Faculty recital by Mary Davenport, contralto with Terry Decima, pianist, January 14, 1970

This is the concert program of Faculty Recital by Mary Davenport, contralto with Terry Decima, pianist on Wednesday, January 14, 1970 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Sì, Tra I Ceppi, from "Berenice" by George Frideric Handel, Summi Dei, from "Radamisto" by G. F. Handel, Empiò, Dirò Tu Sei from "Giulio Cesare" by G. F. Handel, Four Last Songs by Ralph Vaughan Williams, Le Promenoir der deux Amants by Claude Debussy, Noël des enfants qui n'ont plus de maison by C. Debussy, and Wesedonk Lieder by Richard Wagner. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Liste des électeurs bayonnais de 1785

Archives municipales de Bayonne, cote 1K.1. Ce document historique, dont les historiens n'avaient pas connaissance, a été découvert et retranscrit par Hector Iglesias en 1998.« Liste des habitans, électeurs et éligibles de la ville et banlieu de Bayonne » : noms de baptême et patronymes des chefs de famille bayonnais en 1785 suivis du nom des principaux héritages des faubourgs de Bayonne au XVIIIème siècle (toponymes devenus aujourd'hui des noms de rues)

What the Kindertransportees tell us about the acquisition of English

The study is mainly based von narrative interviews that I have collected in 2017 and 2018 with people from former Refugee children, among them Kinder of the Kindertransport (1938/39), an almost exclusively Jewish group of migrants to the UK from Nazi Germany, as well as from Austria, Poland and the then Czechoslovakia (vgl. Thüne 2019, Gerettet). In this article I focus on the question what they remember from the process of language learning. And above all, how did they deal with the abrupt change of language and culture? As a linguist, my interest centres on questions such as whether these people – who today of course have reached an advanced age – are still able to speak German, what sort of attitude they have towards the German language, and whether or not they have maintained an active role for it in their families

'Ade, ich far dahin': Zur Inszenierung und Semantisierung des Abschieds im Strassburger Eulenspiegelbuch

This article offers a close textual analysis of the Strassburger Eulenspiegelbuch, paying particular attention to the narrative motif of departures. As an outsider-figure par excellence Eulenspiegel is always travelling, always forced to leave one place and move on to the next. It will be shown here how certain very specific narrative techniques are developed in this text to describe these numerous moments of departure in ways which are both comically effective and thematically resonant

Léo Malet – og Georges Bataille

Paris havde i 30’erne et sprudlende kulturelt miljø, hvor lokale intellektuelle og kunstnere blandedes med flygtninge fra kommunisme, nazisme og fascisme, hvor marxister, anarkister, dadaister, surrealister og alle mulige andre politiske og videnskabelige grupperinger inspirerede hinanden på kryds og tværs. I et surrealistisk hjørne af denne vrimmel mødtes gruppen Contre-Attaque , altså Mod-angreb i 1935 og underskrev et manifest rettet mod den nyetablerede franske folkefrontsregering. Manifestet kræver en ny politik, nemlig at regeringens passive anti-fascisme vendes til en aktiv anti-fascisme. Blandt underskriverne var digteren Léo Malet, og manifestet var sandsynligvis forfattet af Georges Bataille. Det er denne spinkle forbindelse, som jeg har benyttet som anledning til at præsentere det krimi-univers, som Malet udviklede i 40’erne og 50’erne. Bataille kender jeg nemlig særdeles godt, og hvis man inddrager Batailles filosofi fra samme periode i analysen af Malets tekst, så tyder meget på, at deres bekendtskab og fælles rødder i det nævnte miljø har haft stor betydning for de temaer, de senere kredser om litterært og filosofisk. Første afsnit handler om den særlige genre, krimi’en, hvor Malet imidlertid typisk overses. Andet afsnit introducerer Malet, og tredje præsenterer to fælles temaer med udgangspunkt i Malets og Batailles henvisninger til Sade og Baudelaire, nemlig død og erotik. Det vises, hvordan hvordan de for Bataille er tæt forbundne, og i Malets fremstilling af det erotiske forhold mellem mand og kvinde skabes en kvindefigur, der adskiller sig markant fra dem, man typisk møder i krimi-genren. Fjerde afsnit ser på den politiske ideologi, der viderebringes med de kulturelle normer, der gøres gældende i Malets krimi’er, nemlig småborgerskabets anarkisme, der stadig spiller en stor rolle for den post-moderne venstrefløjs forestillinger om det ideale samfund

Digest of the Philadelphia College of Osteopathic Medicine (Fall 2002)

The Fall 2002 Digest of the Philadelphia College of Osteopathic Medicine includes the following articles: Opening Remarks PCOM Updates Alumnus Marks 100th Birthday Cover Story: College Moves Forward with Strategic Plan Aging and the Immune Response Class Notes In Memoriam My Turn 2003 Annual Fund PCOM Eventshttps://digitalcommons.pcom.edu/digest/1184/thumbnail.jp

AGRESTE project: Agricultural resources investigations in northern Italy and southern France

The author has identified the following significant results. Recognition of rice varieties at the flowering stage by using airborne scanner data at low altitude (1500 m) seems to be feasible. The accuracies obtained on a reduced test area (3 sq km) range from 65% to 83%. Variations of a single cultural factor, such as nitrogen fertilization, induce variations of the total rice biomass at harvest, which can be correlated closely to the values of the reflectance ratio at earing. When grain production is correlated to total biomass, prediction of yield can be achieved based on reflectance data measured two months before harvest

Campus Crier

Student newspaper for Central Washington University for January 14, 1955https://digitalcommons.cwu.edu/cwu_student_newspaper/1794/thumbnail.jp

The Illinois State University Symphony Orchestra

Capen Auditorium Wednesday, October 30, 1968 8:15p.m