Gravity and height variations during the present rifting episode in Northern Iceland

In 1975, a rifting episode started in the neovolcanic zone of northern Iceland, consisting of a succession of slow inflation periods and rapid subsidence events, which is still going on. The center of activity is situated below the Krafla caldera, and the rifting process is affecting the 80-km-long fissure swarm associated with this central volcano. Gravity and height variations associated with this process have been investigated by re-observing profiles earlier established in the Namafjall and in the Gjastikki area, situated nearly 10 km south and north of Krafla respectively, as well as by the re-observation of a number of gravity stations in the northern part of the fissure zone, in 1976, 1977, and 1978. By repeated observations with 2 or 3 LaCoste-Romberg gravity meters, the accuracy obtained in each gravity survey is of the order of ± 10 x 10-8 ms-2. In the profiles crossing the fissure zones, a rate of gravity increase of more than 100 x 10-8 ms-2/a has been found in the central part, while gravity at the flanks decreases at the same order. These variations are correlated with subsidence and elevation rates of the order of 0.5 m/a.           ARK: https://n2t.net/ark:/88439/y060150 Permalink: https://geophysicsjournal.com/article/268 &nbsp

Strike, occupy, transform! Students, subjectivity and struggle

This article uses student activism to explore the way in which activists are challenging the student as consumer model through a series of experiments that blend pedagogy and protest. Specifically, I suggest that Higher Education is increasingly becoming an arena of the postpolitical, and I argue that one of the ways this student-consumer subjectivity is being (re)produced is through a series of ‘depoliticisation machines’ operating within the university. This article goes on to claim that in order to counter this, some of those resisting the neoliberalisation of higher education have been creating political-pedagogical experiments that act as ‘repoliticisation machines’, and that these experiments countered student-consumer subjectification through the creation of new radical forms of subjectivity. This paper provides an example of this activity through the work of a group called the Really Open University and its experiments at blending, protest, pedagogy and propaganda

Forging volumetric methods

The last two decades have seen a “volumetric turn” within Anglophone social sciences and humanities scholarship. This turn is premised on the idea that space may be better understood in three-dimensional terms – with complex heights and depths – rather than as a series of two-dimensional areas or surfaces. While there is an increasingly diverse and rich set of scholarship accounting for voluminous complexities in the air, oceans, ice, mountains, and undergrounds, all too often this work foregrounds state and military-led approaches to volume. This has resulted in a limited methodological toolkit through which to explore voluminous complexities as they emerge and extend beyond military and state contexts. Often reliant on elite interviews, archives, and cartographies, there has been little critical discussion of both methodological practice and the “flatness” of research outputs articulating three-dimensional worlds. In this paper we address this by foregrounding the role of immersive and multisensory methodologies (sounding volumes, seeing-sensing drone volumes, and object volumes). To conclude, we offer avenues for further inquiry, including attending to shifting everyday voluminous experiences in the Anthropocene, and the need to diversify the communication of “volume” research

IMAGING A SUSTAINABLE FUTURE IN 3D

It is the intention of this paper, to contribute to a sustainable future by providing objective object information based on 3D photography as well as promoting 3D photography not only for scientists, but also for amateurs. Due to the presentation of this article by CIPA Task Group 3 on "3D Photographs in Cultural Heritage", the presented samples are masterpieces of historic as well as of current 3D photography concentrating on cultural heritage. In addition to a report on exemplarily access to international archives of 3D photographs, samples for new 3D photographs taken with modern 3D cameras, as well as by means of a ground based high resolution XLITE staff camera and also 3D photographs taken from a captive balloon and the use of civil drone platforms are dealt with. To advise on optimum suited 3D methodology, as well as to catch new trends in 3D, an updated synoptic overview of the 3D visualization technology, even claiming completeness, has been carried out as a result of a systematic survey. In this respect, e.g., today's lasered crystals might be "early bird" products in 3D, which, due to lack in resolution, contrast and color, remember to the stage of the invention of photography