27 research outputs found

    Eating (With) You: Exploring Slow Intimacy in the Book of Song of Songs and Written on The Body by Jeannette Winterson, Through the Lens of Food

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    This article explores the link between sex and food imagery to cultivate a sense of slow intimacy in an ancient and contemporary ode to love. The delicious, nutritious, and indulgent nature of food used in both the Hebrew Bible book Song of Songs and Jeannette Winterson’s novel, Written on the Body, helps us consider the sheer delight of communion between partners. Not only are the bodies of the lovers described in terms of food imagery but also the very act of eating together serves as a way to capture the intimacy and the ecstasy associated with the sexual union. However, it will also be shown how food and eating point to the fleetingness of bodies that live, love, and decay, contemplating the significance of slow intimacy through all of life’s stages

    Going home? Exiles, inciles and refugees in the Book of Jeremiah

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    Set against the backdrop of the Babylonian Invasion and Exile, the Book of Jeremiah represents a variety of different perspectives on how to survive imperial domination. This article explores three competing visions that can be described in terms of the tension that exists between the pro-golah group that propagated life in Babylon, the anti-golah group that saw the hope for the future back home and the group of refugees who in the aftermath of the Mizpah massacre found themselves fleeing to Egypt. In the current context of global migration, this article considers theological and ethical perspectives generated by the engagement with Jeremiah on home and homecoming in a context where there is no good option

    “Sometimes I Feel like a Motherless Child:” Considering the Metaphor of Divine Adoption in the Context of Trauma

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    This article will explore the rhetorical and theological significance of the metaphor of divine adoption in the Hebrew Bible. In Ps 22:10–11 and Ps 71:6–9 God is not only said to pull the psalmist out of his/her mother’s womb, but in a context in which many mothers all too often died in childbirth, the newborn is cast upon God who steps in as the adoptive mother. This idea of divine adoption is further found in Psalm 68:5 when God is described as the “Father of orphans… [who] gives the desolate a home to live in”. And in Psalm 27:9–10, God is praised by the psalmist as “God of my salvation!” saying that “if my father and mother forsake me, the Lord will take me up”. In a context in which fathers and mothers either have died or have forsaken their children, God is thus portrayed as the adoptive parent who, as evident in the creative reinterpretation of Ps 68:5 in the African American spiritual referenced in the title of the essay serves as “Mother to the motherless, and father to the fatherless”. I argue that when it is important to keep in mind the complexities associated with this metaphor, which includes not only the multiple layers of trauma associated with the origin and reception of this metaphor but also the trauma associated with the adoptive process and the ongoing relationship between parent and adopted child that may be fraught with ambiguity. Read in the context of individual and collective trauma, this article makes a case for the interpretative potential of this metaphor in times when people literally and figuratively have felt, and still may be feeling, like motherless (and fatherless) children

    Feminist Biblical Interpretation

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    This article offers a critical reflection on feminist biblical interpretation that, over the past forty plus years, has contributed greatly to changing the face of Christian biblical scholarship. After offering a definition, as well as an overview of the field of feminist biblical interpretation focusing particularly on the compendiums that seek to map the field, this essay identifies four topics as offering a creative means to reflect on the goals of feminist biblical interpretation that seeks to deconstruct and challenge harmful interpretations of scripture while also reconstructing and reimagining life-giving interpretations from those same texts: (1) voice, (2) gender-based violence, (3) agency/resistance, and (4) identity. Within the framework of these four topics, this entry will share some examples of the rich contributions of feminist biblical interpreters to the field, highlighting the development in thought and emphasis over the years. This article will also showcase the diversity of the exegetical approaches that may be found under the overarching umbrella of feminist biblical interpretation, in addition to reflecting on the common goals, challenges, and unresolved questions associated with this approach that had such an impact on the field of biblical studies

    Finding Words in the Belly of Sheol: Reading Jonah’s Lament in Contexts of Individual and Collective Trauma

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    By reading Jonah’s lament in Jonah 2 through the lens of trauma hermeneutics, this article will try to better understand the words that have been assigned to the main character Jonah, which represent a community’s deep sorrow in the aftermath of the unspeakable horrors of warfare. Read as an attempt to ascribe meaning to individual and collective trauma, I propose that Jonah’s lament in Jonah 2 taps into the metaphors and images available in the lament tradition of the Book of Psalms. The application of symbolic language in ascribing meaning to traumatic events is particularly significant, and may help us derive new layers of meaning from the words placed into the mouth of the prophet who finds himself in the belly of Sheol

    “Sometimes I Feel like a Motherless Child:” Considering the Metaphor of Divine Adoption in the Context of Trauma

