16 research outputs found

    Women Artists in Revolution

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    This article is an encyclopedia entry in the Grove Encyclopedia of Art

    Lucinda Childs

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    This article is an encyclopedia entry in the Grove Encyclopedia of American Art

    Louise Fishman

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    This article is an encyclopedia entry in the Grove Encyclopedia of American Art

    Louise Nevelson

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    This article is an encyclopedia entry in the Grove Encyclopedia of American Art

    Review of \u3ci\u3eSculpture from the Sheldon Memorial Art Gallery\u3c/i\u3e Edited by Karen O. Janovy

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    The sculpture collection that is the subject of this book is worthy of priority consideration. This is a truly remarkable holding of major artists of the twentieth century. Although certain sculptors are missing from its stellar list, the overall quality of the works makes the Sheldon Memorial Art Gallery at the University of Nebraska a major center for the study of modern sculpture in the Great Plains. The visitor will find representative examples of Alexander Calder\u27s sculptural innovations, a remarkable painted steel giant by Mark di Suvero, and a powerful outdoor sculpture in cor ten steel by Richard Serra. The directors and curators responsible for forming this rich collection located sculpture from various periods in the twentieth century, including dada, early American modernism, direct carvings, and constructivism. Examples range from expressionistic figure studies to postwar abstract works. During her directorship, Janice Dreisbach has continued the perspicacious collecting policies of her two predecessors, Norman A. Geske, director for thirty years beginning in 1953, and George Neubert, whose stewardship of the gallery began in 1983 and continued until 2000. Under the able leadership of these art historians, the Sheldon Memorial Art Gallery has formed a substantial collection of nineteenth- and twentieth-century works. That said, the publication devoted to these works is somewhat problematic. Despite the inc\u27lusion of stunning color plates throughout, the catalogue does not approach the standards one would expect from a university art museum. After the congratulatory forewords, a perfunctory sweep through the history of modern sculpture by David Cateforis is followed by ninety individual entries by university faculty and a curator and staff from the Sheldon Memorial Art Gallery. The texts are uneven, with some entries including biographical details while others describe the specific example and quote statements by the artist

    Alexander Calder : Artist as Engineer

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    Then and Now: Recognition of Women Artists Since 1970

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    Karen Finley

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    This article is an encyclopedia entry in the Grove Encyclopedia of American Art

    Martha Wilson

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    This article is an encyclopedia entry in the Grove Encyclopedia of American Art
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