Visual quality of printed surfaces: Study of homogeneity

International audienceThis paper introduces a homogeneity assessment method for the printed versions of uniform color images. This parameter has been specifically selected as one of the relevant attributes of printing quality. The method relies on image processing algorithms from a scanned image of the printed surface, especially the computation of gray level cooccurrence matrices and of objective homogeneity attribute inspired of Haralick's parameters. The viewing distance is also taken into account when computing the homogeneity index. Resizing and filtering of the scanned image are performed in order to keep the level of details visible by a standard human observer at short and long distances. The combination of the obtained homogeneity scores on both high and low resolution images provides a homogeneity index, which can be computed for any printed version of a uniform digital image. We tested the method on several hardcopies of a same image, and compared the scores to the empirical evaluations carried out by non-expert observers who were asked to sort the samples and to place them on a metric scale. Our experiments show a good matching between the sorting by the observers and the score computed by our algorith

Bilobate comet morphology and internal structure controlled by shear deformation

Bilobate comets—small icy bodies with two distinct lobes—are a common configuration among comets, but the factors shaping these bodies are largely unknown. Cometary nuclei, the solid centres of comets, erode by ice sublimation when they are sufficiently close to the Sun, but the importance of a comet’s internal structure on its erosion is unclear. Here we present three-dimensional analyses of images from the Rosetta mission to illuminate the process that shaped the Jupiter-family bilobate comet 67P/Churyumov–Gerasimenko over billions of years. We show that the comet’s surface and interior exhibit shear-fracture and fault networks, on spatial scales of tens to hundreds of metres. Fractures propagate up to 500 m below the surface through a mechanically homogeneous material. Through fracture network analysis and stress modelling, we show that shear deformation generates fracture networks that control mechanical surface erosion, particularly in the strongly marked neck trough of 67P/Churyumov–Gerasimenko, exposing its interior. We conclude that shear deformation shapes and structures the surface and interior of bilobate comets, particularly in the outer Solar System where water ice sublimation is negligible.Additional co-authors: M. A. Barucci, J.-L. Bertaux, I. Bertini, D. Bodewits, G. Cremonese, V. Da Deppo, S. Debei, M. De Cecco, J. Deller, S. Fornasier, M. Fulle, P. J. Gutiérrez, C. Güttler, W.-H. Ip, H. U. Keller, L. M. Lara, F. La Forgia, M. Lazzarin, A. Lucchetti, J. J. López-Moreno, F. Marzari, M. Massironi, S. Mottola, N. Oklay, M. Pajola, L. Penasa, F. Preusker, H. Rickman, F. Scholten, X. Shi, I. Toth, C. Tubiana & J.-B. Vincen

Évaluation de la qualité d'impression par traitement d'images et modèles de prédiction couleur

Printing, though an old technique for surface coloration, considerably progressed these last decades especially thanks to the digital revolution. Professionals who want to meet the demands in terms of quality regarding the visual rendering of their clients thus want to know to which extent human observers are sensitive to the degradation of an image. Such questions regarding the perceived quality of a reproduced image can be split into two different topics: the printing quality as capacity of a printing system of accurately reproduce an original digital image, and the printed image quality which results from both the reproduction quality and the quality of the original image itself. The first concept relies on physical analysis of the way the original image is deteriorated when transferred onto the support, and we propose to couple it with a sensorial analysis, which aims at assessing perceptual attributes by giving them a value on a certain scale, determined with respect to reference samples classified by a set of observers. The second concept includes the degradation due to the printing plus the perceived quality of the original image, not in the scope of this work. In this report, we focus on the printing quality concept. Our approach first consists in the definition of several printing quality indices, based on measurable criteria using assessment tools based on “objective” image processing algorithms and optical models on a printed-then-scanned image. PhD work made in Hubert Curien LaboratoryL'impression, bien qu'étant une technique ancienne pour la coloration de surfaces, a connu un progrès considérable ces dernières années essentiellement grâce à la révolution du numérique. Les professionnels souhaitant remplir les exigences en termes de qualité du rendu visuel de leurs clients veulent donc savoir dans quelle mesure des observateurs humains sont sensibles à la dégradation d'une image. De telles questions concernant la qualité perçue d'une image reproduite peuvent être séparées en deux sujets différents: La qualité de l'impression, comme la capacité d'un système d'impression à reproduire fidèlement l'image d'origine, et la qualité d'une image imprimée, résultant à la fois de la qualité de reproduction, mais aussi de la qualité même de l'image numérique d'origine. Ce premier concept repose sur une analyse physique de la façon dont l'image d'origine est dégradée lors de son transfert sur un support, et nous proposons de la coupler avec une analyse sensorielle, visant à évaluer des attributs perceptuels et leur donner une valeur sur une certaine échelle, déterminée par des échantillons de référence classés par un ensemble d'observateurs. Le second concept inclut cette dégradation due à l’impression mais aussi la qualité perçu de l’image d’origine, qui ne fait pas parti de notre étude. Notre approche consiste d'abord à définir les différents indices de qualité, basés sur des critères mesurables en utilisant des outils d'évaluation basés sur des algorithmes "objectifs" de traitement d'image et des modèles optiques, sur une image imprimée-scannée. Thèse réalisée au Laboratoire Hubert Curie

Prediction of the spectral reflectance of laser-generated color prints by combination of an optical model and learning methods

International audienceRecent color printing technologies based on the principle of revealing colors on pre-functionalized achromaticsupports by laser irradiation offer advanced functionalities, especially for security applications. However, for suchtechnologies, the color prediction is challenging, compared to classic ink-transfer printing systems. The spectralproperties of the coloring materials modified by the lasers are not precisely known and may strongly vary, dependingon the laser settings, in a nonlinear manner. We show in this study, through the example of the color laser marking (CLM) technology, based on laser bleaching of a mixture of pigments, that the combination of an adapted optical reflectance model and learning methods to get the model’s parameters enables prediction of the spectral reflectance of any printable color with rather good accuracy. Even though the pigment mixture is formulated from three colored pigments, an analysis of the dimensionality of the spectral space generated by CLM printing, thanks to a principal component analysis decomposition, shows that at least four spectral primaries are needed for accurate spectral reflectance predictions. A polynomial interpolation is then used to relate RGB laser intensities with virtual coordinates of new basis vectors. By studying the influence of the number of calibration patches on the prediction accuracy, we can conclude that a reasonable number of 130 patches are enough to achieve good accuracy in this application