSE YOU ALL EVENING. . Picture. 9. Anonymous. HUSBAND (SAVAGELY)— MARIA, WHERE\u27S MY CLOTHES? MARIA— GOOD HEAVENS, DEAR, I WONDER IF I USED THEM IN THE SALAD. Picture. 9. Anonymous. Our Log Table. Prose. 9. Anonymous. Approved Vocabulary For Fans. Prose. 9. Anonymous. Untitled. Prose. 9.; Anonymous. Untitled. Prose. 9. Anonymous. Untitled. Prose. 9. Anonymous. Untitled. Prose. 9. Anonymous. Only Too True! Prose. 10. F.T. GEORGE TOLD ME ALL THE SECRETS OF HIS PAST LAST NIGHT. REALLY! WHAT DID YOU THINK OF THEM? OH, I THOUGHT THEY WERE HORRIBLY DISAPPOINTING. Picture. 10. Anonymous. Untitled. Prose. 10. Anonymous. Untitled. Prose. 10. Anonymous. Untitled. Prose. 10. Howard, Lillis. The Engaged Homo. Poem. 10. Anonymous. Before and After. Poem. 11. Anonymous. Untitled. Poem. 11. Ubersax. AS OTHERS MIGHT SEE US—CLEVELAND HALL TO A CUBIST. Picture. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. SECOND FROM THE RIGHT— WHAT\u27S THAT DESERTED OLD BUILDING OVER THERE? DITTO LEFT— MUST BE WHERE THEY USED TO MAKE HAIRPINS. Picture. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. E.T.B. Broadway Bizarre. Prose. 12. E.B. Untitled. Picture. 13. E.B. The First One. Picture. 13. Anonymous. It\u27s done. Prose. 14. W.G.M. Mother. Prose. 15. Anonymous. Our Daily Mud. Prose. 15. G.C. Optimism. Poem. 15. Bridge. Denison Comics. Picture. 16. Anonymous. Our Asinetic Appreciation Corner. Prose. 18. Anonymous. STILL LIFE OF A NEAR-BEER AT THE TURNING POINT. Picture. 18. Rine, Russell. Stewed and Hashed. Poem. 18. Anonymous. Untitled. Poem. 18. Anonymous. Untitled. Poem. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Mercer, Hod. OUR OWN IDEA OF SOMETHING AESTHETIC. Picture. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. Such Is Life. Poem. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Grayce. THE FLIGHT IS ON—THE FESTIVAL IS HERE. Picture. 20. W.G.K. Eutopia Regained. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. Oh You Nine Weeks. Poem. 20. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. THAT MAUSOLEUM HAS BEEN CONDEMNED BY THE BUILDING INSPECTOR. WHAT\u27S WRONG WITH IT? IT HASN\u27T ANY FIRE ESCAPES. Picture. 20. Jester. Untitled. Prose. 24. Anonymous. Untitled. Prose. 24. Panther. Untitled. Prose. 24. Octopus. Untitled. Prose. 24. Mugwump. Untitled. Prose. 24. Reel, Virginia. Untitled. Prose. 24. Garber, Jock. Kows and Why Not. Prose. 25. Texas Scalper. Untitled. Prose. 25. Lord Jeff. Untitled. Prose. 28. Lampoon. Cut Rates. Prose. 28. Malteaser. Untitled. Prose. 28. Sun Dodger. Untitled. Prose. 28. Beanpot. Untitled. Prose. 28. Malteaser. Untitled. Prose. 28. Gargoyle. Putting It Fairly. Prose. 29. Malteaser. Untitled. Prose. 29. Gargoyle. Untitled. Prose. 29. Sun Dial. Untitled. Prose. 29. Gargoyle. Untitled. Prose. 30. Malteaser. Untitled. Prose. 30. Panther. Untitled. Prose. 30. Sun Dial. The Stuffed Kind. Prose. 30. Student Life. Untitled. Prose. 30. Malteaser. Heard in EC. Class. Prose. 30. Nashville Tennessean. Untitled. Prose. 30. Lemon Punch. Untitled. Prose. 31. Sun Dial. Untitled. Prose. 31. Gargoyle. Two is a Crowd. Prose. 31. Phoenix. Untitled. Prose. 31

