45 research outputs found
Complexidade narrativa na televisão americana contemporânea
Uma nova forma de entretenimento tem surgido nas Ăşltimas duas dĂ©cadas conseguindo sucesso de pĂşblico e crĂtica na televisĂŁo americana. Tal modelo se diferencia por usar a complexidade narrativa como uma alternativa Ă s formas episĂłdicas e seriadas. O objetivo deste artigo Ă© remontar as caracterĂsticas formais deste modelo de narração, o storytelling, explorar as particularidades de seu modo de fruição e de compreensĂŁo, alĂ©m de apontar justificativas para sua emergĂŞncia nos anos 1990. Para entender este fenĂ´meno, precisamos utilizar a narratologia formal de modo a traçar sua estrutura e suas fronteiras, e ao mesmo tempo incorporar outros mĂ©todos para investigar como este modelo narrativo se cruza com os campos das indĂşstrias criativas, das inovações tecnolĂłgicas, das práticas participatĂłrias e da compreensĂŁo dos espectadores
Mindenki játszik
Adaptált digitalizált tankönyv. Az ELTE FogyatĂ©kosĂĽgyi Központja a fogyatĂ©kossággal Ă©lĹ‘ hallgatĂłk megsegĂtĂ©se cĂ©ljábĂłl tankönyveket adaptál. A tananyag akadálymentes, adaptált változata az arra jogosult (a fogyatĂ©kosĂĽgyi koordinátoroknál regisztrált) hallgatĂłk számára Ă©rhetĹ‘ el
Sites of participation: Wiki fandom and the case of Lostpedia
This essay explores the award-winning fan site Lostpedia to examine how the wiki platform enables fan engagement, structures participation, and distinguishes between various forms of content, including canon, fanon, and parody. I write as a participant-observer, with extensive experience as a Lostpedia reader and editor. The article uses the "digital breadcrumbs" of wikis to trace the history of fan creativity, participation, game play, and debates within a shared site of community fan engagement. Using the Lostpedia site as a case study of fan praxis, the article highlights how issues like competing fandoms, copyright, and modes of discourse become manifest via the user-generated content of a fan wiki
A filmes Ă©s a televĂziĂłs elbeszĂ©lĂ©s
Adaptált digitalizált tankönyv. Az ELTE FogyatĂ©kosĂĽgyi Központja a fogyatĂ©kossággal Ă©lĹ‘ hallgatĂłk megsegĂtĂ©se cĂ©ljábĂłl tankönyveket adaptál. A tananyag akadálymentes, adaptált változata az arra jogosult (a fogyatĂ©kosĂĽgyi koordinátoroknál regisztrált) hallgatĂłk számára Ă©rhetĹ‘ el
Scholarship in Sound and Image: Producing Videographic Criticism in the Digital Age
This two-week workshop, scheduled for June 2015, will gather scholars interested in producing critical work in a multi-media format. The workshop is designed for 12 participants, ranging in rank from advanced graduate students to full professors, whose objects of study involve audio-visual media, especially film, television, and other new digital media forms. In a workshop setting, we will consider the theoretical foundation for undertaking such innovative work, and we will experiment extensively with producing multi-media scholarly work, resulting in at least one work of publishable quality per participant. The goals will be to explore a range of approaches by using moving images as a critical language and to expand the expressive possibilities available to innovative humanists. The curriculum and work produced by the participants in the workshop will be featured in a special issue of [in]Transition, the first peer reviewed journal devoted exclusively to videographic criticism