Composers' Forum Concert, December 12, 1995

This is the concert program of the Composers' Forum Concert performance on Tuesday, December 12, 1995 at 12:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were In A Dark Time by Travis Hardaway, Escape by Yu-Hui Chang, Three Songs by Richard Scalise, Electronic Music Selections and Two Songs for Strings by Siggi, She Said "No" and Now I'm Drowning by Micelle Michael Graves, and Two Songs by Emily Dickinson by Matthew Guerrieri. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Symphony Orchestra, March 23, 1995

This is the concert program of the Boston University Symphony Orchestra performance on Thursday, March 23, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Symphony No. 4, Op. 120 by Robert Schumann, Violin Concerto by Alban Berg, and Prelude and Fugue in E-flat major by Johann Sebastian Bach. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Symphony Orchestra, October 5, 1995

This is the concert program of the Boston University Symphony Orchestra performance on Thursday, October 5, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were "Die Vorstellung des Chaos" from Die Schöpfung by Franz Joseph Haydn, Fünf Orchesterstücke, Op. 16 by Arnold Schoenberg, and Symphony No. 5 in E minor, Op. 64 by Peter Ilyitch Tschaikovsky. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Symphony Orchestra, February 16, 1995

This is the concert program of the Boston University Symphony Orchestra performance on Thursday, February 16, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Le Baiser de la fée (The Fairy's Kiss) by Igor Stravinsky, Pohjola's Daughter by Jean Sibelius, and La Mer by Claude Debussy. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Symphony Orchestra, October 11, 1994

This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, October 11, 1994 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Invocation for Cello and Orchestra by Gustav Holst, Suite from The Tender Land by Aaron Copland, and Symphony No. 2 in D major, Op. 43 by Jean Sibelius. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

De sacra militia contra iconomachos : civic strategies to counter iconoclasm in the Low Countries (1566)

Although the iconoclastic scare must have been enormous and the actual impact of the attacks of summer and autumn 1566 can hardly be exaggerated, the Beeldenstorm was not as comprehensive as it seemed to contemporaries and subsequent historians. Indeed, a considerable number of important cities in the Habsburg Netherlands actually managed to ward off destruction, but until now their role has hardly been studied. The aim of this article is twofold: first, it seeks to chart the cities in question. Second, it analyses the preventive measures that they took against the violence. In so doing, it nuances the idea of the Beeldenstorm as an all-destructive wave, and provides insights into the dynamics of the Iconoclastic Fury. More specifically, the cliché that the passivity of magistrates was the main reason for all losses seems in need of considerable revision