Jack Kerouac\u27s spontaneous prose: a performance genealogy of the fiction

This study analyzes Jack Kerouac’s writing method of spontaneous prose and articulates how the method can be understood as performative writing. Kerouac’s “Essentials of Spontaneous Prose,” On the Road, Visions of Cody, and Doctor Sax are explored to evaluate both the successes and failures of the author’s attempts to break literary boundaries and create a new writing method based upon spontaneous tenets. These three novels, which were written in succession from 1950 to 1953 when Kerouac was in his most productive period, represent both the emergence and dissent of the author’s use of performative writing. To explicate the cultural genesis and dissemination of Kerouac’s writing method, the historiographical method of performance genealogy is utilized to address two fictions operating within the larger discourse surrounding Kerouac. First, by focusing on the author’s works rather than on his biographical life, this study seeks to contribute to our understanding of Kerouac’s status as an author and as a performer of fiction. Second, by focusing on the cultural historicity of his writing method, it is argued that Kerouac’s method of spontaneous prose is a much more complicated approach to novelistic discourse than both his earlier critics and some contemporary fans have acknowledged. By addressing spontaneous prose as a method of performative writing, this study articulates what spontaneous prose is and what it does. To this end, the study tracks the doing of spontaneity over the course of three separate literary performances of the novel. As the genealogical trajectory of the writing method demonstrates, in On the Road Kerouac has only begun to implement the changes he wanted to explore after discovering his literary method. Visions of Cody represents the author’s commitment to the writing method, but as its series of literary experiments shows, Kerouac is not yet able to balance his writing method with a sustained approach to narrative story telling. Finally, in Doctor Sax, Kerouac is able to achieve what his two earlier novels had not. That is, a synthesis between the form of invention and the subjects of invention themselves. Implications for performance studies and performative writing are explored

Theodore Dwight Weld's use of the judicial motif in American Slavery As It Is: Testimony of a Thousand Witnesses

This thesis examines the rhetoric of Theodore Dwight Weld's American Slavery As It Is: Testimony of a Thousand Witnesses. Published anonymously in 1839, Weld's publication became the longest antislavery tract in American history. It left its mark on the abolitionist movement itself and future antislavery literary works most notably Uncle Tom's Cabin. Despite its historical and rhetorical importance, Weld's text has been subjected to little critical exploration. This being the case, it is the goal of this study to find the dominant means of persuasion that Weld used to argue to antebellum northern audiences that slavery is evil and should be abolished. Weld accomplishes this goal by using a judicial motif throughout his tract. In his text, Weld acts as prosecutor and asks his readers to act as jurors in judging the legitimacy of slavery in the United States. In doing so, Weld relies on evidence in the form of testimony and newspaper advertisements to prove his arguments. I utilize the Hermagorian system of stasis to shed light on Weld's use of the judicial motif. This system points to four main questions, which represent the main stands of argument between a prosecutor and defense. The four main questions are the stases of conjecture, definition, quality, and objection. Under the stasis of conjecture I show that Weld demonstrates that slavery results when individuals are motivated by absolute arbitrary power. Under the stasis of definition I argue that the South offered the justifications of "necessary evil" and "positive good" in linking their way of life to the institution of slavery. Weld rejects these justifications and establishes his own account of slavery to be a thirst for absolute power over others. In the third stasis of quality I show that Weld argues that human nature is against slavery and therefore, should be abolished. In the last stasis of objection I show that Weld answers the question of whether abolitionists are justified in condemning slavery. Using The Hermagorian system of stasis shows that although each one is applicable to an analysis of Weld's tract, the stases of quality and objection are the most fruitful in establishing the effectiveness of Weld's rhetoric. By combining both emotion and logic for his jurors, Weld accomplishes his role as prosecutor in the case. Once his jurors act in accordance to the judicial motif as members of humanity and see the slaves in the same light, they are forced to bring back a just verdict of guilty because slavery is against the very essence of humanity itself

Search for intermediate-mass black hole binaries in the third observing run of Advanced LIGO and Advanced Virgo

International audienceIntermediate-mass black holes (IMBHs) span the approximate mass range 100−105 M⊙, between black holes (BHs) that formed by stellar collapse and the supermassive BHs at the centers of galaxies. Mergers of IMBH binaries are the most energetic gravitational-wave sources accessible by the terrestrial detector network. Searches of the first two observing runs of Advanced LIGO and Advanced Virgo did not yield any significant IMBH binary signals. In the third observing run (O3), the increased network sensitivity enabled the detection of GW190521, a signal consistent with a binary merger of mass ∼150 M⊙ providing direct evidence of IMBH formation. Here, we report on a dedicated search of O3 data for further IMBH binary mergers, combining both modeled (matched filter) and model-independent search methods. We find some marginal candidates, but none are sufficiently significant to indicate detection of further IMBH mergers. We quantify the sensitivity of the individual search methods and of the combined search using a suite of IMBH binary signals obtained via numerical relativity, including the effects of spins misaligned with the binary orbital axis, and present the resulting upper limits on astrophysical merger rates. Our most stringent limit is for equal mass and aligned spin BH binary of total mass 200 M⊙ and effective aligned spin 0.8 at 0.056 Gpc−3 yr−1 (90% confidence), a factor of 3.5 more constraining than previous LIGO-Virgo limits. We also update the estimated rate of mergers similar to GW190521 to 0.08 Gpc−3 yr−1.Key words: gravitational waves / stars: black holes / black hole physicsCorresponding author: W. Del Pozzo, e-mail: [email protected]† Deceased, August 2020