7 research outputs found
Comedian Hosts and the Demotic Turn
Podcasting is a showcase for what cultural studies scholar Graeme Turner coined “the demotic turn” or the increasing visibility of the ordinary person in the today’s media landscape. Collins argues that the emergence of a particular breed of podcasts – comedian-hosted interviews with celebrities – function in an “off-label” manner as a form of self-help or vicarious therapy. The emergence and rapid growth of this genre can attributed to three main factors: a confessional culture, the triumph of experience over expertise, and the democratization allowed by the form’s technology. She explores the link between emotional intimacy and comedy, and analyzes podcasts like Marc Maron’s WTF that are, in expression, a rejection of the pedestal version of stardom
Digital development: Using the Smartphone to enhance screenwriting practice
© Max Schleser, Marsha Berry 2018. In his chapter "Smartphone Screenwriting: Creativity, Technology, and Screenplays-on-the-Go", Craig Batty argues that while technological advances might seemingly be breeding new types of screenwriting practice via apps and digital tools, in fact they are almost exclusively responding to market demands and facilitating existing, rather than inspiring new, practices: "every tool and app is still reliant on what the screenwriter brings to it" (Batty, p. 113, in: Berry and Schleser (eds) Mobile Media Making in an Age of Smartphones. Palgrave, New York, 2014). The question still remains: if technology can determine the type, style and form of screen media being produced (e.g. smartphone filmmaking, the web series), can it also influence the ways these works are written, beyond replicating what happens in the analogue world? How might the capabilities of mobile media shape and enhance the story-making practices of a screenwriter