    No full text
    This article will explore the rhetorical and theological significance of the metaphor of divine adoption in the Hebrew Bible. In Ps 22:10–11 and Ps 71:6–9 God is not only said to pull the psalmist out of his/her mother’s womb, but in a context in which many mothers all too often died in childbirth, the newborn is cast upon God who steps in as the adoptive mother. This idea of divine adoption is further found in Psalm 68:5 when God is described as the “Father of orphans… [who] gives the desolate a home to live in”. And in Psalm 27:9–10, God is praised by the psalmist as “God of my salvation!” saying that “if my father and mother forsake me, the Lord will take me up”. In a context in which fathers and mothers either have died or have forsaken their children, God is thus portrayed as the adoptive parent who, as evident in the creative reinterpretation of Ps 68:5 in the African American spiritual referenced in the title of the essay serves as “Mother to the motherless, and father to the fatherless”. I argue that when it is important to keep in mind the complexities associated with this metaphor, which includes not only the multiple layers of trauma associated with the origin and reception of this metaphor but also the trauma associated with the adoptive process and the ongoing relationship between parent and adopted child that may be fraught with ambiguity. Read in the context of individual and collective trauma, this article makes a case for the interpretative potential of this metaphor in times when people literally and figuratively have felt, and still may be feeling, like motherless (and fatherless) children

    Reading trauma narratives : insidious trauma in the story of Rachel, Leah, Bilhah and Zilpah (Genesis 29-30) and Margaret Atwood’s The Handmaid’s Tale

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    CITATION: Claassens, L. J. M. 2020. Reading trauma narratives : insidious trauma in the story of Rachel, Leah, Bilhah and Zilpah (Genesis 29-30) and Margaret Atwood’s The Handmaid’s Tale. Old Testament Essays, 33(1):10–31, doi:10.17159/2312-3621/2020/v33n1a3.The original publication is available at https://ote-journal.otwsa-otssa.org.zaThis article investigates the notion of insidious trauma as a helpful means of interpreting the story of Rachel, Leah, Bilhah and Zilpah as told in Genesis 29-30 that has found its way into the haunting trauma narrative of Margaret Atwood’s The Handmaid’s Tale. In the first instance, this article outlines the category of insidious trauma as it is situated in terms of the broader field of trauma hermeneutics, as well as the way in which it relates to the related disciplines of feminist and womanist biblical interpretation. This article will then continue to show how insidious trauma features in two very different, though intrinsically connected trauma narratives, i.e., the world imagined by Atwood in The Handmaid’s Tale, and the biblical narrative regarding the four women through whose reproductive efforts the house of Israel had been built that served as the inspiration for Atwood’s novel. This article argues that these trauma narratives, on the one hand, reflect the ongoing effects of systemic violation in terms of gender, race and class, but also how, embedded in these narratives there are signs of resistance that serve as the basis of survival of the self and also of others.Publisher's versio

    "Trampling out the vintage where the grapes of wrath are stored" : assessing the legacy of "The Battle Hymn of the Republic"

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    Please cite as follows:Claassens, L.J. 2014. “Trampling out the vintage where the grapes of wrath are stored.” Assessing the legacy of “The Battle Hymn of the Republic”. Nederduitse Gereformeerde Teologiese Tydskrif, 55(3 & 4): 557-577, doi:10.5952/55-3-4-653.The original publication is available at http://ojs.reformedjournals.co.za“The Battle Hymn of the Republic,” written in 1861 by Julia Howe in the context of the American Civil War, indeed has a rich reception history in American public discourse and popular culture. So this hymn was cited by Martin Luther King in his last speech before being assassinated in 1968; it was sung at the memorial service for 9/11 at the National Cathedral in Washington DC and most recently at Barack Obama’s inauguration service in January 2013. Th is hymn moreover has served as inspiration for John Steinbeck’s novel, The Grapes of Wrath as well as John Updike’s novel In the Beauty of the Lilies. And yet, this hymn is steeped in violence as it draws on biblical imagery that imagines God as a violent warrior who will deal decisively with God’s enemies. Th e first stanza in particular utilizes imagery of God trampling the wine press in Isaiah 63 in which the blood of the enemies are staining God’s robes red, which in turn is picked up by the author of the book of Revelation. Th is violence at the heart of the “Battle Hymn” is problematic indeed. As Dominic Tierney writes in an article in The Atlantic, “the ‘Battle Hymn’ is a warrior’s cry and a call to arms. Its vivid portrait of sacred violence captures how Americans fight wars, from the minié balls of the Civil War to the shock and awe of Iraq” (Nov 4, 2010). In this paper, I will investigate the complex reception history of this popular hymn in (American) public discourse as well as its biblical origins in the portrayal of God and violence in prophetic literature of the Old Testament. I will ask whether the violent origins of the divine metaphor hamper its applicability to just causes such as the fi ght for gender and racial justice. This question is particularly important to consider as we are faced globally with the question of how God is invoked in public discourse – most recently in my South African context by President Jacob Zuma, who famously has said that the ANC would rule until Jesus will come again. In an address to the 33rd Presbyterian Synod in Giyani, Limpopo in October 2013, Pres Zuma is reported to have invoked the wrath of God upon those individuals who do not respect his leadership, raising disconcerting questions regarding the link between divine violence and violence in political discourse.http://ojs.reformedjournals.co.za/index.php/ngtt/article/view/436Publisher's versio
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