2,120 research outputs found

    Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph

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    The continued growth in the interaction of photography with other media, together with a revived interest in analogue technologies in reaction against the growing digitisation of the image, have served to focus interest in the broader sensorial experience of the photograph. Film theory, using a range of ideas drawn from phenomenology and embodiment theory, provides a useful model through which to rethink our understanding of the way in which photographs are experienced at the level of the body. Working critically with a range of such ideas, this paper takes the example of photographs of the nuclear bombings of Hiroshima and Nagasaki, together with subsequent photographic projects based on those events, in order to further contribute to this rethinking of the sensorial experience of the photograph

    Flow, Just Flow: Variations on a Theme

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    Flow, Just Flow: Variations on a Theme Joel and Lila Harnett Museum of Art University of Richmond Museums, VA January 29 to June 28, 2013 Psychologist Mihaly Csikszentmihalyi first used the term “flow” in 1975 to describe “being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement, and thought follows inevitably from the previous one, like playing jazz.” Accordingly, this experience of single-minded immersion in an activity that is continuously challenging and rewarding is the secret to a vigorous and satisfying life. Also referred to as “being in the zone,” this state of flow is the launching point for this exhibition and online catalogue, which present a variety of media involving kinetic forms, non-static content generation, visitor interaction, and collective states of being. Twenty-four works of art by twenty-one artists of national and international origin explore a range of definitions and applications of the word “flow,” from dynamism and movement to ideas and communication. The exhibition is organized by University of Richmond Museums and curated by N. Elizabeth Schlatter, Deputy Director and Curator of Exhibitions, University Museums. The exhibition and programs are made possible in part by the University’s Cultural Affairs Committee, and funds from the Louis S. Booth Arts Fund. Additional support has been provided by grants from the Swiss Arts Council Pro Helvetia and the Austrian Cultural Forum, Washington, DC.https://scholarship.richmond.edu/exhibition-catalogs/1000/thumbnail.jp

    The Deepest Radio Study of the Pulsar Wind Nebula G21.5-0.9: Still No Evidence for the Supernova Shell

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    We report on sensitive new 1.4-GHz VLA radio observations of the pulsar wind nebula G21.5-0.9, powered by PSR J1833-1034, and its environs. Our observations were targeted at searching for the radio counterpart of the shell-like structure seen surrounding the pulsar wind nebula in X-rays. Some such radio emission might be expected as the ejecta from the <~ 1000 yr old supernova expand and interact with the surrounding medium. We find, however, no radio emission from the shell, and can place a conservative 3-sigma upper limit on its 1-GHz surface brightness of 7 x 10^-22 W/m^2/Hz/sr, comparable to the lowest limits obtained for radio emission from shells around other pulsar-wind nebulae. Our widefield radio image also shows the presence of two extended objects of low-surface brightness. We re-examine previous 327-MHz images, on which both the new objects are visible. We identify the first, G21.64-0.84, as a new shell-type supernova remnant, with a diameter of ~13' and an unusual double-shell structure. The second, G21.45-0.59, ~1' in diameter, is likely an HII region.Comment: 8 Pages, submitted to MNRA

    Bayesian Optimization in High Dimensions via Random Embeddings

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