Feminine Purity and Masculine Revenge-Seeking In \u3ci\u3eTaken\u3c/i\u3e (2008)

The 2008 film Taken depicts the murderous rampage of an ex-CIA agent seeking to recover his teenage daughter from foreign sex traffickers. I argue that Taken articulates a demand for a white male protector to serve as both guardian and avenger of white women\u27s “purity” against the purportedly violent and sexual impulses of third world men. A neocolonial narrative retold through film, Taken infers that the protection of white feminine purity legitimates both male conquest abroad and overbearing protection of young women at home. I contend that popular films such as Taken are a part of the broader cultural system of representing social reality that elicit popular adherence to common-sense myths of white masculinity, feminine purity, and Orientalism

Deriving the First Law of Black Hole Thermodynamics without Entanglement

In AdS/CFT, how is the bulk first law realized in the boundary CFT? Recently, Faulkner et al. showed that in certain holographic contexts, the bulk first law has a precise microscopic interpretation as a first law of entanglement entropy in the boundary theory. However, the bulk can also satisfy a first law when the boundary density matrix is pure, i.e. in the absence of entanglement with other degrees of freedom. In this note we argue that the bulk first law should generally be understood in terms of a particular coarse-graining of the boundary theory. We use geons, or single-exterior black holes, as a testing ground for this idea. Our main result is that for a class of small perturbations to these spacetimes the Wald entropy agrees to first order with the one-point entropy, a coarse-grained entropy recently proposed by Kelly and Wall. This result also extends the regime over which the one-point entropy is known to be equal to the causal holographic information of Hubeny and Rangamani.Comment: 18 pages, 2 figures. v3: minor changes to agree with published version, v2: added a few references and a comment in section 4 on uniqueness of the main resul

Grief: Putting the Past before Us

Grief research in philosophy agrees that one who grieves grieves over the irreversible loss of someone whom the griever loved deeply, and that someone thus factored centrally into the griever’s sense of purpose and meaning in the world. The analytic literature in general tends to focus its treatments on the paradigm case of grief as the death of a loved one. I want to restrict my account to the paradigm case because the paradigm case most persuades the mind that grief is a past-directed emotion. The phenomenological move I propose will enable us to respect the paradigm case of grief and a broader but still legitimate set of grief-generating states of affairs, liberate grief from the view that grief is past directed or about the past, and thus account for grief in a way that separates it from its closest emotion-neighbor, sorrow, without having to rely on the affective quality of those two emotions.If the passing of the beloved causes the grief but is not what the grief is about, then we can get at the nature of grief by saying its temporal orientation is in the past, but its temporal meaning is the present and future—the new significance of a world with the pervasive absence that is the world without the beloved. The no-longer of grief is a no-longer oriented by a past that is referred a present and future. Looking at the griever’s relation to time can tell us much about the pain and the object of grief, then. As the griever puts the past before himself with a certainty about this world “henceforth,” a look at the griever’s lived sense of the fi nality of the irreversibly lost liberates grief from the tendency in the literature to be reduced to a past-directed emotion, accounts for grief ’s intensity, its affective force or poignancy, and thus enables us to separate grief from sorrow according to its intentionalobject in light of the temporal meaning of these emotions

Business on television: continuity, change and risk in the development of television’s ‘business entertainment format’

This article traces the evolution of what has become known as the business entertainment format on British television. Drawing on interviews with channel controllers, commissioners and producers from across the BBC, Channel 4 and the independent sector this research highlights a number of key individuals who have shaped the development of the business entertainment format and investigates some of the tensions that arise from combining entertainment values with more journalistic or educational approaches to factual television. While much work has looked at docusoaps and reality programming, this area of television output has remained largely unexamined by television scholars. The research argues that as the television industry has itself developed into a business, programme-makers have come to view themselves as [creative] entrepreneurs thus raising the issue of whether the development off-screen of a more commercial, competitive and entrepreneurial TV marketplace has impacted on the way the medium frames its onscreen engagement with business, entrepreneurship, risk and wealth creation

Study of cross-correlation systems analyses Final report, Jun. 29, 1965 - Aug. 31, 1966

Articles summarizing results of methods and hardware survey for dynamic pressure measurement in wind tunnel and flight test

Tunneling into a Fractional Quantum Hall System and the Infrared Catastrophe

We calculate the tunneling density of states of a two-dimensional interacting electron gas in a quantizing magnetic field. We show that the observed pseudogap in the density of states can be understood as the result of an infrared catastrophe in a noninteracting electron model. This catastrophe stems from the response of an electronic system to the potential produced by the abruptly added charge during a tunneling event. Our formalism can be applied at any filling factor without the use of Chern-Simons or composite fermion theory