Thrombocytopenia and platelet transfusions in ICU patients: an international inception cohort study (PLOT-ICU)

Purpose Thrombocytopenia (platelet count < 150 × 109/L) is common in intensive care unit (ICU) patients and is likely associated with worse outcomes. In this study we present international contemporary data on thrombocytopenia in ICU patients. Methods We conducted a prospective cohort study in adult ICU patients in 52 ICUs across 10 countries. We assessed frequencies of thrombocytopenia, use of platelet transfusions and clinical outcomes including mortality. We evaluated pre-selected potential risk factors for the development of thrombocytopenia during ICU stay and associations between thrombocytopenia at ICU admission and 90-day mortality using pre-specified logistic regression analyses. Results We analysed 1166 ICU patients; the median age was 63 years and 39.5% were female. Overall, 43.2% (95% confidence interval (CI) 40.4–46.1) had thrombocytopenia; 23.4% (20–26) had thrombocytopenia at ICU admission, and 19.8% (17.6–22.2) developed thrombocytopenia during their ICU stay. Non-AIDS-, non-cancer-related immune deficiency, liver failure, male sex, septic shock, and bleeding at ICU admission were associated with the development of thrombocytopenia during ICU stay. Among patients with thrombocytopenia, 22.6% received platelet transfusion(s), and 64.3% of in-ICU transfusions were prophylactic. Patients with thrombocytopenia had higher occurrences of bleeding and death, fewer days alive without the use of life-support, and fewer days alive and out of hospital. Thrombocytopenia at ICU admission was associated with 90-day mortality (adjusted odds ratio 1.7; 95% CI 1.19–2.42). Conclusion Thrombocytopenia occurred in 43% of critically ill patients and was associated with worse outcomes including increased mortality. Platelet transfusions were given to 23% of patients with thrombocytopenia and most were prophylactic.publishedVersio

Restriction of Intravenous Fluid in ICU Patients with Septic Shock.

BACKGROUND Intravenous fluids are recommended for the treatment of patients who are in septic shock, but higher fluid volumes have been associated with harm in patients who are in the intensive care unit (ICU). METHODS In this international, randomized trial, we assigned patients with septic shock in the ICU who had received at least 1 liter of intravenous fluid to receive restricted intravenous fluid or standard intravenous fluid therapy; patients were included if the onset of shock had been within 12 hours before screening. The primary outcome was death from any cause within 90 days after randomization. RESULTS We enrolled 1554 patients; 770 were assigned to the restrictive-fluid group and 784 to the standard-fluid group. Primary outcome data were available for 1545 patients (99.4%). In the ICU, the restrictive-fluid group received a median of 1798 ml of intravenous fluid (interquartile range, 500 to 4366); the standard-fluid group received a median of 3811 ml (interquartile range, 1861 to 6762). At 90 days, death had occurred in 323 of 764 patients (42.3%) in the restrictive-fluid group, as compared with 329 of 781 patients (42.1%) in the standard-fluid group (adjusted absolute difference, 0.1 percentage points; 95% confidence interval [CI], -4.7 to 4.9; P = 0.96). In the ICU, serious adverse events occurred at least once in 221 of 751 patients (29.4%) in the restrictive-fluid group and in 238 of 772 patients (30.8%) in the standard-fluid group (adjusted absolute difference, -1.7 percentage points; 99% CI, -7.7 to 4.3). At 90 days after randomization, the numbers of days alive without life support and days alive and out of the hospital were similar in the two groups. CONCLUSIONS Among adult patients with septic shock in the ICU, intravenous fluid restriction did not result in fewer deaths at 90 days than standard intravenous fluid therapy. (Funded by the Novo Nordisk Foundation and others; CLASSIC ClinicalTrials.gov number, NCT03668236.)