Pray for Brother Alexander

Constantin Noica’s (1909–1987) Pray for Brother Alexander is a meditation on responsibility, freedom, and forgiveness. On the surface, the book describes events and people from Noica’s life during his time in a political communist prison in Romania. However, the volume is not a historical account only, but rather an honest introspection into how a human being may keep sanity when everything around him makes no sense. Unlike his famous Romanian contemporaries, scholar Mircea Eliade, dramatist Eugène Ionescu, and philosopher Emil Cioran, who lived abroad, Constantin Noica did not leave communist Romania. Considered an “anti-revolutionary” thinker, Noica was placed under house arrest in Câmpulung-Muscel between 1949 and 1958. In 1958, he was sentenced to 25 years in prison. He was released after 6 years, and Pray for Brother Alexander covers his experiences during this time. In his writings, Noica rekindles universal themes of philosophy, but he deals with them in a profoundly original manner, based on the culture in which he lived and for which he also suffered persecution. The volume will be of great of interest to scholars and students in history of philosophy and continental philosophy, but also to people interested in the recent history of Eastern Europe and the political persecution that took place after WWII in those countries

The Romanian Sentiment of Being

The link between language and thought formed a major new exploration of twentieth-century philosophy. Languages nuance our ideas and perceptions. Though from various angles, Heidegger, Derrida, Wittgenstein forged new ways of understanding the relationship between our views of the external world and our culturally and linguistically pre-determined modes of expression. Another giant in this field of exploration is the Romanian philosopher Constantin Noica (1909–1987), who has so far remained generally unknown to the Western World because of the Iron Curtain. The Romanian Sentiment of Being (Sentimentul românesc al ființei), first published in Romanian in 1978, is a philosophical work at the intersection of metaphysics and philosophy of language. The title of this book may be deceptive. “Romanian” does not mean ethnically circumscribed; it does not limit ontology to nationality but rather reflects on how language can carry ontological thought. The Romanian Sentiment of Being invites the readers to meditate on the fundamental theme of being and how it is expressed in a culture in time. This being in time marks the tension between moment and eternity, captured in the fairytale ""Ageless Youth and Deathless Life"" (""Tinerețe fără batrânețe și viață fără de moarte""), which Noica interprets in detail. The translation of the story will be found in the appendix. Noica also analyzes one of the most famous poems in Romanian, Mihai Eminescu’s ""The Evening Star"" (""Luceafărul""), and readers will find its translation in the appendix

Becoming into being

Brâncuşi’s sculpture “Endless Column” in Târgu Jiu was interpreted by Constantin Noica as an artistic expression of the ontological vision characteristic of the Romanian sense of being. It brings together two great philosophical categories, traditionally seen as mutually exclusive: static being and dynamic becoming. Noica proves that Brâncuşi’s sculpture is unique in the way it illustrates “becoming into being” (Romanian = Devenirea întru fiinţa), the fundamental term in Noica’s ontology.Przełożył Andrzej Zawadzki.Brâncuşi’s sculpture “Endless Column” in Târgu Jiu was interpreted by Constantin Noica as an artistic expression of the ontological vision characteristic of the Romanian sense of being. It brings together two great philosophical categories, traditionally seen as mutually exclusive: static being and dynamic becoming. Noica proves that Brâncuşi’s sculpture is unique in the way it illustrates “becoming into being” (Romanian = Devenirea întru fiinţa), the fundamental term in Noica’s ontology

The Romanian Sentiment of Being

The link between language and thought formed a major new exploration of twentieth-century philosophy. Languages nuance our ideas and perceptions. Though from various angles, Heidegger, Derrida, Wittgenstein forged new ways of understanding the relationship between our views of the external world and our culturally and linguistically pre-determined modes of expression. Another giant in this field of exploration is the Romanian philosopher Constantin Noica (1909–1987), who has so far remained generally unknown to the Western World because of the Iron Curtain. The Romanian Sentiment of Being (Sentimentul românesc al ființei), first published in Romanian in 1978, is a philosophical work at the intersection of metaphysics and philosophy of language. The title of this book may be deceptive. “Romanian” does not mean ethnically circumscribed; it does not limit ontology to nationality but rather reflects on how language can carry ontological thought. The Romanian Sentiment of Being invites the readers to meditate on the fundamental theme of being and how it is expressed in a culture in time. This being in time marks the tension between moment and eternity, captured in the fairytale ""Ageless Youth and Deathless Life"" (""Tinerețe fără batrânețe și viață fără de moarte""), which Noica interprets in detail. The translation of the story will be found in the appendix. Noica also analyzes one of the most famous poems in Romanian, Mihai Eminescu’s ""The Evening Star"" (""Luceafărul""), and readers will find its translation in the appendix

Esej o Rozważności Ziemi Constantina Brâncuşiego

Constantin Noica treated Brâncuşi’s sculpture “The Wisdom of the Earth” (Cuminţenia pământului) in the same way he did “Endless Column”, as an artistic expression of the ontological vision characteristic of the Romanian sense of being. It brings together two great philosophical categories, traditionally seen as mutually exclusive: static being and dynamic becoming. Noica proves that Brâncuşi’s sculpture is unique in the way it illustrates “becoming into being” (Romanian = Devenirea întru fiinţa), the fundamental term in Noica’s ontology.Constantin Noica treated Brâncuşi’s sculpture “The Wisdom of the Earth” (Cuminţenia pământului) in the same way he did “Endless Column”, as an artistic expression of the ontological vision characteristic of the Romanian sense of being. It brings together two great philosophical categories, traditionally seen as mutually exclusive: static being and dynamic becoming. Noica proves that Brâncuşi’s sculpture is unique in the way it illustrates “becoming into being” (Romanian = Devenirea întru fiinţa), the fundamental term in Noica’s ontology.Przełożył Andrzej Zawadzki

Pray for Brother Alexander

Constantin Noica’s (1909–1987) Pray for Brother Alexander is a meditation on responsibility, freedom, and forgiveness. On the surface, the book describes events and people from Noica’s life during his time in a political communist prison in Romania. However, the volume is not a historical account only, but rather an honest introspection into how a human being may keep sanity when everything around him makes no sense. Unlike his famous Romanian contemporaries, scholar Mircea Eliade, dramatist Eugène Ionescu, and philosopher Emil Cioran, who lived abroad, Constantin Noica did not leave communist Romania. Considered an “anti-revolutionary” thinker, Noica was placed under house arrest in Câmpulung-Muscel between 1949 and 1958. In 1958, he was sentenced to 25 years in prison. He was released after 6 years, and Pray for Brother Alexander covers his experiences during this time. In his writings, Noica rekindles universal themes of philosophy, but he deals with them in a profoundly original manner, based on the culture in which he lived and for which he also suffered persecution. The volume will be of great of interest to scholars and students in history of philosophy and continental philosophy, but also to people interested in the recent history of Eastern Europe and the political persecution that took place after WWII in those countries

Les oiseaux chez les lyriques grecs

Noica Simina. Les oiseaux chez les lyriques grecs. In: Bulletin de l'Association Guillaume Budé, n°1, mars 1983. pp. 2-21